The sole survivor of an interplanetary rescue mission searches for the only survivor of the previous expedition. He discovers a planet ruled by apes and an underground city run by telepathic... Read allThe sole survivor of an interplanetary rescue mission searches for the only survivor of the previous expedition. He discovers a planet ruled by apes and an underground city run by telepathic humans.The sole survivor of an interplanetary rescue mission searches for the only survivor of the previous expedition. He discovers a planet ruled by apes and an underground city run by telepathic humans.
- Awards
- 1 nomination total
- Lucius
- (archive footage)
- Gorilla
- (uncredited)
Featured reviews
Kim Hunter, Maurice Evans, Linda Harrison, and Charlton Heston return for this first sequel. And James Franciscus is the only survivor of a rescue ship sent after Heston and his crew. Of course he finds the same simian civilization that Heston found and with the same problems and friends among the apes.
Franciscus goes into the forbidden zone that Heston entered, but now the apes have a military chieftain who wants to enter and conquer the previous forbidden zone. He's played by a thuggish James Gregory.
Maurice Evans is the scientist who has a vested interest in keeping the ape orthodox traditions inviolate. He doesn't want to go into the forbidden zone where Heston and Franciscus have gone, but the force of public opinion is working against him. He tags along with Gregory's military expedition to watch out for their culture.
Of course there are humans there and of a higher order than the simple creatures who were thought to be below the simian on this planet. What happens when they encounter those humans is for you to see the film for.
No doubt the force of public opinion influenced 20th Century Fox to make this sequel. Today's sequels to popular films are the result of certain teaser questions put into the plots of the originals. That was not done back then clearly because of some rather clumsy writing in Beneath The Planet Of The Apes. And certainly the ending here did not anticipate yet another sequel.
Despite that though a lot of good social commentary about the world and America got into this film, maybe even more than in the original Planet Of The Apes. Nobody could mistake the protests of the young chimpanzees to the military expedition for anything else, but criticizing the war in Vietnam and Nixon's incursion into China.
As in the first film my favorite is foxy Maurice Evans, protector of the orthodox ape religion and culture. Fans of the series will be pleased with him and the film.
I really can not understand why the heck Richard Zanuck allowed Charlton Heston to talk him into going with that downer ending that has already been referred to by others. The only reason why Heston pushed it wasn't because it made for good cinema but because he wanted to singlehandedly see to it that he never have to do another Apes sequel again. It's a pity that Heston never realized that the best sequel story one could have explored was what happened to Taylor and Nova afterwards, and could have made for some equally compelling drama as the first film did. To me, the main appeal of the first film wasn't the Ape society, it was the character of Taylor and his fascinating odyssey from misanthrope to defender of the species, only to see his earlier feelings borne out in the shock ending. The question that should have been addressed next in a sequel was, what would Taylor do now that he realized he was on Earth? What other things were there to discover on the planet? (Heck, you could have easily made a sequel movie without the apes returning, as far as I'm concerned!) Alas, because of the plot device imposed by this film (and Heston's inability to realize what a good thing he might have had going for himself), the rest of the series had to veer off into what was for me, a more uninteresting story line focusing on the Apes and their inevitable rise to power.
Plot holes and depressing ending notwithstanding, "Beneath" is still worth watching to see the traces of what could have been a great film that are there. The mutant storyline and their dwellings underneath the remains of New York still has an irresistible viewing quality to it. I do not recommend watching it in tandem with its magnificent predecessor though, because that's only going to make you more angry about the ending of this film.
'All Things Bright and Beautiful' will never be the same again once you've heard it chanted by the telepathic, cave-dwelling, bomb-worshiping mutants ("Glory to the Bomb and the holy fallout") who bear an eerie similarity to the ghouls Charlton Heston soon afterwards had to deal with in 'The Omega Man'.
Direction is by Ted Post, who also a good job on the underrated Harry Callahan dystopia 'Magnum Force'; while Linda Harrison once again resembles Raquel Welch's chic sixties cave girl in 'One Million Years BC'.
