Love Is a Funny Thing

Jean-Paul Belmondo writes score for movies. He's in Hollywood to write one for a film Annie Giradot is appearing in. He thinks the theme is good, with maybe too many violins. She thinks she has a good part and is second in the cast listings. He also thinks the movie is no good: they're rich, beautiful, and have all the time in the world. Whether Claude Lelouch can make a movie out of that, well, that's this movie. Because the score by Francis Lai has a good theme, if too many violins, and Mlle Giradot is second in the cast listings.

And so they go on a voyage of self-discovery in a big old American Cadillac, from Los Angeles to Las Begas, to Arizona, and eventually New Orleans. But we learn that they aren't just young and beautiful and rich. They have lives and obligations. Will this affair turn into something permanent? Is this just an opportunity for product placement, for Pan Am and Heinz ketchup? Or will it turn out to be more than a poor sequel to Un Homme Et Une Femme?

A couple other reviews have called the movie slight but I respectfully disagree - the kind of chemistry on display here is rare and how can a movie be slight with footage of a latter day Sweet Emma singing her heart out?

It's a pretty straight forward tale - two married people meet, are attracted to one another and fall in love. This one is also part road movie, chronicling the highs and lows of the American southwest including Las Vegas and ultimately New Orleans.

I loved Girardot and her sad eyes in this, and Lelouch gives her a great final moment at the airport in Nice. Belmondo is Belmondo. His body tanned and glowing, chewing on the amiable rogue schtick he was born to play.

It's easy to dismiss them both here because it all feels so easy but I think this stuff is right in their wheelhouse and sometimes playing to one's strengths is not a mortal sin and sometimes a candy bar is exactly what you need.

When two of the greatest French actors of the 60's 70's area meet before Claude Lelouch's eyes, you can experience one of these unique love stories that breaks your heart. Belmondo embodies the French "nouvel vague" and no one will resist Girardot's look and smile through the American landscape of the late sixties.

Beautifully-filmed though extremely slight movie about a soundtrack composer (played by Jean-Paul Belmondo) and his love affair with an attractive actress (Annie Girardot) who is already married. Esteemed French director Claude Lelouch always seems to know just where to put his roving camera. Coming up with several amazing set-pieces and artistically delicious shots, the filmmaker tantalizes the viewer with eye candy, however his flights-of-fancy in general are rather juvenile--they dilute what's happening in the "real world". Another handicap is the screenplay, with central characters who aren't terribly interesting. Still, what a treat to find young Farrah Fawcett in the cast (as a foxy blonde starlet). Filmed in both French and English, with fascinating location work all over the American Southwest. ** from ****

OK, let's get this out of the way - it's dubbed in English and the dubbing is awful - they even dubbed the Americans like Farah Fawcett! Lol, preposterous ...

But, getting past that, the film is quite engaging - the narrative does some nifty intriguing switcheroos in a "play within a play" sort of way that makes you have to pay attention just when you think you've got the story line nailed down - so that's fun.

But the real fun is an iconic - on film, not video - romp across the USA from LA to NY via the Grand Canyon and The Big Easy. Some absolutely fabulous scenes which I won't spoil but you'll know them when you see them.

So, all in all, it's a 1960's era French director filming in America without being burdonsomely snide, which is quite the filmic cocktail in and of itself.

Enjoy!