Eagles Over London

Here we have, yes, another Italian war movie from the early 1970s. This one features a half-decent international cast and a slew of decent action sequences.

As the British evacuate Dunkirk, several German saboteurs infiltrate their forces. They kill a squad of English troops and take their ID tags. Frederick Stafford, the platoon leader, finds the dead men and realizes their IDs are missing. Upon returning to England, he heads efforts to locate the saboteurs before they can blow up radar installations along the coast.

The film boasts a good international cast: Frederick Stafford, though dubbed, is pretty good as the Hungarian-English Captain. Van Johnson does a corny bit as an English Air Marshall and even participates in a few aerial battles. Francisco Rabal is very good as the German officer who befriends Stafford; Stafford realizes who he REALLY is and must face him during the bone-shattering climax. Hottie Ida Galli turns in a good performance as Stafford's girlfriend. I must also note the presence of Luigi Pistilli as the German group leader. The man was marvelous in the Leone westerns and is very good here as well.

The battle sequences range from superb to incredibly corny. The dogfights involve live action, miniatures, and poorly edited black and white stock footage. The ground combat scenes are often confusing -- but exciting -- since the British and German infiltrators wear the same uniforms. Great cinematography -- this appears to be filmed on location in England is is done well. The music score is typical adventure type stuff but does the job. Much of the combat footage found itself recycled in Umberto Lenzi's FROM HELL TO VICTORY in 1979.

Overall, for a good cast and great direction by Enzo Castellari, I give it a 7/10.

WWII Italian/Spanish epic , this time about British airmen who prevented threatened Nazi invasion. Action,suspense and entertainment with an unit of Nazis (Francisco Rabal , Luigi Pistilli , among others) infiltrated on England . It commences at Dunkirk when a German band infiltrates British lines and unites the evacuation to Great Britain for the aim of conducting covert missions . As the Battle of Britain starts the Germans focus on attempting the sabotage new Allied Radar installations .A British Captain (Frederick Stafford ) tries to track down the Germans aided by a sergeant (Renzo Palmer) and under direct orders of a British Air Marshal (Van Johnson). It is 1940, and the diabolical mind of Adolf Hitler is planning to bomb England into submission to his warped dreams of a 'Fortress Europe'. Standing between Britain's freedom and Hitler's terrifying plans is the R.A.F - dedicated pilots who took to the skies in the face of overwhelming odds. The German Luftwaffe's planes outnumber the R.A.F's by more than 2 to 1 - 650 planes of the R.A.F. vs. 2,500 of the Luftwaffe! These odds , however, do not deplete the determination of the R.A.F. to stop Hitler, and as the Luftwaffe launches wave after wave of Heinkel 111 bombers against British cities, the R.A.F. responds, under the political leadership of Winton Churchill . Squadron Leaders lead the newest pilots of the R.A.F. into dogfighting with the Luftwaffe's experienced veterans, with the aim of driving Hitler's forces away from Dover's white cliffs for good .

This European co-production between Italy/Spain/France contains noisy action , wartime intrigue, explosions, shootouts, bombing and is quite amusing . But it's also a historical reenactment of the air war in the early days of WWII for control of the skies over Britain as a subject matter that deals with a vital period of world history as the new Luftwaffe and the Royal Air Force determine whether or not an invasion can take place . Well-made war-action/thriller/adventure/ Eurotrash film , is a standout in its genre : The Spaghetti-Italian warlike. This exciting movie gets lots of action, spectacular scenes , displays several extras and tanks, in fact, the production wishes thanks the British Ministry of defense and the Army general staff for their collaboration in making this film. Relentless plot twists ,in spite of some flaws ,the warlike action keep you breathless , thanks to suspense and acceptable widescreen aerial sequences , which will suffer on small television. Great aerial photography with nice special effects aerial unit by Emilio Ruiz Del Rio. Fine cinematography by Alejandro Ulloa of ¨Horror Express¨ and atmospheric score by Francesco De Massi. Rough,elegant Francisco Rabal is good as the group leader of the motley pack ,he along with Luigi Pistilli leads the misfit group of Nazis from behind enemy lines . Remainder casting has such a terrific plethora formed by several European actors , as French : Frederick Stafford ,Jacques Berthier ; Spanish : Teresa Gimpera , Luis Davila ,Eduardo Fajardo ; Italian : Luigi Pistilli , Ida Galli and Renzo Palmer , furthermore special appearance by Van Johnson as Air Marshall Taylor. The film takes part from American classic movies referred to Commandos genre ,just like :¨ Dirty dozen¨, ¨Kelly's heroes¨ and ¨Where the eagles dare¨ but especially of ¨ Battle of England¨ by Guy Hamilton . The picture is professionally directed by Enzo Girolami Castellari who made another good war film: ¨Inglorious bastards¨. He had a lot of hit-smash in the action cinema and Spaghetti as ¨Keoma¨ and ¨Go kill and come back¨, in fact the film is an Italian Western developed on the WWII. The pic will appeal to Eurocult fans and Italian-Spaniard production enthusiasts.

