Framed for a bank robbery, bounty killer Django's brother, Steve is lynched. Django hunts down Sartana, Steve's supposed accomplice, but finds him innocent also. The two men seek out the rea... Read allFramed for a bank robbery, bounty killer Django's brother, Steve is lynched. Django hunts down Sartana, Steve's supposed accomplice, but finds him innocent also. The two men seek out the real robbers.Framed for a bank robbery, bounty killer Django's brother, Steve is lynched. Django hunts down Sartana, Steve's supposed accomplice, but finds him innocent also. The two men seek out the real robbers.
Bernard Farber
- Philip Singer
- (as Bernard Faber)
Augusto Pescarini
- Singer Henchman
- (as Augosto Pesarini)
Mirella Pamphili
- Saloon Girl
- (as Mirella Pompili)
Tania Alvarado
- Maria
- (uncredited)
Fortunato Arena
- Bandit
- (uncredited)
Calogero Azzaretto
- Mexican
- (uncredited)
Ugo Ballester
- Gravedigger
- (uncredited)
Federico Boido
- 1st Gunman
- (uncredited)
Dolores Calò
- Crying Woman
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
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Featured reviews
Z-list Django and Sartana stand face to face in combat
Django (Tony Kendall) returns to his hometown of Tombstone to find his brother, local banker Steve, hanging from a noose. Steve has been executed following accusations that he had teamed up with Sartana (George Ardisson) to empty the safe of the bank, and had assisted his new colleague in the murder of bank manager Mr Singer (Bernard Faber). In reality, Singer had entrusted Steve with the task of confronting Sartana, and paying him to leave Tombstone rather than raiding the bank. A disgusted Sartana refuses this offer.
Believing his brother to be innocent, Django sets out in pursuit of Sartana to discover the truth. The two heavy-weight protagonists stand face to face in combat, before learning that all is not as it seems with Singer's murder, and team up on a quest for justice and revenge.
On locating a copy of "Django Against Sartana" I was immediately convinced that it would be a low budget, fairly average flick, name-checking the established characters in a vain effort to generate interest. But there is no denying that my squinting eyes display the threatening figures of Django and Sartana in front of me. It must be said however, a recent visit to the opticians had highlighted that I have clearly needed glasses for sometime (yet my vanity had prevented it). Reaching for said specs soon confirmed my original expectations - this Django is certainly no Nero (and not even a Hill or Steffen), and Sartana is no Garko. We are talking Z-list Django and Sartana here! Only the vague costume resemblance provides a hint to the identity of these feared gunfighters.
Despite my obvious mickey-taking, I must say that I did really enjoy this film - probably largely because it was such an unintentional parody of the genre to which it belongs (it certainly wasn't for the wooden character acting!). The story did provide some great entertainment though, even if it was fairly predictable. I did also enjoy the effect of the freeze-frame grand entrance of the main characters.
However...... I couldn't hold my hand to my heart and recommend it to anyone. And I guess, truth be told, I never thought I would be able to.
Believing his brother to be innocent, Django sets out in pursuit of Sartana to discover the truth. The two heavy-weight protagonists stand face to face in combat, before learning that all is not as it seems with Singer's murder, and team up on a quest for justice and revenge.
On locating a copy of "Django Against Sartana" I was immediately convinced that it would be a low budget, fairly average flick, name-checking the established characters in a vain effort to generate interest. But there is no denying that my squinting eyes display the threatening figures of Django and Sartana in front of me. It must be said however, a recent visit to the opticians had highlighted that I have clearly needed glasses for sometime (yet my vanity had prevented it). Reaching for said specs soon confirmed my original expectations - this Django is certainly no Nero (and not even a Hill or Steffen), and Sartana is no Garko. We are talking Z-list Django and Sartana here! Only the vague costume resemblance provides a hint to the identity of these feared gunfighters.
Despite my obvious mickey-taking, I must say that I did really enjoy this film - probably largely because it was such an unintentional parody of the genre to which it belongs (it certainly wasn't for the wooden character acting!). The story did provide some great entertainment though, even if it was fairly predictable. I did also enjoy the effect of the freeze-frame grand entrance of the main characters.
However...... I couldn't hold my hand to my heart and recommend it to anyone. And I guess, truth be told, I never thought I would be able to.