James Franciscus plays astronaut Brent, sent along the same trajectory as Taylor's (Charlton Heston's) old ship in an effort to rescue him. He crash-lands in the same vicinity as his friend, and goes through a similar nightmare when he comes to discover that the planet he's stranded on is dominated by intelligent, talking apes with a decidedly low opinion of mankind. General Ursus (James Gregory) is a war-hungry gorilla leader who's anxious to investigate strange unearthly occurrences in the Forbidden Zone with the aid of the ever-skeptical scientist Dr. Zaius (Maurice Evans in a reprisal of his role from Part One). Luckily, Brent runs into Taylor's mate, Nova (Linda Harrison looking prettier than she did in PLANET) and she is able to lead him to kindly chimpanzee couple, Zira (Kim Hunter) and Cornelius (David Watson this time; Roddy McDowall was busy directing a film). The pacifistic simians try to help their human friends along their journey to find Taylor, but Brent and Nova only succeed in getting themselves captured by gorillas anyway.
Up to this midway point in the film, all we're really seeing is a rehash of the first APES movie, which feels obligatory to set up the scenario. Where this chapter starts to develop its own identity and really take off is in its second half, as Brent and Nova escape and find themselves going underground (literally) in the Forbidden Zone and discovering the ruins of a ravaged city, along with a community of radiation-scarred mutations who have mastered mental telepathy and worship an atomic bomb as their god who has "created" them. And they know it won't be long before the Ape Army will invade their sanctuary.
Charlton Heston felt that sequels were not very challenging for an actor in those days, so at first he resisted appearing in this movie. He eventually agreed on what gradually evolved into a more extended "cameo" in BENEATH as a favor to Richard Zanuck, since the producer had taken a gamble on making the original film when Heston asked him to. The resulting sequel can be a downbeat and unusually pessimistic viewing experience, but in an odd way that actually helps to work in its favor. The next entry was ESCAPE FROM THE PLANET OF THE APES (1971). *** out of ****
Some bad acting and stupid parts of this film made me give it a 6 rating.This is a classic but to me its losing some of its magic.Recommended to Planet of the Apes fans,sci-fi fans and people who finds Planet of the Apes interesting.This is enjoyable to some but not all.I hope the next sequels are as good as this.
Did you know
- TriviaThe only film in the original series of five that does not star Roddy McDowall, who was committed to another project, his sole directorial effort "Tam Lin". Archive footage of McDowall as Cornelius is played at the start, and David Watson plays the character in the film proper. Despite this, McDowall is often pictured on video and DVD packaging for this film. Interestingly, Watson and McDowall appeared together two years earlier in the made-for-television musical "The Legend of Robin Hood" with Watson in the role of Robin Hood and McDowall playing Prince John.
- GoofsIn the "steam room" scene, Zaius and Ursus are wearing only towels, yet they seem to have twice as much body mass naked than when they are wearing their clothing.
- Quotes
[last lines]
Ending Voiceover: In one of the countless billions of galaxies in the universe, lies a medium-sized star, and one of its satellites, a green and insignificant planet, is now dead.
- Crazy creditsThe 20th Century Fox logo does not appear on this film.
- Alternate versionsWhen originally released in the UK, the film was heavily cut to receive a lower certificate from the BBFC. This version excised most of the violent and horrific scenes, most notably from the last third of the film, including both scenes where Brent is forced to attack Nova, the revelation of the underground humans' true appearance, the fight Brent and Taylor are forced to have in the prison cell, the killing of the mutant guard on a spiked door, and much of the shoot-out at the film's climax. This cut version was later shown on British TV, c.1991, even though all UK video and DVD releases have been fully uncut and rated '15' since 1987.
- ConnectionsFeatured in Escape from the Planet of the Apes (1971)
- SoundtracksAll Things Bright and Beautiful
(uncredited)
Music by Leonard Rosenman
Lyrics by Paul Dehn
sung by choir of mutants
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Bajo el planeta de los simios
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $3,000,000 (estimated)
- Gross US & Canada
- $18,999,718
- Gross worldwide
- $18,999,718
- Runtime
- 1h 35m(95 min)
- Color
- Aspect ratio
- 2.35 : 1