The Valley of Gwangi

Ray Harryhausen Single Handedly was Responsible for the Continuation of the Stop-Motion Animation of 3D Models until the age of CGI.

Willis O'Brien (Harryhausen's mentor) Began it all in the Silent-Era and will Forever be Remembered for one of the Best Movies Ever...King Kong (1933).

Jim Danforth gave it a Noble Try, but it was Harryhausen that Perfected the Craft and for Four-Decades Delighted Kids and Adults Alike with a Special, Unique, Form of Art-Film.

Gwangi is one of His Films that has Gained Reputation with the Passage of Time.

It was the Crazy Blend of Cowboys and Dinosaurs that Caught Audiences and Fans Off-Guard at first.

But in Retrospect and with a Backward Glance, the Film is quite Enjoyable and is an Exciting, Colorful Mix of Horses and Horror.

The Prehistoric Monsters usually Looked more Menacing on the big City Streets Crushing Automobiles and Wrecking Cement Landscapes.

But for a Diversion and a Pleasant Change of Pace this is quite Engaging.

James Franciscus plays Tuck, an amiable hustler who comes back into the life of T.J. (lovely Gila Golan). T.J. is one of the participants in a Wild West show that is not doing so well at the moment. However, one of their people, Carlos (Gustavo Rojo) has ventured into a Mexican location known as the "Forbidden Valley" and come back with a prize: an adorable "Eohippus", or miniature prehistoric horse. Circumstances lead Tuck and others to head into the valley, where they encounter other ancient animals, such as a Styracosaurus and a very aggressive Allosaurus.

In the well loved tradition of "King Kong", T.J. and her friends, including Champ (Richard Carlson), get the bright idea to introduce the Allosaurus - who gets christened Gwangi - to their show. Havoc predictably ensues.

There may be viewers who will grow impatient with the pacing at first. "The Valley of Gwangi" runs longer than previous Ray Harryhausen - Charles H. Schneer productions at 96 minutes, and it's not until the movies' second half that we get to see any dinosaurs. But the little Eohippus is sure to charm people, not just children, and the story is very engaging.

It helps that the actors are so sincere. The handsome Franciscus is good in the starring role, with fine support from Ms. Golan and Mr. Carlson. Young Curtis Arden is appealing in the role of Lope the child, who had to fend for himself from an early age and who is clearly eager to make a buck. Freda Jackson is amusing in the somewhat annoying, clichéd role of the wise old doomsayer who rants about the consequences of individuals going into the valley and bringing back "evil" specimens.

As expected, Harryhausen's special effects are excellent. They're especially impressive in the movies' major set piece, when Tuck, Champ and others work overtime to try to lasso Gwangi. And once the action kicks into gear in this thing, a real fever pitch is reached and then maintained until the absolute end, with an exciting rampage.

Mostly lighthearted entertainment, but G ratings weren't always what they are now: a few people do fall victim to the jaws and teeth of Gwangi.

Very well directed by Jim O'Connolly ("Crooks and Coronets", "Tower of Evil").

Seven out of 10.

If you are a fan of dinosaur movie,this one won't upset you.I do like a way the screenplay told the story to us.Good for all ages.Wonderfully initiative mixture of cowboy and dinosaur and love story!! ..Good acting and grand western music scores help support the pics very much.Its theme song is as good as a theme for "The Big Country"...I dare say.Also,as for special effects,I can't say anything more to Ray's attempts.

Certainly,this movie isn't the best.But it can entertain you much more than you expect.

Shot in Technicolor by Erwin Hillier and in Dynamation, The Valley Of Gwangi sees Tuck Kirby (James Franciscus) and a team of cowboys get more than they bargained for when they enter a hidden valley in Mexico. For here, prehistoric creatures reside and the cowboys come up with the idea of capturing a Tyrannosaurus Rex to become the chief attraction in the circus they work at.

The makers of Gwangi never hid their motivations or homages, from the off they wanted to nod towards King Kong whilst pairing the Western and Fantasy genres in the process. The result of which is an enjoyable if unfulfilled movie that again sees Ray Harryhausen's stop-motion creations save the day. Directed by Jim O'Connolly with a screenplay by William Bast, The Valley Of Gwangi suffers not because of its bonkers plot (this is after all why we watch this type of genre offering), but more because of the slow first half that threatens to put the viewer into torpor. Thankfully the film is saved by the afore mentioned Harryhausen who unleashes prehistoric joys on the B movie cast (tho Laurence Naismith is considerably better than the material given him). While the ending raises the adrenaline sufficiently enough to have made the wait worth while. Jerome Moross lifts from his brilliant score for The Big Country with mixed results; it just feels out of place here, even if it's stirring and pleasing to the ears. And the Almería, Andalucía location work in Spain is at one with the material to hand.

Saturday afternoon monster fun to be enjoyed with either popcorn or something stronger from the drinks cupboard. 6/10

The Valley of Gwangi is a film that, through cult enjoyment of its quality, has managed to overcome the problems that made it "forgotten" in motion pictures to enjoy its present status as a fantasy classic.

Originally written by King Kong's Willis O'Brien, Gwangi's script was never filmed, but a copy owned by Ray Harryhausen stored in his garage was resurrected in 1966. With additional work by writer William Bast, The Valley Of Gwangi was approved by Kenneth Hyman of Seven Arts Inc, which had financed Harryhausen's film with Raquel Welsh, One Million Years B.C. and who had purchased into the Warner Brothers studio.

Filming took place in Spain and lasted two years, mostly due to the time needed by Harryhausen to animate the dinosaurs. Given that the film employed over 300 animation shots (the most of any Harryhausen film), it was expected that release would not come until two years after principal photography had been completed.

The extra time paid off in Harryhausen's best animation. Adding enormously were the superior sound FX employed by Warner Brothers, giving dinosaur voices far more menacing and believeable than those used by Columbia or Hammer; attention to peripheral sound FX is also striking, notably in the finale within the enormous cathedral, where the echo of Gwangi's breathing and footsteps adds greatly to the drama.

The human cast also works well, notably star James Franciscus. The story involves the efforts of a struggling wild west show in circa-1900 Mexico. To boost attendance, owner T.J. Breckenridge (Gila Golan, cast in the film as a favor to Ken Hyman) has found a tiny horse - which turns out to be a prehistoric Eohippus, and which comes from a Forbidden Valley filled with dinosaurs. One is known as Gwangi, a belligerent allosaur that, after an extremely long chase that sidetracks to a bloody battle with a styracosaur, is captured and put on display in T.J.'s show, only to be set free and rampage through the nearby town.

Harryhausen's animation is the film's highlight, but the performances, Erwin Hillier's cinematography, and Jerome Moross' superb score all add up to an immensely enjoyable film. It suffered, though, as Kenneth Hyman was let go during filming and new Warners management released the film without publicity and as part of a double-bill with a biker film, thus missing the youthful audience that was the film's target. The film was largely forgotten until cult attention in the 1980s and '90s elevated general interest and has made it a favorite of fantasy film buffs.