Amblin'

Too see Spielberg in his early years has always been a thrill for me. I'm always looking for a film that he made in the days before "Jaws" and such. This particular film is no exception. It's about two hitchhikers who become friends in the end as they hitchhike.

The scenery was great, the story was good, the acting (despite no dialog) was good. I really liked this movie. It's a shame that Spielberg calls it a "Long Pepsi Commericial," because I see it as something more. I see it as a film about being separated from everyone else and then finding a friend along the way and being able to open up to others.

Look this isn't a horrible film. Someone who commented on this said it was the worst thing ever, and I think he's got to take a few steps backwards. I watched this and films like it to understand where the great directors started. Frankly their were many issues with this film, but it's a terrific learning tool. I myself just finished filming my own short film called Night Falls. I'm the same age that Spielberg was when he directed this film, 21. I have aspirations to one day become a great director but I find myself having many problems. So to watch this makes me feel like I'm not alone. Spielberg was once worried that he would never make it. He had to learn over the years and refine his skills.

In short watch this film if your an aspiring director.

Amblin' is a film of a kid that's in love with the movies. Whoever judges this little diamond by its execution will commit a mistake. A mistake that it won't allow you to see the true nature of the film. Spielberg is a storyteller and here you have the first sample of his career. You can clearly see that he (at such young age) is able to capture the emotion of his subject and project it to the viewer's eye. That is truly amazing and I think that this is what caught mister Sidney Sheinberg's eye about Spielberg. It takes charisma to be able to direct and he proved he had it.

Although not intended when filmed, it serves as a small piece of 60's youthful hippie nostalgia.

I think anyone who can finish a movie is a winner. It is one thing to sit around talking about making movies; it takes a lot to actually do it. Flicks killer (who ever he is) probably is an angry man who will never amount to anything in his life, but sits back and criticizes everything everyone else does, especially with an alias name. I've scene this flick and it was decent, very good job. No I don't worship the ground Steven walks on but I do identify and connect with his movies. That is why he is a winner. If Jaws failed or any of his other movies failed, he wouldn't be where he is. So for the "long Pepsi commercial" it still had good intentions. How is that for wanting Names, how about yours (FK)?

Y'all can expect a lot of Spielberg reviews for a while, because one of my modules, one of my last ever uni modules (christ time goes fast), is about him.

And this is the earliest thing we're watching by him. And sure, he was inexperienced here, and sure, the version of this you're most likely to see looks and sounds like absolute rubbish. But if we can ignore that...which I did manage to do, I really do think this showcases a hell of a lot of talent early on in his career.

Like, there are a lot of really memorable shots in this, the two lead performances are pretty great, and it's a really good example of how to tell a story with no dialogue. Admittedly, it is a pretty simple story, and it wouldn't win any screenplay awards, but I do think these two characters are surprisingly well defined for the limited time spent with them.

And the soundtrack is really good at setting the atmosphere, so if you don't mind looking at aged film prints that ended up making this look like a hippie fever dream, then check it out if you want to see the origins of one of the masters.