Simple Storyline of Revenge, But Entertaining
Django (Tony Kendall) is in a search party hunting down the criminal Carlos. Meanwhile, Sartana (George Ardisson) arrives in his town, and the bank owner Philip Singer (Bernard Farber) asks his clerk Steve (John Alvar), who is Django's brother, to offer three thousand dollars to Sartana for him to leave the town. Sartana does not accept the offer and Steve leaves his hotel room and meets a prostitute to party with her. When Singer and his niece are kidnapped on the road and the bank's safe is found empty, the locals believe that Sartana and Steve robbed the bank. A group of vigilantes catch Steve, hang him and leave his corpse in the rain. Then Django returns, he meets his mute friend (José Torres) and finds the body of Steve. Django buries Steve and heads with Mute to seek out Sartana. They fight each other and Django learns that Sartana is innocent and has neither kidnapped Singer and his niece nor robbed the bank. Django, Sartana and Mute team-up and look for the real thief.
"Django sfida Sartana" is a spaghetti western with a simple storyline of revenge, but very entertaining. Like other Italian western from the 70's, the edition is poor, the acting is wooden and the weapons do not need to be recharged. But who cares, the film is not bad and amuses. My vote is six.
Title (Brazil): "Django Desafia Sartana" ("Django Challenges Sartana")
"Django sfida Sartana" is a spaghetti western with a simple storyline of revenge, but very entertaining. Like other Italian western from the 70's, the edition is poor, the acting is wooden and the weapons do not need to be recharged. But who cares, the film is not bad and amuses. My vote is six.
Title (Brazil): "Django Desafia Sartana" ("Django Challenges Sartana")
Standard stuff
If you are familiar with the spaghetti western genre, you have probably correctly guessed that "Django Defies Sartana" was a cash-in, naming its protagonists after the heroes of past popular spaghetti westerns. Actually, the Sartana character in this movie does have some resemblance to the original Sartana character, though the Django character does not (no machine gun, among other things.) But I didn't care if the movie was a rip-off or not, I just wanted it to be entertaining. The movie does get to a slow start, with the plot not starting until a quarter of the running time has passed. But when the plot kicks in, the movie does manage to keep some interest in the viewer, with some action and various plot twists. I'm not saying this is a GREAT spaghetti western, but fans of the genre will probably find it decent enough. And it's the closest we'll ever get to uniting Django and Sartana in the same film!
Django against Sartana
I am a big fan of westerns, especially spaghetti, some are above average and i think this is one of them. It has a good, well thought out story and there is plenty of action and gun-play, ( fist fights and shoot outs ) to keep your attention. I also think the actors playing Django ( Tony Kendall ) and Sartana (George Ardisson ) are very good. The actual plot keeps you hooked and there are also a few surprises along the way. One thing i really liked was the rousing music score and the title song. There are of course many Django and Sartana movies some very good, some not so good, i have seen most of them and i think that, this is, one of the better one's and would recommend that if you get the chance,catch it.
An Avenging Brother
I'm a fan of westerns, this was watchable, but very average. The story does keep you interested, the lead actors are reasonably convincing, and the camera work is different.
Djangos brother is accused of helping the gunman Sartana rob the bank. The townsfolk take the law into their own hands and hang him. Django blames Sartana for the incident, and goes out to track him down. However, there is a twist to the story and things don't turn out the way we're led to believe.
Worth watching if you've nothing better to do. The music at times leaves a lot to be desired.
Djangos brother is accused of helping the gunman Sartana rob the bank. The townsfolk take the law into their own hands and hang him. Django blames Sartana for the incident, and goes out to track him down. However, there is a twist to the story and things don't turn out the way we're led to believe.
Worth watching if you've nothing better to do. The music at times leaves a lot to be desired.
Did you know
- TriviaItalian censorship visa # 56019 delivered on 30 April 1970.
- GoofsWhen Loco (Django's Mexican friend) throws his machete at the two baddies outside, which instead misses and sticks in the fence, the sun's shadow on the blade is at four o'clock. When Django shoots the two baddies immediately after this, the sun's shadow on the blade is suddenly at two o'clock.
- ConnectionsReferenced in Django: The One and Only (2003)
Details
- Runtime
- 1h 25m(85 min)
- Sound mix
- Aspect ratio
- 1.85 : 1
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