Sophie's Place

These types of movies were sort of common in America in the early 60s. A kind of comedy caper like Ocean's 11, It's A Mad Mad Mad World or Who's Minding the Mint. This movie was made in Britain in the later 60s. I'm not sure how they marketed this movie but it failed to find an audience probably because Brit8sh audiences qere more into more screwball type comedy and American audiences were done with this genre. MASH was just released.

This movie is cute like Who's Minding the Mint was cute. Some sympathetic bad guys who learn some lessons. The cast is interesting, Telly Salavas who either did this just before or after playing Blofeld in On Her Majestys Secret Service., Warren Oates and Harry H Corbett who is a treat to watch. He is better known as Harold in Steptoe and Son and the Carry On movie series.

It's not a movie for everyone. As I said, it is a little dated for American audiences even then. If you are fan of those earlyn60s American comedies and wondered what a British take of one would be like, here it is.

Telly Savalas and Warren Oates get backing from the Syndicate in the person of Cesar Romero to rob the estate of Lord Nicky Henson in England. On casing the place, however, they are charmed by Henson and his grandmother, Edith Evans, becoming house guests.

It doesn't quite work as a comedy, but it does as a sentimental drama and study of the opulent poverty of the British aristocracy. There are lines and situations that could work as comedy, but they are played straight Was this the intention of the film makers, or was it a failure? Certainly Romero and Miss Evans were capable of comedy, but neither Oates nor Savalas ever demonstrated much in the way of comedy chops to me. Handsome camerawork by Desmond Dickinson shows off the estate of Cliveden in Taplow, Bershire, now a hotel.

This film has its moments, but it is not laugh out loud, hysterically funny. Cesar Romero plays Telly's inept crime boss friend, who finances a robbery in England. The characters behave like they are in a 1960's television sitcom, with no laugh track. See this film only if you are a fan of Telly Savalas, or enjoy the Nostalgia of 1960's comedy capers.

I guess I was expecting a lot more with this comedy, seeing that it somehow managed to wrangle Telly Savalas and Warren Oates to star in it. While the movie is never painful or boring to watch, it just isn't that funny. It has the right spirit in the background, having an amiable nature and without a mean streak or anything really negative happening. And the cast gives it a good shot, not just the two main American stars. But the attempts at humor that are played in the foreground are pretty lame, soft and not particularly clever. If Savalas and Oates were not in this movie, the end results could be easily mistaken as being an example of one of many lame family comedies the Walt Disney company made around this period.

I didn't expect a classic English comedy along the lines of the films that Peter Sellers, Terry Thomas and Leslie Phillips made but I didn't expect C&C to be as bad as it is. The cast is excellent with American power (Cesar Romero and Telly Savalas partnered with Warren Oates? Fantastic.) and I recognized many excellent Brit performers from TV and films such as Nicky Henson but they couldn't save this mess. Casting Savalas and Oates as two screw-ups doesn't work either. Poorly photographed in dreary colors, poor audio and a slow-moving, unfunny script had me shutting it off several times until I eventually finished it to the let's-get-it-over ending. To be fair, the version TCM showed (9/24/19) was full-screen so who knows what they were forced to use. The film was shot in 1.66:1. The location is excellent but that's the only praise I can grant. There's a salacious piece of footage straight out of a Carry On film when Oates leers at Vickery Turner (Mrs. Warren Oates for a few years) who's milking a cow, the camera focusing on her legs and her hands.