The Valley of Gwangi

Ray Harryhausen Single Handedly was Responsible for the Continuation of the Stop-Motion Animation of 3D Models until the age of CGI.

Willis O'Brien (Harryhausen's mentor) Began it all in the Silent-Era and will Forever be Remembered for one of the Best Movies Ever...King Kong (1933).

Jim Danforth gave it a Noble Try, but it was Harryhausen that Perfected the Craft and for Four-Decades Delighted Kids and Adults Alike with a Special, Unique, Form of Art-Film.

Gwangi is one of His Films that has Gained Reputation with the Passage of Time.

It was the Crazy Blend of Cowboys and Dinosaurs that Caught Audiences and Fans Off-Guard at first.

But in Retrospect and with a Backward Glance, the Film is quite Enjoyable and is an Exciting, Colorful Mix of Horses and Horror.

The Prehistoric Monsters usually Looked more Menacing on the big City Streets Crushing Automobiles and Wrecking Cement Landscapes.

But for a Diversion and a Pleasant Change of Pace this is quite Engaging.

Shot in Technicolor by Erwin Hillier and in Dynamation, The Valley Of Gwangi sees Tuck Kirby (James Franciscus) and a team of cowboys get more than they bargained for when they enter a hidden valley in Mexico. For here, prehistoric creatures reside and the cowboys come up with the idea of capturing a Tyrannosaurus Rex to become the chief attraction in the circus they work at.

The makers of Gwangi never hid their motivations or homages, from the off they wanted to nod towards King Kong whilst pairing the Western and Fantasy genres in the process. The result of which is an enjoyable if unfulfilled movie that again sees Ray Harryhausen's stop-motion creations save the day. Directed by Jim O'Connolly with a screenplay by William Bast, The Valley Of Gwangi suffers not because of its bonkers plot (this is after all why we watch this type of genre offering), but more because of the slow first half that threatens to put the viewer into torpor. Thankfully the film is saved by the afore mentioned Harryhausen who unleashes prehistoric joys on the B movie cast (tho Laurence Naismith is considerably better than the material given him). While the ending raises the adrenaline sufficiently enough to have made the wait worth while. Jerome Moross lifts from his brilliant score for The Big Country with mixed results; it just feels out of place here, even if it's stirring and pleasing to the ears. And the Almería, Andalucía location work in Spain is at one with the material to hand.

Saturday afternoon monster fun to be enjoyed with either popcorn or something stronger from the drinks cupboard. 6/10

James Franciscus plays Tuck, an amiable hustler who comes back into the life of T.J. (lovely Gila Golan). T.J. is one of the participants in a Wild West show that is not doing so well at the moment. However, one of their people, Carlos (Gustavo Rojo) has ventured into a Mexican location known as the "Forbidden Valley" and come back with a prize: an adorable "Eohippus", or miniature prehistoric horse. Circumstances lead Tuck and others to head into the valley, where they encounter other ancient animals, such as a Styracosaurus and a very aggressive Allosaurus.

In the well loved tradition of "King Kong", T.J. and her friends, including Champ (Richard Carlson), get the bright idea to introduce the Allosaurus - who gets christened Gwangi - to their show. Havoc predictably ensues.

There may be viewers who will grow impatient with the pacing at first. "The Valley of Gwangi" runs longer than previous Ray Harryhausen - Charles H. Schneer productions at 96 minutes, and it's not until the movies' second half that we get to see any dinosaurs. But the little Eohippus is sure to charm people, not just children, and the story is very engaging.

It helps that the actors are so sincere. The handsome Franciscus is good in the starring role, with fine support from Ms. Golan and Mr. Carlson. Young Curtis Arden is appealing in the role of Lope the child, who had to fend for himself from an early age and who is clearly eager to make a buck. Freda Jackson is amusing in the somewhat annoying, clichéd role of the wise old doomsayer who rants about the consequences of individuals going into the valley and bringing back "evil" specimens.

As expected, Harryhausen's special effects are excellent. They're especially impressive in the movies' major set piece, when Tuck, Champ and others work overtime to try to lasso Gwangi. And once the action kicks into gear in this thing, a real fever pitch is reached and then maintained until the absolute end, with an exciting rampage.

Mostly lighthearted entertainment, but G ratings weren't always what they are now: a few people do fall victim to the jaws and teeth of Gwangi.

Very well directed by Jim O'Connolly ("Crooks and Coronets", "Tower of Evil").

Seven out of 10.

Okay, so it's the only dinosaur and cowboy movie (that I know of). The acting isn't much, but seeing three cowboys rope a T Rex -- and then seeing the T Rex fight an elephant -- that is cool.

And "El Diablo," the little eohippus, is just too cute.

Harryhausen's stop-motion animation is wonderful. Get the DVD with an interview in which he talks about how he did the cowboy-roping scene, and current animators/fx artists talk about he inspired them -- pretty fun. In a geeky kind of way.

Like many of the reviewers, I remember this film from one of the late night "Creature Feature" movie marathons. It left quite a mark on me and I could never forget it. So, as I aged, I bought it on VHS, and will soon get it on DVD.

Just a few couple of points:

1. I love it when "reviewers" slam a classic movie like this. They say intelligent things like "nothing happened the first 50 minutes" or "the special effects don't compare to today" or "it looks corny". I have just one thing to say to these folks: "Please take a film class." Let me back up a bit for them...in the old days, directors recognized the value of "CHARACTER DEVELOPMENT". That's why they introduced characters early in the film, so you could emotionally connect to them. Those same directors also understood the value of "SUSPENSE". They knew that sometimes, it's more tense or scary to NOT see that thing that is after you, especially at the beginning of the movie. Also, since there was no CGI then, they had to get creative when it came to how they finally DID show the monster. They would use lighting, shadows, fog, and other props to slowly reveal the beast. It was truly amazing that they were able do so much with the technology they had. Let me say this about CGI: It is OVERUSED in movies today. I don't want to know it is there. I want more character development. I want more suspense. I don't want unbelievability to the point of ludicrous. The best CGI is unnoticed by the viewer.

2. Dinosaurs in the Wild West. Are you kidding me? What an original concept! It is so unlikely. How could primitive cowboys stand a chance? Well, a) Cowboys are tough and crafty, and b) real dinosaurs aren't like Godzilla. They were simply animals. Though formidable, they could be roped and trapped. Again, part of the genius of the movie. It is strangely believable.

3. To this day I am impressed with how Harryhausen used both Stop Motion Animation and life-size models together. The scene where Lupe is taken by the pterodactyl illustrates this point. When the beast is in the air, it is stop motion (how the heck did they used stop motion suspended in the air?). When it is on the ground, it's a life-size, moving puppet. (BTW: Spielburg wanted pterodactyl's in JP, but could't figure how to pull it off, that is until the very good JP III.) 4. In my book, there are only two great "humans vs. dinosaurs" movies: The Valley of Gwangi and Jurassic Park. They stand alone at the top.