The sole survivor of an interplanetary rescue mission searches for the only survivor of the previous expedition. He discovers a planet ruled by apes and an underground city run by telepathic... Read allThe sole survivor of an interplanetary rescue mission searches for the only survivor of the previous expedition. He discovers a planet ruled by apes and an underground city run by telepathic humans.The sole survivor of an interplanetary rescue mission searches for the only survivor of the previous expedition. He discovers a planet ruled by apes and an underground city run by telepathic humans.
- Awards
- 1 nomination total
- Lucius
- (archive footage)
- Gorilla
- (uncredited)
Featured reviews
Charlton Heston reportedly wasn't initially interested in returning for a sequel, though, to his credit, did in the end return briefly to tie up his character's loose end - and apparently even gave his fee to charity. That's why we don't see much of him here, which is a shame but given the aforementioned it came out well enough.
James Franciscus takes over from Heston and does a fine job, the latter is definitely the better of the two but Franciscus is passable. Kim Hunter, Maurice Evans and Linda Harrison do return, though the first two basically play second fiddle to others - including newcomer James Gregory's bunch of characters; Gregory is solid, fwiw. As for the film's other parts, make-up etc., it's basically the same as the original. The plot even feels similar for a fair chunk of this production, though it eventually goes its own way.
I'm even more interested to check out the subsequent sequels, given the ending to this 1970 film was apparently intended - by those on the ground, so to speak - to be the final entry; the studio evidently wasn't in agreement.
James Franciscus plays astronaut Brent, sent along the same trajectory as Taylor's (Charlton Heston's) old ship in an effort to rescue him. He crash-lands in the same vicinity as his friend, and goes through a similar nightmare when he comes to discover that the planet he's stranded on is dominated by intelligent, talking apes with a decidedly low opinion of mankind. General Ursus (James Gregory) is a war-hungry gorilla leader who's anxious to investigate strange unearthly occurrences in the Forbidden Zone with the aid of the ever-skeptical scientist Dr. Zaius (Maurice Evans in a reprisal of his role from Part One). Luckily, Brent runs into Taylor's mate, Nova (Linda Harrison looking prettier than she did in PLANET) and she is able to lead him to kindly chimpanzee couple, Zira (Kim Hunter) and Cornelius (David Watson this time; Roddy McDowall was busy directing a film). The pacifistic simians try to help their human friends along their journey to find Taylor, but Brent and Nova only succeed in getting themselves captured by gorillas anyway.
Up to this midway point in the film, all we're really seeing is a rehash of the first APES movie, which feels obligatory to set up the scenario. Where this chapter starts to develop its own identity and really take off is in its second half, as Brent and Nova escape and find themselves going underground (literally) in the Forbidden Zone and discovering the ruins of a ravaged city, along with a community of radiation-scarred mutations who have mastered mental telepathy and worship an atomic bomb as their god who has "created" them. And they know it won't be long before the Ape Army will invade their sanctuary.
Charlton Heston felt that sequels were not very challenging for an actor in those days, so at first he resisted appearing in this movie. He eventually agreed on what gradually evolved into a more extended "cameo" in BENEATH as a favor to Richard Zanuck, since the producer had taken a gamble on making the original film when Heston asked him to. The resulting sequel can be a downbeat and unusually pessimistic viewing experience, but in an odd way that actually helps to work in its favor. The next entry was ESCAPE FROM THE PLANET OF THE APES (1971). *** out of ****
I like how this film follows on directly from the original but it doesn't make sense for Franciscus to be part of a search party looking for Heston. I assumed he was part of a fleet that set off at the same time as Heston. That's the way it would make sense. In this film the gorillas take charge from the orangutans (or however you spell it) and force a military campaign. The chimpanzees, who were the intelligent group of doctors and scientists in the original, have now been down-graded to student-type time-wasters who carry out sit-down protests. That was obviously meant to mirror the anti-Vietnam war protests going on in real life at the time, but I found it a crass touch to be put into this movie.
However, the ending, once again, makes you think. Whilst the original film left you wondering about the origins and timeline of mankind, this film guides you specifically to what our destiny is. It has a very strong impact, especially in these times with lunatic leaders like Putin and Little Rocket Man from North Korea in possession of nuclear missiles, and other societies like Pakistan on the verge of developing them for themselves. I'm afraid the outcome for the human race is inevitable as, in time, it just takes one maniac to take everyone out. I just hope it is not during my lifetime.
I watched this film and then realized there is no point in denying yourself things that you like or that you may never get the opportunity to experience again. So, I immediately ordered a Chinese take-away as I like the crunchy water chestnuts that you get. It could be my last!
'All Things Bright and Beautiful' will never be the same again once you've heard it chanted by the telepathic, cave-dwelling, bomb-worshiping mutants ("Glory to the Bomb and the holy fallout") who bear an eerie similarity to the ghouls Charlton Heston soon afterwards had to deal with in 'The Omega Man'.
Direction is by Ted Post, who also a good job on the underrated Harry Callahan dystopia 'Magnum Force'; while Linda Harrison once again resembles Raquel Welch's chic sixties cave girl in 'One Million Years BC'.
Did you know
- TriviaThe only film in the original series of five that does not star Roddy McDowall, who was committed to another project, his sole directorial effort "Tam Lin". Archive footage of McDowall as Cornelius is played at the start, and David Watson plays the character in the film proper. Despite this, McDowall is often pictured on video and DVD packaging for this film. Interestingly, Watson and McDowall appeared together two years earlier in the made-for-television musical "The Legend of Robin Hood" with Watson in the role of Robin Hood and McDowall playing Prince John.
- GoofsIn the "steam room" scene, Zaius and Ursus are wearing only towels, yet they seem to have twice as much body mass naked than when they are wearing their clothing.
- Quotes
[last lines]
Ending Voiceover: In one of the countless billions of galaxies in the universe, lies a medium-sized star, and one of its satellites, a green and insignificant planet, is now dead.
- Crazy creditsThe 20th Century Fox logo does not appear on this film.
- Alternate versionsWhen originally released in the UK, the film was heavily cut to receive a lower certificate from the BBFC. This version excised most of the violent and horrific scenes, most notably from the last third of the film, including both scenes where Brent is forced to attack Nova, the revelation of the underground humans' true appearance, the fight Brent and Taylor are forced to have in the prison cell, the killing of the mutant guard on a spiked door, and much of the shoot-out at the film's climax. This cut version was later shown on British TV, c.1991, even though all UK video and DVD releases have been fully uncut and rated '15' since 1987.
- ConnectionsFeatured in Escape from the Planet of the Apes (1971)
- SoundtracksAll Things Bright and Beautiful
(uncredited)
Music by Leonard Rosenman
Lyrics by Paul Dehn
sung by choir of mutants
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Bajo el planeta de los simios
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $3,000,000 (estimated)
- Gross US & Canada
- $18,999,718
- Gross worldwide
- $18,999,718
- Runtime
- 1h 35m(95 min)
- Color
- Aspect ratio
- 2.35 : 1