Ace High

giuseppe colizzi was a fine underrated director dead too early that invented the characters of Spencer-Hill. Differently from E.B.Clucher, Hill is more Eastwood-way then Trinità but the substance is the same. Colizzi was a well competent director, more american then italian, with strong sense of spectacule and correct with the particulars. In Italy is very underrated, I don't know why. "Ace high" is, probably, his best western. It's also hard to see his movies in tv. You can only see every summertime "Arrivano Joe e Margherito", but this is not his best. I hope one day critics rediscover the art of this modest, hard worker artigian of the screen.

(aka: ACE HIGH)

Eli Wallach plays Cacopoulos, a generous bandit who gives away all he steals to those less off than he is. That is, until he steals $300,000 from bounty hunters Cat Stevens and Hutch Bessy (Terence Hill and Bud Spencer) who then come trailing after him all over the southwest (or in this case, Almeria Spain) and want their money back.

When they catch up with him, Cacopoulos let's them in on his primary motive. To get back at three men who double-crossed him 15 years before, letting him get caught and sent to prison. He already killed one, and the other was killed in a Mexican shootout earlier in the film. That only leaves Drake (Kevin McCarthy) and since Cacopoulos had already gambled all Hill & Spencer's money away in Drake's gambling establishment, it's only natural that they help Cacopoulos out in getting their money back.

Reluctantly, Hill & Spencer agree and with the help of circus tightrope walker Thomas (Brock Peters), they stumble onto the fact that Drake's establishment has the roulette wheel fixed, with lookouts in the ceiling and a magnet in basement room under the roulette wheel itself. Needless to say, Drake will get his just reward for ripping the town off with his fixed gambling tables and Cacopoulos will get his revenge. I won't say how so you'll have to see for yourself.

The first half of this film is pretty standard, but the second half involving Drake is where the film really distinguishes itself, imo. It turns into a caper yarn. It also has it's funny moments but isn't as humorous as Hill & Spencer's later spaghetti western; THEY CALL ME TRINITY (1971). Btw, this is their second appearance together, the first being GOD FORGIVES, I DON'T from the year before.

The anamorphic Paramount DVD uses an excellent print although I think the widescreen is a bit too cropped on both top and bottom. Sound is also good with English subtitles (if necessary) and another excellent score by Bruno Nicolai.

If you like the genre with a little humor thrown in, then you might like this one. I did. Above average.

7 out of 10 -

A Leone pasta western without the pretentiousness. Easy going romp of crosses, double crosses, and triple crosses. Wallach is just fine and dandy reprising his Tuco role from GOOD, THE BAD... this time playing an ethnic Greek-Mexican bandit with a Yiddish accent (oy vey) manipulating ol' buddies Hill & Spencer into a scheme to get back at the people who left him out to dry years back. Along the way they pick up acrobat (!) Brock Peters who becomes crucial to their plan. Kevin McCarthy is the target of their wrath. The film concludes with a satisfying round-up. Colizzi directs with a sure hand, even allowing New York method actor Wallach to kvetch for several minutes at a time. No wonder he returned to Italy and Spain from time to time to make these films. No where else would a director allow his star to chew the scenery in such a way. The comedy is not broad or overpowering as most films in this sub-genre tend to be. The characters are uncharacteristically likeable, thanks to the cast. Great scene: revelutionaries mete out rough justice to a town's leaders. Later, our trio, with the help of some greedy peasants retake the town and mete out the same justice to the revolutionaries!!! I've never seen that done in a Euro-western.

This early outing for Bud Spencer and Terence Hill sees the pair in fine form in a huge spaghetti western with loads of story, characters and tons of action to recommend it from the start. The meaty running time consists of dozens of plot twists, dupes, swindles and betrayals and the film never lets up from a spot-on pacing which holds the viewer's attention at all times. The three main ingredients for the film are drama, action and comedy and all are served up in spades. Obviously the Spencer/Hill relationship is played for laughs and both actors put in commendable performances; Hill as the Eastwood-style sharp-shooter, the intelligent member of the pairing, and Spencer as the clumsy but lovable oaf who's as strong as an ox and complements Hill's character perfectly.

The dramatic angle of the storyline comes in the sweaty form of Eli Wallach, reprising his role from THE GOOD, THE BAD AND THE UGLY as a bandit with a heart of gold who ends up being used and abused by those he considered to be his friends. Wallach's mission of justice makes up the bulk of the film and once again the actor puts in an excellent performance which hugely enhances the film. Writer/director Giuseppe Colizzi understands the old adage "if it ain't broke, don't fix it" in regard to Wallach's performances so gives the public more of what they have seen already in the Sergio Leone film and the result is no less successful. The script is unusually fine and lends plenty of comic banter and interplay to the scenes between the action sequences.

Speaking of action, there is plenty ranging from bloody boxing matches to more traditional shoot-outs, prison breaks, brawls and even a massive gun battle with a machine gun involved. The suspense is gradually upped for the genius climax, set in a dodgy gambling house as our heroes attempt to make themselves some cash by hiding in the loft and cellar and using the fixed roulette wheel for themselves with disastrous results. The film then plays its own ace by introducing arch-villain Drake, acted by American import Kevin McCarthy (INVASION OF THE BODY SNATCHERS) as one of those slimy villains you just love to hate, and the resulting climax is wonderfully exciting.

Great use of widely differing music is made throughout the film from epic-sounding vocals to waltzes at the end! Technically the movie is proficient with a more than adequate budget put to good use in the sets and costumes; solid, slightly artistic photography; and well-staged action. One of the best I've seen from Spencer and Hill and a film guaranteed to please fans of the genre.

This film essentially begins with a man named "Cacopoulos" (Eli Wallach) sitting in jail waiting to be hung for a murder he didn't commit. Fortunately, he manages to escape and then proceeds to rob two drifters named "Cat" (Terence Hill) and "Hutch" (Bud Spencer) of a large amount of gold that they had just acquired from a bank the day before. Needless to say, wanting their money back both Cat and Hutch set out in the same direction as Cacopoulous in an effort to track him down before he can spend all of it. However, once they catch up to him he agrees to return the money if they can help him get revenge on the people who set him up. Unfortunately, this proves to be more complicated than any of them initially imagined. Now rather than reveal any more I will just say that this film is a sequel to the movie "God Forgives...I Don't!" which is probably best to see first in order to gain a better understanding of the overall course of events. It is also followed by another sequel "Boot Hill" which was produced a year later. In any case, although the film contained some pretty good actors I thought that the plot took too many strange detours which caused the film to lose some of its coherence. Because of that I have rated the film accordingly. Average.