The Babysitter

Babysitter, The (1969)

** 1/2 (out of 4)

Fairly crazy drive-in flick has the future D.A. (George E. Carey) about to take on an important case of a biker killing a woman. He's having trouble at home with his unloving wife (Anne Bellamy) but soon finds comfort with his underage babysitter Candy (Patricia Wymer). The biker's girlfriend plans on blackmailing the D.A. because his daughter is a lesbian but she gets better stuff when she realizes the babysitter is doing more than just watching kids. This thing packs a lot of "story" into its short 75-minute running time but that's okay because it makes for one wild ride as far as "B" drive-in films go. This is certainly one of those "groovy" movies aimed at teenagers at drive-ins and on that level the film works because it's not a great piece of art yet it does keep you entertained with its nudity, silly story and insane dialogue, which includes plenty of "peace of love" hippie talk. The greatest line is when the elder D.A. says everyone would benefit from "a little hippie in them". Another great line is when the D.A., taking the babysitter out, says that he respects teens because of their willingness to try new things like tacos!!! Yes, tacos were apparently a way to show freedom. Wymer does a very good job in her role as the young babysitter who wants to experience life as well as teach an older man how to life. She's certainly cute enough for the role but she also has enough charm to make you understand how the old man would get caught up with her. She also comes off appearing to have a brain in her head, which also helps make her character more believable. Stone, who wrote the story for himself; imagine that, is pretty flat in his role, which doesn't demand too much except getting turned on by a teenager. He's pretty weak in the role, which doesn't help the film any. You really can't go into a film like this expecting anything great so the main goal should be to keep the viewer entertained and this film is successful at that. The nudity, silly rock music and wild story make for some decent fun as long as you know what you're getting into.

This Crown-International release was in one aspect out of date when released, since it was in black and white, when that format, even in the B movie world, had pretty much passed on. Though despite the dated appearance of the movie, the filmmakers did manage to pack in a respectable amount of sleaze, including (but not limited to) lesbianism (the movie's two lesbian seduction sequences are unintentionally funny), nudity, sex, and a middle-aged man having an affair with a very young woman. This stuff is kind of fun, but the enjoyment from it is deflated by a very slow moving story that seems VERY padded, even though the running time is only 75 minutes. I personally don't think the movie quite makes it to a recommendation, but others here on the IMDb liked it, so I think this is one case where you'll have to watch the movie and decide for yourself.

The Babysitter: A hen-pecked prosecuting attorney begins an affair with his blonde bombshell of a babysitter--the aptly named Candy. Candy, by the way, says things like: "Wow, man--I totally dig you--you really turn me on!" and "Ciao, baby!" Unfortunately, a murder case he's working on involving a motorcycle gang prompts the gang leader's "old lady" to blackmail him for her boyfriend's release. There is also a thin subplot involving the attorney's lesbian daughter. Patricia Wymer is smokin' hot as the bubbly, music-loving not-quite-a-hipster babysitter.

Fun little movie! One of the best in the Drive-In Cult Classics collection.

A teenage babysitter seduces a middle-age assistant DA, causing trouble with his wife, and also causing him to be blackmailed by a biker's girl who wants her guy acquitted of murder charges.

Sure, the flick never rises above cheap exploitation. And I could have done without hints of masochistic sex. Still, the 70-minutes is rather competently made considering its campy genre. The editing is smoothly done, the settings well-chosen, while Carey and Bellamy do well as the quarreling married couple. Even the plot manages a few wrinkles beyond the clichéd teen-age temptress and older man. Too bad Wymer (Candy) looks the part, but has trouble with her lines. There's also a 60's counter-culture subtext where Candy tempts middle-age George with the hippie credo of "free love". George finds this seductive, as did many of his buttoned-down generation. Anyway, for fans of 36-C and 38-D, there's ample exposure. Otherwise, it's drive-in forgettable.

An assistant DA (George Carey) is prosecuting a biker for a vicious murder. The lawyer's home-life meanwhile is a wreck: He has a nagging, frigid wife and a newborn son, and his adult daughter is a lesbian. Things go from bad to worse, however, when he is unable to resist the charms of his seductive underage babysitter (Patricia Wymer). Meanwhile, the girlfriend of the biker befriends the prosecutor's daughter, hoping to get some photos of her with her lover so she can use them to blackmail the father. She really hits the jackpot though when she stumbles upon the man himself en flagrante with his babysitter mistress. . .

This movie would be a lot more believable if the hero was a handsome thirty-year-old guy rather than someone like Carey who looks more like the elderly FATHER of a thirty year old. (Even in the "free love" 60's his sexual affair with a teenage girl really beggars belief). Fortunately, this movie doesn't take itself too seriously. For instance, the first time the babysitter, "Candy", is left alone in the house she calls a couple of "friends" over, who turn out to be a loud rock band complete with a couple of girls who dance naked to their groovy music! This movie is surprisingly hard to find these days, even though its sequel "Weekend with the Babysitter" is readily available. This is the better of the two by far largely due to Patricia Wymer. Although she is obviously several years older than her character here, she is simply a much better actress than the unknown Susan Romen who played this part in the sequel. Carey, meanwhile, not only starred in both movies, but he also wrote and produced both of them as well (which makes you wonder what kind of dirty old man he was in real life). Tom McLoughlin, who went on to do "The Born Losers" and "Billy Jack", directed both movies, but HE had the good sense to use a pseudonym. I'd recommend this movie I guess (if you can find it), but I wouldn't bother with the sequel.