Downhill Racer

In this country, every four years, our nation participates in the Winter Olympics. The finest athletes from every state strive to be chosen as part of the U.S. Olympic Team. Together they represent America. The pride of our nation accompanies these men and while abroad, our hopes and our dreams go with them. The scenic Winter Olympics are the idyllic backdrop for this film which is called " Downhill Racer. " The title role for this movie went to Robert Redford who plays David Chappelet. He is arrogant in his abilities, his performances and his skills which promise the future. Few doubt he will win a Gold Medeal. However, Eugene Claire (Gene Hackman) his coach is concerned Chapplet is a 'Hot Dog' racer, fast, but prone to accidents and unpredictable. Furthermore, he is not a team player. Instead he believes he can win without the rest of his companions. This presents a problem for Claire and America's top athletes who work to be a cohesive unit. At home and on the slopes, he must decide if he's capable of winning the Gold, but for whom, himself, his teammates or his country? The speedy downhill action sequences are beautifully crafted and the storyline is followed faithfully. An exceptional movie for the wishful, armchair athlete in all of us. ****

I lived southwest part of metro Denver for a few years. They say "Dave Chappelette, from Idaho Springs, Ida --- Colorado." I think that sounds familiar. Dave goes home to visit Pa. Drives around. I think "That looks like one of those towns along I-70, that watches the world go by. When you grow up in one of those towns, who wouldn't want to get away and make a name for himself?"

Excellent film. People who think there is something wrong with Dave are over-wrought and under-nourished.

Self-denial is for losers, cuz it's not exactly a team sport, is it?

In 1969's Downhill Racer, Robert Redford is skier David Chappellet who wants to win at all costs. In fact he takes advantage of another skier's misfortune to get onto the American Olympic team.

He's arrogant and not very likable, but we see in a scene with his father where his closed-off attitude comes from. He's not a team player by any stretch.

He blames others - particularly the team's head coach (Gene Hackman) for not being more help to him. However, he has talent, he wins races, and becomes a personality that can bring in funding.

Unfortunately, he creates problems in the team, and he doesn't treat women well . When he meets Carol Stahl (Camilla Sparv) he's met his match. She's a female David.

Michael Ritchie's first film, and it's very good. Redford is so darn good looking it's a sin. He's wonderful and believable even without a ton of dialogue.

The film has a documentary style to it, with stunning skiing sequences.

Well filmed, almost documentary style look at the world of Alpine skiing (aside from bizarrely over-dramatic music at times). The skiing scenes are generally exciting to watch, and get better as the film goes on. The acting is also good in a purposely muted way, with Redford trying to play against type as a driven but strangely detached individual, who has sublimated his entire personality in the desire to be a champion. Perhaps as a result of this 'hero', watching the film is never all that stimulating. Afterwards, one appreciates the intelligence of the acting and directorial choices made and the effect of certain scenes - the hero with his dreary dad or the girl back home, the new 'fashionable' girl who is more selfish than him, they way he shuts her up when she tries to 'gently' ditch him, the coach with one eye on the profits to be made but humane enough to care about his team. The ending is particularly memorable, designed to make us question the very cliche of wanting the hero to be the winner. In that respect (underlying irony) it shares something with other Michael Ritchie films I have seen- The Candidate and Smile. Just not as much fun maybe.

The appeal of a ski film to those who ski is obvious. But imagine yourself innocent of skiing. Can it hold the attention of the rest of us? Roone Arledge and his "Wide World of Sports" provided one answer, as Jean Claude Killy and his successors skied into American living rooms on many winter Saturdays. "Downhill Racer" seconds the motion.

The late Mike Ritchie, who'd essayed nothing more ambitious than commercials, traveled the World Cup circuit in the 1967-68 winter, accompanied by Aspen novelist Jim Salter, whose screenplay (from Oakley Hall's very different novel) effectively was written in segments the night before each shoot. Almost everything about this production was improvised.

Athletes are not necessarily interesting people. Killy was; stories about him, some even true, are legion. David Chappellet (a young Robert Redford), more typically, reminds one of the astronauts in "2001", with their limited range of expressions and nothing particularly interesting to say. This comes across powerfully in several hilarious interview scenes, with American and European journalists trying in vain to get the young man to say something worth writing down.

Wengen, Switzerland passes for several World Cup race sites. (A Swiss medico wears an armband identifying him as "Arzt", or doctor, at a supposed French venue). The filmmakers also were present in Grenoble for the Winter Olympics, providing a fictional inside look at the Games far different from that of, for example, "Chariots of Fire".

One still doesn't ski, but the pleasures of "Downhill Racer" are undeniable.