The adventure of two rebel soldiers after the Civil War ends.The adventure of two rebel soldiers after the Civil War ends.The adventure of two rebel soldiers after the Civil War ends.
Michael Forest
- Cowboy
- (as Mike Forrest)
Larry Lawrence
- Bedroom Man
- (as Larry Laurence)
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Everything about this film was beyond awful. I can't think of any more criticisms than what previous reviewers have said. I gave it 2 stars for both of the only attractions I had to look at the movie: the attractive profiles & physiques of both Joe Namath & Woody Strode. They are both very nice to look at. I'll give 1 more star for a total of 3/10 for The Black Boy who almost silently serves as a catalysts for some of the action, out acts the rest in perhaps the best role in the film. But for this film you better turn the volume off. The sound editing and off the wall 70's sound track is torture. The plot was ridiculous and the ending provides no satisfaction. It doesn't even warrant achieving camp status. Its just irritating. Not too mention having to cringe through the repeated use of the N-word. Being the movie geek I pressed forward to the end in order to added to my list, but I will never put myself through viewing it a second time.
This movie is #1 on my all time worst movie list. Besides the fact that it has no plot, and that Joe Nameth is a mediocre actor at best; it is a western set to "modern" 1970's music. Very strange. No wonder it was listed as "To Be Announced" in the paper. My mom and I first saw this in the mid-1970's and even back then, we joked that the name of the film should be "Joe Nameth Goes to Mexico to Get Laid". That is basically the entire plot. Joe was a great football player and some people thought he was handsome, but that does not necessarily mean the man can act. Do yourself a favor and skip this movie, unless you are curious just to see how bad a movie can be.
Remember the days when Joe Namath was a sex symbol? You can relive his glory years by catching this otherwise dreadful faux-spaghetti western. Joe plays an ex-Confederate soldier out to make it rich with buddy Jack Elam. When Joe decides to 'act', he raises his eyebrows and smirks...ever so slightly. More memorable is Jon Lord and Tony Ashton's entirely inappropriate soundtrack. A little Deep Purple pomposity here, an Ashton, Gardner and Dyke power ballad there...apparently producer Larry Sprangler wasn't about to pay for a decent composer like Morricone, Piccioni, or Umiliani.
The one redeeming item in this awful, awful western about a couple of ex-confederate soldiers wandering around the old West -- hey, everyone digs a rebel, even if they were rebelling so they could keep slaves -- is the camera work by Carlo Carlini. However, it isn't enough by a wide margin.
I was going to write that Jack Elam's typically straightforward semi-comic performance was also noteworthy, but it simply emphasizes the awfulness of Joe Namath's performance. Woody Strode is as good as he can be, although he does look embarrassed, as if he wants to be back in the dignity of a Bomba the Jungle Boy movie.
As for Broadway Joe, he sounds querulous every time he speaks a line, as if he's about to stamp his foot and run off. They don't even let him move that much, just pose him and let him stand, which argues that one of the best running quarterbacks of the 1960s did not know how to move. Usually they didn't even shoot him full length, unless he was lying down with his shirt off so you can see him carefully-shimmed armpit hair.
But if there is one thing that makes this a terrible movie, it's the music score. I know that if you want to evoke the dirt and grit of the Old West, there's nothing like Motown-inspired Rock-and-Roll organ work and drumset to do it and that's what they did here. That must've been a great help at the box office.
I was going to write that Jack Elam's typically straightforward semi-comic performance was also noteworthy, but it simply emphasizes the awfulness of Joe Namath's performance. Woody Strode is as good as he can be, although he does look embarrassed, as if he wants to be back in the dignity of a Bomba the Jungle Boy movie.
As for Broadway Joe, he sounds querulous every time he speaks a line, as if he's about to stamp his foot and run off. They don't even let him move that much, just pose him and let him stand, which argues that one of the best running quarterbacks of the 1960s did not know how to move. Usually they didn't even shoot him full length, unless he was lying down with his shirt off so you can see him carefully-shimmed armpit hair.
But if there is one thing that makes this a terrible movie, it's the music score. I know that if you want to evoke the dirt and grit of the Old West, there's nothing like Motown-inspired Rock-and-Roll organ work and drumset to do it and that's what they did here. That must've been a great help at the box office.
This western is from the deep seventies, the depressing period. But it doesn't correspond with what I first expected. It is of course an obscure film, not widely known, and destined to seventies exploitation flicks. I love this period because there was much freedom, on the other hand, you could find anything, because the writers were totally "on the loose". That made the specificity of thie era. This western, despite Jack Elam and Woody Strode's presence is rather lame, boring. The ending is not awful but just forgettable and not in the way I wanted it to be for a seventies western. However, it's not a piece of crap. Just forgettable stuff.
Did you know
- TriviaShortly after the film's release, Jack Elam penned a letter to the editor of Playboy magazine praising Joe Namath for his performance and for being professional and courteous as a fellow actor.
- SoundtracksThe Last Rebel (Main Title)
Written by Jon Lord
Performed by Tony Ashton, Kim Gardner and Roy Dyke (as Ashton Gardner and Dyke)
- How long is The Last Rebel?Powered by Alexa
Details
- Runtime
- 1h 30m(90 min)
- Sound mix
- Aspect ratio
- 1.85 : 1
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