Little Big Man

53. LITTLE BIG MAN (western, 1970) From his Hospital bedside 121-year old Jack Crabb (Dustin Hoffman) recounts his exploits to a reporter: Captured by Cheyenne Indians at the age of 10 he's integrated into their 'alien' society and made the son of Indian 'Old Lodge Skies' (Chief Dan George). Proving his courage despite his short stature he's given the name of 'Little Big Man'. During the Indian Wars Jack is returned to white society. There he works as a shopkeeper, gunfighter, and finally used as an Indian Scout. The latter landing him under the command of General Custer (Richard Mulligan), who's putting together an army to fight the Indians at Little Big Horn.

Critique: Extremely enjoyable, epic western directed by Arthur Penn. Praised for its depiction of Native Americans, it has biting satirical (and political) touches, saddled with farcical historical accounts of the Indian Wars. The once controversial aspects were meant to represent the ideologies of the time, but it has not lost any of its grit.

What I like the most is its unique interpretation of Indians. Never in the long cycles of American westerns were Indians presented as almost alien, coming across as a mythical people whose ignorance of political maneuvers and technology proved their downfall. A very bitter and sad farewell swansong to what war and genocide has taken away.

Atypical cast delivers strong passages but you won't forget the 2-standout roles of General Custer as portrayed by the maniacal Richard Mulligan and 'Old Lodge Skies' played by the philosophical Chief Dan George.

QUOTES: Old Lodge Skies: "There is an endless supply of white men. But there has always been a limited number of 'human beings'. We won today, we won't win tomorrow."

Little Big Man is a fun, picaresque western with some fine visual sequences and plenty of good acting. But it's a major step down from the book, one of the finest American novels of the '60s. The difference is in the handling of the characters. The movie presents Custer, Wild Bill Hickok, Rev. Pendergast and his wife, the patent medicine seller, and the rest as comic "turns," not as full-fledged people in their own right. Maybe this is how Penn, with his theatrical background, instinctively saw the material, and it gives the movie too much of a Blazing Saddles feel. The script (or perhaps what Penn uses of it) boils much of the dialog down into one-liners (doubtless, the task of condensing such a sprawling story into a movie of less than three hours didn't help). Even Chief Dan George, as Old Lodge Skins, the best developed character here, often comes across as merely a lovable schlemiel. Much of it's funny, but it doesn't cut very deep.

The book is more human, giving each character Jack encounters three dimensions and avoiding the trap of rendering any of them either all good or all bad. The moment in Penn's film that best evoke the book is the scene where Custer catches Jack approaching to kill him and instead of killing his stalker, lets him go. Throughout this wonderful novel, characters do unexpected things that seem at first to be totally out of character, and thus serve to remind us of the complexity of human beings. As someone suggests here, the film may intend to say something about the random, unpredictable nature of the universe. The novel does something a lot more difficult and down-to-earth: It reminds us that it takes a lifetime to know even a few of our fellow humans. And especially for Jack, who has to navigate two distinct cultures.

So if you liked the movie, by all means read the book. You'll finish it loving this tall tale way more.

Dustin Hoffman with Little Big Man joined the ranks of such players as Jeanette MacDonald, Susan Hayward, Agnes Moorehead, Barbara Stanwyck and Edward Judd. What he had in common with them is that he played a man greatly aged with make up reminiscing about his youth which was quite a colorful one. Later on Cicely Tyson and Emilio Estevez joined this select bunch.

Poor Hoffman just can't find himself a niche in the world of the west either with white men or with Indians. He finds himself in the Dakota Territory of the 1870s and makes the acquaintance of such people as Wild Bill Hickok and George Armstrong Custer, a couple of old west legends who met famous premature deaths in the same year of 1876. And of course some lesser people in mostly low places.

Hoffman gets some great support from people like Martin Balsam as a medicine show conman whom he spends some time with and Faye Dunaway as the widow woman who takes the orphan Hoffman in and explains and demonstrates the facts of life. Jeff Corey plays Wild Bill Hickok who explains to Hoffman he really doesn't have the right stuff to be a gunfighter.

Best of all is Richard Mulligan as the controversial General George Armstrong Custer whose ambitions for military glory led to the massacre at Little Big Horn. Mulligan is ambitious and will not take good advice. Watching Little Big Man in the scenes with Mulligan it was like looking at Donald Trump campaigning for president. Just like The Donald, Mulligan will not listen to anyone other than himself. In fact you mostly have to use reverse psychology to get Mulligan to do things your way. Hoffman may be a misfit, not unlike his character in The Graduate, but he learns to play Mulligan like a piccolo.

Little Big Man is a different and entertaining look at the old west and Hoffman is superb. But the one to really watch in this is Richard Mulligan. He steals the film in whatever scene he's in.

This was one of the first neo- or revisionist-westerns and it really is a bit of a shame younger audiences mostly don't seem to know it: this is classic seventies gold. Arthur Penn, one of the driving forces behind the so called New-Hollywood (he also directed 'Bonnie and Clyde'), delivered a masterpiece - with a fantastic Dustin Hoffman.

It's an epic, tragic tale - but one told with an often very funny voice. Part satire, part honest look at America's dark and untold history, the tone and narrative structure of this film were ground-breaking. And it still looks fresh: the script, the acting, the camera, the music: everything still oozes quality more than 40 years later. A timeless classic. 9 stars out of 10.

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This is one of those movies you have to see if you like great films.This is a long movie but it is so good you'll never want it to end.I rated this movie a 10 but only cause the scale doesn't go any higher.

This is the story of Jack Crabb who begins the movie as a 121 year old man in a nursing home recounting his life.And what a life it was.He bounces back and forth in the Old west between the world of the white man and the world of the Native American.Crabb sees and does just about everything possible in both worlds.The joy and sadness and fun he has along the way makes for one helluva movie.

Dustin Hoffman is brilliant in this film.It may be his best performance ever yet it is somehow overlooked when many people think of his movies.It is a tour de force for Hoffman who plays an Indian and gunslinger and drunkard and muleskinner and many other things in this movie. Chief Dan George is nothing short of amazing in this movie.But yet one critic said he wasn't acting,he was just an Indian playing an Indian.Bah! Richard Mulligan was so perfect as General George Custer in this movie that he is who I see whenever I hear the name of Custer mentioned.Faye Dunaway and Martin Balsam create memorable characters too.

This movie makes one of the strongest statements I've ever seen about the treatment of the Native Americans yet you probably won't even realize it at the time.This is a movie that you'll replay in your head and then it hits you that there was even more there than met the eye.

The humor,tragedy and lush characters will stay with you long after you see this movie.This movie is based on the fine book by Thomas Berger and is very faithful to it.I recommend the book wholeheartedly, too.