99 Women

New inmate Marie (Maria Rohm) arrives at an island prison in the women's sector and receives the number 99. The inmates are controlled by the sadistic lesbian warden Thelma Diaz and Governor Santos (Herbert Lom) and submitted to torture, rape and lesbianism.

Apparently, this film "kicked off the genre in a new direction" and "was a big box office success in the U.S. in 1969." I find this somewhat hard to believe... because as much as I love exploitation and Jess Franco, this just is not all that great. Even with veteran actor Herbert Lom, it more or less has just a group of women wandering around doing a whole lot of nothing.

Not surprisingly, Franco continued to make more films in this genre, probably turning a quick profit: Women in Cell Block 9 (1978), Ilsa, The Wicked Warden (1977), Barbed Wire Dolls (1975), Women Behind Bars (1975), and Sadomania (1980).

This flick was made a year after the notorious "Love Camp 7", and it ain't as nasty as that and compared to Jess Franco later WIP sickies like "Sadomania" - "99 Women" is kinda tame but there's plenty of cheap thrills, groovy broads and Herbert (Mark Of The Devil) Lom in top form! It's also a wellmade film with a fun (yet dated) soundtrack. The infamous UK censors cut over 30 min. of the running time, so get the uncut version!

A must for Francophiles!

Does the world really need all these 'Women in Prison' flicks? The legendary director Jess Franco apparently seemed to think so, because almost half of the titles that fall under this category are his. There's also a lot of variation in this questionable sub genre of cult-cinema - largely determined by how old they are - as most of them are really nasty and exploitative whereas some (the pioneers mainly) are more sensual and emphasizing on the drama-elements. "99 Women", at least the original non-hardcore version, got released during the earliest stage of "W.I.P" madness and thus Franco was still clearly 'exploring' how far he could go with inserting lesbian sleaze and brutal whippings. The later ones are a non-stop series of tasteless sex and raw violence, but this film actually has a remotely decent script and an above-average amount of stylish elements. A small island in the Pacific Ocean serves as a gigantic prison, with a fort for women in one corner and one for men in the other. Female prisoners n° 97, 98 and 99 arrive one morning by boat and they immediately meet the sadistic head warden Thelma and the sleazy Governor Santos. The girls are punished and put in isolation cells for no reason and lethal 'accidents' appear to be a regular routine. Just because so many prisoners die, the government sends a new female principal to the island. She makes efforts to befriend the prisoners, particularly the beautiful & innocent Marie, but the wicked old headmistress constantly boycotts her. "99 Women" isn't the most exciting movie ever, as many sequences are dreadfully slow and pointless, and there's a serious lack of continuity. The locations are very nice looking and the photography is occasionally even elegant, but sadly it's all just an empty package. If you don't purchase the X-rated version, you won't have much sleazy goodness to admire. "99 Women" is incredibly tame, with only a couple of scarcely dressed women cat-fighting and some lesbian experimenting. The cast is really good, though, with the ravishing regular Franco-nymphs Maria Rohm ("The Bloody Judge", "Eugenie") and Rosalba Neri ("Amuck!", "Lady Frankenstein") playing likable characters. Herbet Lom is awesome as the fiendish, nudity-obsessed (can you blame him?) governor. Mainly just recommended to Francophiles.

Ah, women-in-prison and Jesus Franco. What can we expect.

It really depends on the version you watch, as there are versions from 70 minutes (UK) to 99 minutes (Argentina). The US and Sweden have 86 minute versions, although Sweden banned even that. This is a 90 minute unrated version.

One does not expect to find a double Golden Globe and Oscar winner in a Jesus Franco film, but here she is - Mercedes McCambridge (All the King's Men - 1949) as the prison superintendent.

Also Maria Schell, who has 2 BAFTA Film Award nominations and another 14 awards, as an inspector from the Ministry. She did get prisoner 99 (Maria Rohm) out of solitary on her first day.

More expected is Herbert Lom as the Governor, the only surviving member of The Ladykillers (1955), and a Razzie nominee for King Solomon's Mines.

It appears Franco was going for quality as it is more than a half hour in before we see a breast, and some girl-on-girl action. Even that was shot with a lot of Vaseline on the camera. Don't the women in this prison take showers? Marie (99), Zoe (Rosalba Neri), and Rosalie (Valentina Godoy) attempt to cross 30 miles of snake-infested jungle and swamp at night to escape. yeah, right. They find a lily-covered pond that looks the same as the one in Virgin among the Living Dead.

Of course, it isn't the snakes on the ground they have to worry about, but the snakes attached to the dozen male prisoners that saw them and are running after them. One doesn't make it.

A good drama with some famous actors, but disappointing as a WIP exploitations.

Given Jess Franco's penchant for uber-strange, dream-like, over-sexed affairs, this comes off as one of his tamest and most main stream movies...as main stream as WIP flicks can be that is.

The film follows follows a familiar pattern. A group of girls are brought to an inescapable fortress/prison were they are to serve out their sentence. The lead girl (played by the lovely Maria Schell) may or may not be innocent, regardless she decides she does not wish to remain in the inhospitable place any longer than she has to and an escape attempt forms.

As would be expected, the prison is host to assorted debauchery and sadism on the part of the prison staff. Prisoners are mistreated, dehumanized, etc. Compared to most any other WIP flick out there, this one is pretty clean content wise. Some clothed cat fights, limited nudity and one harsh (though thankfully brief) rape scene are the most the film offers in terms of exploitation.

Technically speaking, I would argue that this is Franco's most accomplished film. Light, color, sound are all good; even his use of camera angles exceeds what would normally be expected of him. The acting is all around what would be expected from this sort of affair, with the notable exception of Herbert Lom, who manages to be both a creep and oddly likable. A major down point is the script, which is so cut-n-dry that it never does a whole lot of anything.

An actually good Franco movie that may be too tame for his more fetish fans, but certainly worth a look.

(Note: This review is based on the regular edition of the film and not the badly re-edited hardcore version) 7/10