Goodbye, Mr. Chips

When it opened in London during the Christmas season of 1969 this musical version of James Hilton's famous story was drubbed by the critics. The same reception greeted it when it opened in the US, prompting MGM to withdraw its "Roadshow" status and cut almost all of its songs. What a mistake!!!

Watched years later, when the trendy world of the 60's and 70's has turned in upon itself, this version of GOODBYE, MR.CHIPS is a total delight. First of all, as "Chipping", Peter O'Toole gives one of his greatest performances. To watch him turn from the hated, cold, emotionless Latin teacher at a boy's boarding school, to a man who finally can see the colors in the world (after falling for and marrying musical star Catherine Briskit) is to see a genius at work. (If you can, watch LAWRENCE OF ARABIA, THE LION IN WINTER, MY FAVORITE YEAR and CHIPS back to back over a number of days or weeks. Then you will see what a truly great actor O'Toole is, and how magnificent he is in CHIPS.)

Catherine, as played by the glowing Petula Clark, at the height of her popularity, is ever man's dream; beautiful, loving, understanding, with a great voice to boot. Most of the songs are beautiful and fit the story perfectly, while the direction by the late Herbert Ross brings the proceedings wonderfully to life.

Okay, this film may be a bit too romantic for some people, but for those who are looking for a beautifully acted, sung, and directed love story, look no further. (If you can get your hands of the laser disc wide screen version, better yet. I am anxiously awaiting CHIPS' debut on DVD.)

Thirty years after the 1939 classic film won Robert Donat an Oscar and made Greer Garson a star, "Goodbye, Mr. Chips" overcame a multitude of problems before stumbling to the screen in this musical version. Original stars Rex Harrison and Samantha Eggar were replaced by Richard Burton and Lee Remick, who in turn were given the heave-ho in favor of - thankfully - Peter O'Toole and Petula Clark. Andre Previn's score was rejected, and the one eventually used was composed by - unfortunately - Leslie Bricusse. First-time director Herbert Ross was handed the monumental task of transforming a simple love story - that of a man for both his wife and students - into a big-budget extravaganza. That it succeeds as well as it does despite the many obstacles in its way is a testament to its two stars.

Arthur Chipping is a Latin teacher at Brookfield, a boys' school in suburban England where he himself was educated. Introverted and socially inept, he is dedicated to his students but unable to inspire them. Prior to summer holiday, a former student takes him to a London music hall to see an entertainment starring Katharine Bridges, the young lady he hopes to wed. The post-performance meeting is awkward for all, and Chips - as he is commonly known - sets off to explore some of Italy's ancient ruins. Unexpectedly, he runs into Katharine, who has booked a Mediterranean cruise to allow her time to mourn a failed love affair and ponder the direction of her career. In the time they spend together, she discovers a kind and gentle man beneath the befuddled exterior, and upon returning to London pursues him in earnest. When the fall term begins, Chips returns to Brookfield with his young bride, and the two settle into a life of quiet domesticity. Complications arise when aspects of Katharine's past surface, and again when World War II intrudes in their lives, but Chips is bolstered by his wife's support, and his new-found confidence makes him a favorite among the students.

Aside from a couple of musical interludes - the delightful music hall production number "London is London" and Katharine's declaration of love, "You and I" - most of Bricusse's songs, some of them performed in voice-over as the characters explore their emotions, are easily forgettable and in no way enhance the film. Eliminate the score entirely, and "Goodbye, Mr. Chips" works quite well as a drama. Terrence Rattigan's script retains elements of the original while expanding upon it and updating it by a couple of decades. He has crafted several scenes between Chips and Katharine that beautifully delineate their devotion to each other, and infused a few with comic relief courtesy of Katharine's friend and cohort, over-the-top actress Ursula Mossbank (delightfully played by Sian Phillips, O'Toole's real-life wife at the time). He also captures life at a British public school - the equivalent of a private academy here in the States - with unerring perfection.

Ross does well as a first-time director, liberally sprinkling the film with breathtakingly photographed moments - the opening credits sequence, during which the school anthem echoes in the vast stone hallways of the school, perfectly sets the tone for the film. Costumes and sets are true to the period. The students, portrayed by non-professionals who were enrolled at the school used as Brookfield, handle their various small supporting roles well.

Highest praise is reserved for Peter O'Toole and Petula Clark in the lead roles. O'Toole was long-established as a first-class dramatic actor, so his Academy Award-nominated performance here comes as no surprise. Clark, a veteran of some two dozen B-movies in the UK and the previous year's "Finian's Rainbow," is absolutely luminous as the music hall soubrette who forsakes a theatrical career in favor of life as a schoolmaster's wife. Her golden voice enriches her songs and almost allows us to overlook how insipid most of them are, and she more than matches O'Toole in their dramatic scenes together. The chemistry between the two is palpable and leaves us with no doubt that this is a couple very much in love.

This version of "Goodbye, Mr. Chips" is no classic like its predecessor, but hardly the disaster many critics described when it was released. Ignore the score, concentrate on the performances, and revel in the atmosphere Ross has put on the screen. It's a pleasant way to spend a rainy afternoon with someone you love.

Great, very moving story. Not perfect - the musical interludes were unnecessary (then again, I generally dislike musicals). Struggles to get going, but once it does it is fantastic. Final quarter is incredibly emotional.

Great performances by Peter O'Toole and Petula Clark.

Terrence Rattigan, who authored this screenplay at a time when he was out of fashion (and he still is), did a wonderful job renovating and updating James Hilton's sentimental novel, and his screenplay, and the playing of Peter O'Toole and Petula Clark, save the movie. Rattigan emphasizes the love story and carefully shows how Chipping, seemingly stiff and unemotional, has great reservoirs of tenderness and gallantry. It's a love story of two very different people who not only complement one another but bring out unforeseen qualities in each other: She teaches him to care, and he teaches her to function outside her shallow theatrical surroundings. O'Toole is as touching as Robert Donat in the original, and Clark, with less to play, is lovely and sympathetic and in superb voice. Of course, most of Leslie Bricusse's songs are dreadful, and O'Toole's no singer, and the internal-dialog nature of most of them (they don't advance plot, they don't define character, they just tell you what the protagonists are thinking) slows the action down. But with Rattigan's excellent touches, a splendidly showy supporting performance by Sian Phillips (then Mrs. O'Toole), and some eye-filling Oswald Morris photography, it's a love story you can weep copiously through--I know I did--and have a wonderful time doing so.

This re-make is worth seeing for the amazing performance by Peter O'Toole in the title role. He is the equal of Robert Donat who won an Oscar for the original version (beating out Clark Gable's Rhett Butler, no less). Unfortunately, in order to see this performance, you're going to have to sit through some of the worst songs ever written for the screen (yes, it's a musical re-make -- bad decision, but musicals were big in the post-"Sound of Music" 60's). The songs sabotage this touching story of a quiet English schoolmaster through the years. But O'Toole is amazing; it may be his best performance on film. He does an especially good job of "aging" his character, and with a minimum of makeup. Petula Clark is surprisingly good as the extroverted wife who brings Chips out of his shell, and Sian Phillips is unforgettable as Ursula Mossbank, an eccentric friend, even if the character seems to belong in a different movie. This is an ideal movie to watch on videotape. Savor the performances and fast forward through those wretched songs!