Five Dolls for an August Moon

It has striking set pieces, sets, and color schemes. A pity the plot is not more original. But Bava's morbid sense of humor permeates the film.

Five couples come to an island for rest and relaxation. There is a maid and manservant. One of the guests tries a sacrifice--to whom, what or why isn't explained. The lights go out. The sacrifice is dead when the lights come back on--or is she? One of the guests is an inventor with an invention worth millions. After turning down three financial offers for the formula to it, people start dying. The boats that are an avenue of escape are stolen and the only telephone line is cut. The list of suspects dwindles. Will anyone survive the movie?

The cinematography was done by Antonio Rinaldi. Bava himself did the quick, jumpy editing, which contributes to the viewers' sense of unease. The dominant colors in this film are dark blue and purple, especially at night; in three scenes, the only colors used are black, white, and red. The actors are adequate.

The plot isn't exactly logical and the ending comes close to breaking the bounds of disbelief. It's like Bava gave up on everything but the visuals. So the plot may become unbelievable, but the film's a visual feast and Bava keeps things moving so I didn't have time to get bored.

Art direction and cinematography are as distinctive as any of Bava's other giallo films of the period, but the garbled script to what is essentially little more than a standard body-count movie really lets this one down. After a plodding and talky start, the film disintegrates into a total mess. Bava pulls off the odd visual flourish, but such scenes never gel together. Still, the mesmeric use of zooms, focus pulls, and tracking shots and the stylish use of colour ensures that, from an entirely aesthetic perspective, this film never becomes boring, and as an auteur piece, is well worth a watch. Now, if only I could work out what the hell happened in it...

An industrialist invites some of his friends to his island retreat in order to persuade a chemist (William Berger better known as Django}to sell them his new secret formula for an industrial resin. Of course he doesn't want to sell at any price and this leads to resentment and veiled threats which leads to all on the island being killed off one by one, in this "Ten little Indians" type thriller and of course there is a storm brewing and the phones are down, I think you get the picture….Now how do I review a Bava film without mentioning "Stylish" or "Superb use of Colour"…. I don't think I can really,but I will try…..This films theme is reminiscent of Bava's more famous work Bay of Blood, with its high body count….it has a funky little score too, very 60's…..the film at times tends towards black comedy with the body bags swinging in the freezer, I have to say it made me laugh and as with all Bava films the women are quite nice to look at…in particular Edwige Fenech a lady I have heard a lot about and I can see why….all in all an enjoyable little thriller, not Bava's best work but certainly worth a look

One of the few films directed by Italian horror maestro Mario Bava that I hadn't seen, as well as a film starring my latest object of cinematic lust, Edwige Fenech, 1970's "Five Dolls for an August Moon" was one that I eagerly popped into my DVD player at home. And it turns out that it was well worth the wait. In this very interesting giallo, a group of businessmen convenes, with their wives, at an ultramodern beach house on what looks to be a lonely Mediterranean island, with the purpose of convincing a scientist to sell them the formula for his new industrial resin. Before long, though, "Ten Little Indians" style, the group's members start to be killed off one by one, and, in a nice, eerie touch, are kept hanging in plastic wrap in the house's meat locker. The plot here is complex enough without being ultimately impossible to understand or swallow, although one or two points do not withstand logical consideration after the movie is done. Still, Bava's direction is typically stylish, with some memorable set pieces (dig those bouncing marbles!); a chic, jazzy score by Piero Umiliani aids immeasurably in moving things along (what a terrific soundtrack CD this film could have!); and the picture, though not as graphically violent as, say, Bava's "Twitch of the Death Nerve" (1971), still provides some grisly moments. And Edwige? Well, whether doing a frenzied dance number in gold lame bell-bottoms and matching brassiere or strutting around in various states of undress, this luscious Eurobabe does not disappoint. She is easily the hottest of the "five dolls" here; whotta knockout! My thanks to Image Entertainment for this great-looking DVD of a film never released theatrically here in the U.S.