Gimme Shelter

When you see this movie you really understand how sanitised, safe and corporate the music scene is today.

The Stones were possibly the biggest band in the world at the time, so by today's standards it seems unbelievable they'd put on a free concert where the venue was changed at the last minute, the set was still being constructed as the 300,000 very fried looking hippies turned up, and there was no security for their satanic majesties except for the San Francisco Hell's Angels who were paid in beer and brought along pool cues with lead weights at the end for added security - as well as the standard knives and baseball bats. And they weren't afraid to use them, even on the bands, especially Jefferson Airplane's Marty Balin.

Throw in some of the original Satanic rock band's finest sinister creations and you get the real deal, not some pantomime metal/goth horror facsimile. At the time many people really did believe that they could change the world and looked to bands like the Stones as leaders of the counterculture, and you really get the impression things like this mattered a hell of a lot more, but after Altamont, well...

Nevertheless, the version of Under My Thumb that Jagger delivers as he's watching the terrible action unfold in front of him is, for whatever reason, devastatingly understated and desperate, compared to all the OTT cavorting earlier in the set. But it's the genuine craziness of the 'fans' that makes this film seem like it was shot on another planet. Gimme Shelter is the most rock'n'roll film ever made, for all the right and wrong reasons.

There's sort of two documentaries here: one shows the actual concert in Altamont, and the other shows the Rolling Stones watching the footage to see where everything went wrong. In the concert part, one can easily tell that all the peace and love inherent in Woodstock was unfortunately not to be here; in the review part, one can see that the Stones are stoned.

Yes, I guess that we have to admit that the '60s were great while they lasted, but this was unfortunately the end (no doubt the whole Manson thing also contributed). But either way, it's a great documentary. I suspect that the Stones got satisfaction by working on it.

In November of 1969 I attended a Rolling Stone Concert at Boston Garden. The Stones were nearing the end of their fabulously successful 69 American tour and they were as good as I had ever heard or seen them. The sellout crowd was mesmerized and surged to the stages edge without violence and just rolled to the music. It was a brief period in rock history when such things were possible. The Peace and Love generation had settled into a groove with just tripping on the music and nothing more. Woodstock had been the prototype. A month after I saw them hypnotize Boston Garden the concert at Altamont put an end to the dream.

David and Albert Maysles recorded this nightmare in their brilliant documentary Gimme Shelter. The film opens with the Stones, flush with success planning a free concert for fans at Golden Gate Park. The venue is switched to a racetrack in Altamont and things slowly begin to deteriorate from there. The Stones naively hire Hell's Angels ("The Dead said they were cool") for security. When things become unruly the Angels respond harshly. As Jagger sings a man with a gun rushes the stage and is stabbed. The Maysles cameras are in the right place many times. The emphasis is not on Jagger as he and the band perform, instead it is the threatening and tripped out people near him on stage that fascinate.

The concert itself only takes up a small but gripping portion of the film which follows the Stones on a some of their tour and their reactions from watching the documentary's rough cut. Seldom do rock stars allow themselves to filmed in such compromising a position. The Maysles also capture the logistics side of the concert business with famed lawyer Melvin Belli and tour director Sam Cutler at task.

In less than half a year the Utopian dream of Woodstock lay in ruin at the Altamont Speedway. The Maysles provide much of the proof in Gimme Shelter.

Certainly not a filmed concert, this important documentary describes, in a very sensitive and powerful way, the incredible human bestiary that rushed towards the 1969 free Rolling Stones show located on Altamont speedway, California. Complete disorganization, brutal security staff, drug abuse will turn this rock party to an awful black celebration that will lead to more than a human sacrifice : the destruction of a new kind of innocence. Often shocking and disturbing, sometimes dreadful, "Gimme shelter" brings to us not only the pictures of a riot. It makes us think about the difficulty for men to live as social animals when they're unable to repress their predator instincts. Let's finally mention the great musical first part of the film, and the quality of the direction.

Boy, you could write a lot about the significance - cultural and otherwise of what happened at this big rock concert and why....but this is a website to review films. So rather than going on and on about how naive and stupid these concert promoters were to hire thugs as "security," suffice to write that the movie speaks for itself. It shows what happened, and you can make up your own mind.

However, much of the time is taken up interviewing mindless stoners and clueless rockers, none of whom sound intelligent enough to properly discuss the situation. This documentary does give you a good idea of the period and how easily one could go from a peaceful Woodstock to this disaster. In fact, watching this film just makes me all the more stunned that nothing really tragic at Woodstock with all those kids, although the organizers there obviously didn't make a few crucial mistakes the guys here made.

This documentary shows how many dumb things were allowed to take place, and just makes you shake your head in disbelief. For that, they did a good job with this film, accomplishing, I assume, what they desired.

It was fun to go back and see clips of The Jefferson Airplane, The Flying Burrito Brothers (you couldn't beat the names of rock groups back then!) and Ike and Tina Turner. However, as we see, the "counterculture" wasn't all good rock, "peace and love," folks; there were so real bummers and lives ruined.