The Cheyenne Social Club

Next to "El Dorado", this is my favorite western. It is fun from start to finish. Best friends in real life play best friends on the Texas panhandle. Jimmy Stewart (John) and Henry Ford (Harley) have been "riding together" for 10 years when John receives a letter from a lawyer in Cheyenne.

With John and Harley being drifters, it has taken the letter two years to catch up to them. John is told his older brother DJ has died and left him a thriving business in Wyoming; The Cheyenne Social Club. Always wanting to be a "Man of Property", John packs up and heads to Cheyenne with Harley in tow (even though neither man knows exactly why Harley feels the need to tag along everywhere John goes).

Both John and Harley are salt-of-the-earth people. Harley has a passion for pecans and John cannot wait to claim his inheritance and become a Republican. The wagon wheel comes off when John realizes the Cheyenne Social Club is actually an high end, upscale brothel. The ladies who live in the equisitly furnished house are the cream of the crop, expecting nothing but the best from themselves and their clientelle. When John pops into the picture, the ladies fancy him a hero although John has plans to turn the house into a legitimate business.

The casting and directing of this film is perfectly done. Shirley Jones is the Madam of the house and all the ladies cast give prostitutes a fine name. Gene Kelly (yes that Gene Kelly) directs this enjoyably light fare with a smooth touch.

Why this was not made into a series of movies, I'll never know. There could have been 2 sequels based on the strength of the cast's chemistry alone. If an attempt to remake this wonderful film is ever undertaken, it's success or failure will rely on the casting. Like "Fun with Dick and Jane" and "Bewitched", the wrong combination of actors can kill a great storyline.

This is a 9 out of 10 stars. It must be viewed the first time over a dinner of steak and beer with a room full of friends and the sweet smell of perfume in the air.

This is a great comedy western without being stupid satire and is nothing like Blazing Saddles by Mel Brooks. I personally hate satire on a high level. This is a hilarious movie with a great cast of characters. I first saw this movie when I was very young. But to ensure before I rated that I didn't remember this movie as funny just because I was a kid. I recently viewed it again. I am 44 and thing it is hilarious. I enjoy mostly serious westerns but also love comedic westerns when they are done well. Other good movies are Maverick, Support Your Local Sheriff, Support Your Local Gunfighter and John Wayne's "McClintock". So if you don't like any westerns that have comedy then this will not be for you. Perhaps you just go more for gritty reality such as Tombstone, Wyatt Earp, Unforgiven or classics such as True Grit and The Outlaw Josey Wales. But if you enjoy a laugh without being stupid satire you will like this movie. I am assuming that is why the reviews that have been written were mostly negative.

Fun Western comedy with two-towering actors and bemusing situations that happen when an upright cowboy after the death of his brother receives an unusual legacy : The Cheyenne social club and he along with another friend from Texas go to the location . Agreeable film about two nice cowpunchers plenty of humor , thrills and stunning performances . "John", a honest cowpuncher (James Stewart) to which accompanies his inseparable friend "Sullivan" (Henry Fonda), another cowboy from Texas who are longly friends from 10 years ago , at the prospect of inheritance they decide to go in search of the business of his deceased brother . At the long trek takes place some amusing exchange of dialogs among them . After that , they discover the truth as the Club results to be the town's bawdy brothel plenty of joyful girls ( Shirley Jones , Sue Ane Langdon , Elaine Devry as sexpots of bordello) with a great tradition in the region. As Stewart increasing involvement with luscious employees and Fonda helps to operate the bordello . Meanwhile there appears the assortment of bad guys (Robert J Wilke , Charles Tyner) who force shoot'em up on them.

Gentle entertainment about a bordello in the Old West with two masters of the performance , James Stewart and Henry Fonda , they are magnificent experts in the art of conjuring laughs of nothing , here are reunited in this atypical but amusing western with a lot of jokes , undistinguished moments and comical attitudes , in addition a multitude of absurd situations. Fun screenplay by James Lee Barret , Western's ordinary , though clichés run through-out , the enjoyable story is enhanced for amusing moments developed among main characters and especially on the relationship between James Stewart and Henry Fonda. The stellar cast is accompanied by some secondary actors very good as Shirley Jones , Robert J Wilke , Robert Middleton , John Dehner and Charles Tyner .

It also appreciates a good production design and colorful cinematography in Panavision by William H. Clothier , John Ford's usual .It's a movie highly desirable to spend 103 fun minutes professionally directed by Gene Kelly, an expert dancer and choreographer . Kelly dares to lead this western with acceptable results, and offers us here an entertaining comedy without major skills , but should to make it more dynamic . He directed some films as "Singing in the Rain" , ¨On the town¨ , co-directed by Stanley Donen , and ¨Invitation to the dance¨, ¨Hello Dolly¨ , ¨Guide of married men ¨ , ¨ Cheyenne Social Club turns out to be his only Western . It's a minor and thin effort and is beneath this great trio Fonda-Stewart-Kelly . An object of lesson by old masters who will appeal his fans .

Cowboy James Stewart gets a letter that's followed him through many jobs for almost two years. It seems as though his prosperous brother from Cheyenne died and left him a going business, something called The Cheyenne Social Club. So Stewart quits his job in Texas and rides to Cheyenne to claim his inheritance and saddle pal Henry Fonda goes along for the ride.

The Cheyenne Social Club rises and falls on the chemistry between its two stars and this one rises like the lightest of angel food cake. The two movie icons and best friends from Princeton days are so perfectly cast it's a shame they didn't make a sequel and have some further adventures.

No doubt also these two helped director Gene Kelly over the rough patches in a movie genre he really wasn't familiar with. Kelly was wise enough to cast the film with a whole lot of players familiar with the western genre. And he was wise enough to give all these people their head and they don't let him down.

It turns out that The Cheyenne Social Club is a bordello under the temporary management of Shirley Jones. It's quite an institution in Cheyenne, but it doesn't quite seem right for Stewart, something a working cowboy can enjoy, but not live off. Of course his friend Fonda seems to have settled down quite nicely there.

Fonda's part could have been the great grandfather of the character he played in The Rounders. Apparently whatever suits Stewart just tickles Fonda plumb to death.

Best moment in the film is when Jimmy Stewart gets the best of bad guy Robert J. Wilke in a gunfight after he beats up Shirley Jones. Of course it's with the help of Fonda and a noisy pecan. Has to be seen to be appreciated.

This was James Stewart's last starring western and a great one to go out on as well.

Is "The Cheyenne Social Club" a comedy or action Western? Director Gene Kelly tries to combine the two with very uneven results. Cowboy James Stewart receives a letter telling him that he has inherited property from his late brother so he starts out for Cheyenne along with his buddy, Henry Fonda. It is only after he arrives that Stewart finds out the Cheyenne Social Club is not a boarding house or saloon as he supposed, but, well, something else. Director Kelly plays up the discomfort Stewart feels being the not so proud owner and his futile efforts to close the place down, but most of the jokes in that vein fall flat. That is not to say we can't find humor as, for example, Stewart changing his politics when he fancies himself as a businessman, or Fonda cracking nuts at inopportune moments. Fonda's speeches as the credits are rolling are hilarious. Stewart listens politely until he can't take any more and finally has to tell Fonda to shut up. The movie is at its best when these two old pros are interacting with one another.