Kes

Ken Loach's (1969) film of Barry Hines' novel 'A Kestrel for a Knave' is written with Tony Garnett (Producer of 'Cathy Come Home' for BBC TV). Set in a mining community in the north of England it tells the story of young schoolboy Billy Casper (Dai Bradley) and his unexpected attachment to a Kestrel.

We join Billy in a fatherless family where Mum (Lynne Perrie) is struggling to keep things together and retain some semblance of control over Billy's fiery elder brother Jud (Freddie Fletcher).

Suddenly we see the well-established northern working class preoccupation with keeping pigeons elevated to an altogether higher plane as Billy begins to rear a kestrel chick. We follow him as he takes on the most challenging project of his life to date and becomes totally engrossed in learning everything he can about this wonderful bird; soon well on his way to becoming expert in the ancient art of falconry.

At school, Billy finds support from English teacher Mr Farthing (Colin Welland) who is not slow to recognise the impact this bird has had upon Billy's otherwise fractured and impoverished home life.

As Billy's imagination soars with his developing rapport with the bird, we share his keen enthusiasm and rich understanding of the nature of this sharp and noble predator.

But in doing so, we pay the price when Billy's troubled home life intervenes and robs him of what has become the powerful symbol of his ability to transcend the limitations of the tough and unforgiving community of which he is inexorably a part.

This is a great film that captures the unique ability of young people to find meaning and fulfilment in the darkest and most unpromising situations.

Kes is a film i was aware about all the way back to when i was at school (it was made the year after i was born)but i never got around to seeing it until now and boy am i pleased i did. Rarely is there a film that exudes charm like Kes. The acting is not brilliant , neither is the script but that is what makes this film such a joy. It made me feel i was back at school amongst the self important jumped up teachers and the cruel kids .It made me remember the times when i was a teenager that i didnt care for at the time yet it also made me long to be that age again! The story is of a young lad who through having a bad time at school and with his family he finds solice in training a young bird of prey. David bradley (Casper) is excellent ,as is Brian Glover as the P.E teacher who likes to think he is Bobby Charlton. The scene when he takes the boys out to play football is brilliant . The cinemetography is superb and the haunting music contributes to what can only be described as Very good movie. 8 out of 10.

Most film-makers who deal with a story featuring a boy/girl and his/her pet go for the heartstrings by underlining both the kid's and the animal's cuteness. The narrative structure holding this picturesque idyll together mainly consists of predictable melodramatic incidents that endanger this relationship.

One of Loach's best pics undermines this soapy approach by intensifying the unaffectedly portrayed boy-pet relationship through the unflinchingly bleak description of the boy's surroundings. Kes is not just a beloved falcon, he represents a way to endure social hardships.

This earnest, heartfelt drama is a true gem of British working-class cinema.

8 out of 10 funny football matches

This is a small, perfectly formed jewel of a film. Growing up in a similar small town, at the same time, in the north of England, I can vouch for its authenticity. The scenes and dialogue are very true to life: the paper round, morning assembly, the ordeal in the headmaster's office. The scrap in the playground, the fags behind the gym. Certainly I knew plenty of young lads like Billy Casper, though probably the circumstances weren't quite as grim as depicted - nobody I knew had to share a bed with an ogre of an older brother. The film is beautifully shot, with wonderful use of natural lighting, and very effective marrying of images to music. There are some great performances too: Brian Glover and Colin Welland have rightly passed into legend for their depiction of two very different teachers. Of course David Bradley is unforgettable, and dominates the story. The film has seeped into the consciousness of the group of friends I grew up with, and resonates still. Don't be put off by the subject matter; there are plenty of funny moments and overall the effect is to uplift the spirit.

It was a time when life was smothered by coal dust, when decades of decay had left just rust, in a forgotten northern town, there's no way up, directions down, any hope of getting out, completely crushed. But a passion seems to fall out of the sky, as a bird of prey is caught by your young eye, provides distraction from mundane, from those who treat you with disdain, spreading wings that help you sail up high and fly. Alas your joy and happiness is only fleeting, as there are those who'd rather give you a good beating, take away that piece of hope, to leave you on a greasy slope, but there's no point in calling out, wailing or bleating.