This is the most innacurate depiction of the RAF and the Battle of Britain that anyone could envisage. Look no further than the aircraft in use on the movie. They have Messerschmitt 109s dressed up as spitfires and Spitfires dressed up as Messerschmitts. How stupid could you get.

The idea of Van Johnson as an air Commodore hysterically controlling an air battle above wartime London from the cockpit of a Fighter of indeterminate breed is also to ludicrous to contemplate.

Possibly one of the worst war films ever made

This is an odd case of casting, as the very American actor, Van Johnson, plays a British officer! However, despite this, the film looks very good for an Italian-made WWII film--sort of like a 'spaghetti' war film. For example, the Dunkirk scene was quite nice and had a pretty expansive look--with a relatively large cast and lots of ships. And SOME of the airplanes were done well (such as the fake He-111 cockpits--VERY nice). Unfortunately, the rest of the planes in the film are an odd lot--probably because the original models weren't available to the Italian film company. The German fighters were often American T-6s or even British Spitfires and the Spitfires were sometimes some odd plane (I assume Italian) that looks a bit like it but whose cockpit and undercarriage look more like that of the German Bf-109. To make it even more confusing, the exact same plane was often used interchangeably by BOTH sides in the film. And, at one point a British fighter plane becomes a Lysander observation plane. Clearly the film's attention to these sort of details was pretty poor...at best. And, late in the film the planes are CLEARLY cheap models. It's best to just close your eyes or so get a snack during these scenes because even if you don't care about these details, it still will confuse you.

The plot itself is rather clever. At Dunkirk, a group of Germans who speak English well are chosen to assume the identities of dead British soldiers. Then, when the British army is rescued, these agents can then infiltrate the country and eventually attack the Brit's most important secret weapon--their radar.

The bulk of the film is executed reasonably well (not always great--but not bad) and it's obvious they spend some money on the film. However, there were a few problems. The punching sounds in the fight scenes sounded EXACTLY like the punching sounds from a kung fu film! There also was a scene involving the killing of a German female agent and it was silly and WAY overdone--and completely unnecessary. All together, the film was very uneven but the good still far outweighed the bad. I would really love to see this film re-done--with a tighter script and more consistent special effects.

This is a surprisingly elaborate war film which tackles the same events as the big-budgeted BATTLE OF Britain (1969), but from an entirely different perspective - the infiltration of German spies into London prior to the Luftwaffe's aerial attack in order to destroy the RAF's infallible radar system, and British Captain Frederick Stafford's efforts to root them out in time.

While the generally slick presentation belies the modest funds that were obviously available, the overall achievement is still hurt by too much concession to elements particular to lowbrow film-making and especially some grating comic relief (culminating in a brawl between British and French soldiers) provided by Renzo Palmer - but there's also a baffling over-emphasis on the heroics of a French air ace (who's not even a major character!), as well as obviously choreographed stuntwork...not to mention the fact that every revelation in unmasking the Nazi plot is left to the ingenuity of one man, which makes one wonder just what would have become of Great Britain if Stafford hadn't been there!! Besides, even if I was watching the film in Italian, the fact that none of the cast is British or German is inescapable - which certainly doesn't award it any marks for authenticity!

Castellari's often flashy direction doesn't work either: shooting from odd angles (through a bullet hole in a helmet, through a pair of clasped hands or through a loudspeaker!) and utilizing distracting editorial techniques, such as his playful use of the split-screen - which is partially lost anyway, given that the aspect ratio on the print I watched has been changed from the original 2.35:1 to 1.85:1! The action-packed film (with a couple of romances thrown in for good measure) is enjoyable in itself but, even if flawed, BATTLE OF Britain is clearly superior (the familiar Euro-Cult faces here are no match for the roster of Britsh stars which populate that film!) - though they did engage the services of Bunuel regular Francisco Rabal (as a conscientious German) and American Van Johnson(!) as the British RAF officer in charge of the country's defense (who, in the final decisive action, takes to the skies himself to repel the invading Nazi forces).