Angel Unchained

What really struck me about this film was its accuracy in depicting two of the most frequently exploited subcultures of the American 1960's. The Hippies are young middle-class idealists, with no evident skills or systematic approach to philosophy. The bikers are violent degenerates, but not over-the-top barbarians who kill at a moment's notice. Their behavior was so similar to stories and books I've read that I wonder if some of the scenes were actually reminiscences of some former Hell's Angel the writer knew. Unfortunately, I never could make out the name of the motorcycle club on the backs of their jackets. It looked like "Exiles Nomads", but what kind of a name is that? Overall, the movie is satisfying, if nothing particularly new. Fits well into the "Born Losers" category of film, but definitely in a class apart from "Satan's Sadists" or "Wild Angel."

The title of this biker flick seems to suggest that the character of Angel (Stroud) will at some point cut loose and split open some heads, but that never really happens. It refers more to the fact that he breaks free of the commitment he once had to a bike gang (or club, as it is referred to here.) The film opens with a bizarre scuffle that takes place in an otherwise deserted amusement park as rival bikers pound each other senseless ON the rides (including, hilariously, a small roller-coaster!) Stroud, having had his fill of the leather and chain lifestyle, then departs to find himself. Eventually, he comes to the aid of two hippies and winds up living on their dilapidated commune. Unfortunately for all of them, the local townsfolk don't take to hippies and repeatedly try to intimidate them and force them off the land. So Stroud calls upon his old biker buddies to come to the aid of the flower children. In this case, the solution may be more of a danger than the original problem since the bikers are depicted as the most repellent, foul, destructive pigs imaginable. Between the rather clueless hippies, the redneck townspeople and the nasty bikers, there are few people in the film to root for. Stroud is a reasonably appealing presence and Daly (as his newfound love) manages to inject a bit of pleasantness and heart into the film. Askew, as the hippie's leader, does an okay job. Bishop somehow manages to remain attractive despite the company he keeps and the careless character he portrays here. Among the remaining cast is McKinney as a savage, mildly deranged biker punk who thinks of women as property to be used and defaced upon his whim. McKinney is best known for his heart-stopping role as a violent, inbred, mountain man in "Deliverance". Ray has a cameo as the town's lackadaisical sheriff, who can scarcely bother to lift a finger in the midst of conflict. The cast of the film is diverse enough to warrant a look, but most fans of the genre will be disappointed in the finished product. There are a few extended fight scenes, but nothing too spectacular and the movie cops out by having people escape their vehicles just before they crash, giving the film a less exploitive and less severe flavor. It's almost cartoonish at times, though there is one chicken that gets treated pretty badly. The only nude scene is a demure one with Daly mostly obscured behind the wood slats of an old pick up truck. A few decent moments of acting creep in, but it tends to be a pretty lackluster affair. Fans of the stars will likely enjoy it more than the casual viewer.

Released in 1970, "Angel Unchained" features Don Stroud as an Arizona biker who decides he's had enough of the biker lifestyle. He roams off and ends up at a hippie commune where he hooks up with a young Tyne Daly. It doesn't take long for redneck cowboy dune buggy riders to enter the picture (I'm not making this up). They try to chase the hippies away so Stroud goes back to his biker buddies to enlist them to help stave off the rednecks.

"Angel Unchained" is definitely a low Grade "B" flick. You'll observe this right off at the silly carnival brawl sequence. This is not top-notch filmmaking, that's for sure. Despite this, after about 30-40 minutes I strangely started getting involved in the story; I actually started caring about the characters and what would ultimately happen, even though I shouldn't have. The bikers are depicted as wild outcast revelers who drink and use drugs, but they're generally likable at the same time. The scenic Arizona locations are a highlight.

The end credits showcase each actor individually in that dramatic way that used to be popular (e.g. "The Dirty Dozen"); all it did for me was make me bust out laughing. NOTE TO THE FILMMAKERS: It wasn't a good or serious enough film to warrant this type of venerable closing.

BOTTOM LINE: "Angel Unchained" wasn't made very well or very seriously; however, if you make the necessary psychological adjustments and give it a chance (i.e. 30-40 minutes of your time), it's fun, likable, entertaining and even a mite engrossing. I shouldn't like it, but I do. Go figure.

The film runs 86 minutes.

Grade: C+

PS: If you want to see a great late 60's/early 70's biker flick, catch the very first one, the infamous "The Wild Angels" from 1966 starring Peter Fonda, Bruce Dern, Nancey Sinatra and Diane Ladd. "The Wild Angels" is simultaneously shocking and profoundly brilliant (yes, even though it's essentially a Roger Corman 'B' film). See my review for full details.

After a rumble with another motorcycle gang one of the bikers named "Angel" (Don Stroud) decides it's time to leave and make it on his own. So he gives up his colors and drives off down the highway. It's at this time that he rides into a small town and while filling up at the local gas station comes upon two hippies who are subsequently denied service by some redneck cowboys who inhabit the area. He helps them out and to express their gratitude they invite him to stay at their nearby commune. Since he has nowhere else to go he takes them up on their offer. Unfortunately, after only a few days the rednecks come and destroy the crops that the hippies had worked all summer on after which the cowboys give them an ultimatum to leave or they will return in a week. So in desperation the leader of the commune who goes by the name of "Jonathan Tremaine" (Luke Askew) pleads with Angel to bring his old gang to help them out. Although he explicitly warns them about the potential danger these bikers could create they continue to insist so he then rides out to ask them. The bikers accept the invitation and all kinds of mayhem follows not long afterward. Now rather than reveal any more I will just say that this was an okay "biker film" which could have been better if it had flowed a bit more smoothly from one scene to another. In any case, I found it to be an adequate movie for the most part and I have rated it accordingly. Average.

obviously "biker gang" and "hippie commune" are terms of pure fantasy ... the fantasy of enjoyment that the workaday world had about '60s subculture. so this film is mildly interesting in that it manages to represent both with (what I imagine to be) some degree of accuracy. bikers, with the promise of extra enjoyment, act as enforcers for peace-loving back-to-the-landers against hostile hick "townies" who harass them at every opportunity. it is a bucketful of cliché and ends in a big dune-buggy hack-em-wack-em fireball, but there's some meaningful representation of (what I imagine to be) the cultural conflicts of the era.