The Amazing Transplant

Amazing Transplant, The (1971)

** (out of 4)

Just imagine THE HANDS OF ORLAC or MAD LOVE but made into a sexploitation movie by the cult item Wishman. In the film, the kind Arthur (Juan Fernandez) gets a penis transplant but it turns out this penis belongs to a serial rapist. Soon the oh-so-sweet Arthur is attacking any woman he sees wearing gold earrings. It goes without saying but this movie is going to have a very limited appeal and the ones who rent (or buy) this title are going to be fans of trash and those exact fans might find this movie rather tame. Yes, the storyline is rather outrageous but I was rather shocked to see how tame the movie really is. You'd expect something wild and crazy but for the most part it's just your typical softcore feature that doesn't even feature too much nudity or sex. Yes, it's a lot more than your typical Hollywood movie but I've seen dirtier sexploitation flicks. The film (thankfully) only runs 71-minutes but even at this short time it starts to wear out its welcome because we just see one attack after another while a detective tries to figure out what's going on. The movie features bad acting, rather sloppy direction and various other bad items that will make this appeal to fans of bad cinema. The movie is worth watching if you like trash but if you want to go extremely hardcore then you should check out Wishman's even more notorious LET ME DIE A WOMAN, which to date is perhaps the most disgusting movie I've seen.

Of all the excessively nonsensical, rancid and imbecilic Sexploitation movies ever made during the decade of the 1970's (and genre buffs know there are a LOT of them), Doris Wishman's "The Amazing Transplant" definitely takes the cake when talking in terms of pure senselessness and sheer incoherence. This doesn't even qualify as a movie; this is just some crazy lady (Wishman was the only female smut-director at that time) showcasing her most lurid and morally incorrect sexual fantasies. The premise appealed to me, since it sounded like a deviant and exploitative variation on the "Mad Love" and "Hands of Orlac" concept. In those classic films the hands of an executed killer become transplanted onto a pianist who lost his in an accident, but the hands gradually turn their new owner into an unstoppable killing machine. "The Amazing Transplant" basically features the exact same plot, but of course we're dealing with a raping penis here instead of a murdering pair of hands. It's a curious and interesting concept for a sleazy and gritty 70's exploitation flick, but the sad truth is that Wishman wasn't the least bit interested in telling a story, as the (not so) amazing penis transplant only gets mentioned ten minutes prior to the ending. The rest of film merely exists of sleazy and soft-core padding with atrocious acting performances, painful dialogs and unattractive women. In the opening sequences, Arthur Barlen strangles his fiancée – and what a fight she puts up – and flees. His uncle, who's also a police detective, goes after him using Arthur's address book as the only lead. Whilst the sleazy fat copper checks out the young girls' legs and breasts, they explain through flashbacks how Arthur changed from a quiet and introvert boy into a perverted and mad-raving sex machine. At those points, we're not supposed to know anything about the penis transplant, but obviously the title and every possible synopsis description on the internet already revealed everything. The film only lasts a mere 70 minutes, yet it's insufferably boring and contains over 75% of redundant footage. There's an inexplicably large amount of images showing people's legs and feet as they simply stroll over sidewalks. Larry Hunter's character of Bill Barlen the detective is unintentionally hilarious. He displays the weirdest facial expressions when astonished, makes offensive remarks towards lesbians and simply walks away when women clearly need emotional support. This was my fourth movie directed by Doris "Sultana-of-Sleaze" Wishman (after "Deadly Weapons", "Double Agent 73" and "Let Me Die a Woman") and she never ceases to "amaze" me. Not necessarily in a positive way, but you have to admit she dared to exploit pretty much every controversial topic.

This is classic Doris Wishman - shots of dead air, horrible dubbing, impossibly bad acting, New York City streetscapes, and scene direction so terrible that'll it make you gasp. (Also expect a ton of her signature feet shots and eccentric art direction; this time around it involves a puzzling equestrian theme). Anyway, if you know Doris and like her take on gonzo sleaze, "The Amazing Transplant" is gonna be a fun time. Similar to "Bad Girls Go to Hell" "Deadly Weapons" and "Double Agent 73," this movie is, in its awfulness, pretty consistently funny. My only real complaint with "Transplant," as an unintentional comedy, is that the sex scenes are way too long. (Picture a 5-min scene between two ugly people, most of which comprises shots of the guy's bare arse. Yeah...). That said, expect to fast forward through some parts. It is worth it, though, because almost every scene is laughable in some way. (The scene with the killer's mom, whose dress sports multiple mustard stains, had us laughing heartily). If you are new to Doris Wishman, and feel up to the task of viewing some of the poorest film-making imaginable, I'd start with "Bad Girls Go to Hell," because it showcases all the signatures of the Wishman style, minus half the sleaziness of "Transplant." If you had a good time with "Bad Girls," and weren't offended or anything, queue up "The Amazing Transplant." This is unintentional surrealism at its sleazy finest. Further proof that Wishman was, alongside Coleman Francis, America's most inept film director.

A classic Wishman theme: male sexual insecurity plus female sexual desire (represented here by golden earrings) equals lots of violence. But somehow it's less intense than her earlier roughies, perhaps because of the larger cast or more frequent scene changes (invariably proceeded by "walking on the sidewalk" filler).

No, PERCY (1971) wasn't the first penis transplant movie. The sultana of sleaze, Doris Wishman (one of the only women directing exploitation movies at the time), directed and wrote this oddball softcore horror drama first. Arthur (Juan Fernandez) can't get it up, so he seeks the aid of a doctor who transplants his recently deceased friend's member onto him. Soon the operation goes sour and he finds himself in hiding after he kills his girlfriend. For some reason gold earrings set him off! In flashbacks, he seduces, rapes and/or murders other women. One is played by porn star Kim Pope. Another is a fat lesbian, and she gets sick after they do it and hovers over the toilet as Wishman's never-stable camera tilts down for a nice shot of the ladies zitty rear-end!

There's plenty here to entertain cult movie and Wishman fans (including lots of her trademark bizarre camera placements and tracking shots) and at times hints of (gasp!) substance rear their ugly head before being immediately trampled over by the next ridiculous or implausible plot move, terrible performance or laughable line of dialogue.

The version I saw was unrated, but could get a soft X rating for all of the soft core sex scenes and nudity.

Score (only if you're a sleazehound or Doris fan): 5 out of 10