The world is divided into factions, on opposite sides of issues; each side is, of course, right. And so the gap between the people grows, until someone challenges the absolutist view of what... Read allThe world is divided into factions, on opposite sides of issues; each side is, of course, right. And so the gap between the people grows, until someone challenges the absolutist view of what's "right."The world is divided into factions, on opposite sides of issues; each side is, of course, right. And so the gap between the people grows, until someone challenges the absolutist view of what's "right."
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Lee Mishkin's Oscar-winning "Is It Always Right to Be Right?" looks partly at the generation gap of the 1960s but more generally at polarization in general: both sides are so convinced of their rectitude that society suffers stagnation. Sound familiar? Narrated by Orson Welles, the cartoon makes the point that both sides have legitimate arguments. The setting never gets identified but it's clearly the US, with the adults emphasizing the high quality of life and the young people emphasizing the prominence of racism and militarism. All very important points.
This cartoon reminds us that not only do cartoons not have to be "cute" (animation is simply another type of filmmaking), but it's one of the best ways to draw attention to society's problems. I definitely recommend it.
This cartoon reminds us that not only do cartoons not have to be "cute" (animation is simply another type of filmmaking), but it's one of the best ways to draw attention to society's problems. I definitely recommend it.
10llltdesq
For some time now, it has been a self-imposed policy not to comment on things I don't have a copy of, but I'm breaking that here because I don't want this one to go unregarded any longer. I've seen this twice, the first time almost thirty years ago and it burned its way into my brain then and has stayed there.
A blend of still photography and very limited animation, it looks and feels like the old UPA cartoons from the 1950s, which is understandable, because the producer of this, Nick Bosustow, is the son of Steve Bosustow, who produced the UPA shorts. In order for limited animation to work, there has to be something that hooks the audience. That something is the narration, and boy, does it work! The voice of Orson Welles is perfect for this, as are the script and the visuals. Everything blends together perfectly to create a memorable and totally riveting experience. That this is not in circulation through syndication or by being in print and generally available disappoints me more than I can say. When you look through history, you find that a great deal of damage has been done by people who are thoroughly and totally convinced that they are RIGHT and everyone else is WRONG, mostly about things theological. This cartoon questions that unshakeable belief people have about (fill in the blank) and does so beautifully. I cannot recommend this more highly. If you ever get to see this, by all means, do so!
A blend of still photography and very limited animation, it looks and feels like the old UPA cartoons from the 1950s, which is understandable, because the producer of this, Nick Bosustow, is the son of Steve Bosustow, who produced the UPA shorts. In order for limited animation to work, there has to be something that hooks the audience. That something is the narration, and boy, does it work! The voice of Orson Welles is perfect for this, as are the script and the visuals. Everything blends together perfectly to create a memorable and totally riveting experience. That this is not in circulation through syndication or by being in print and generally available disappoints me more than I can say. When you look through history, you find that a great deal of damage has been done by people who are thoroughly and totally convinced that they are RIGHT and everyone else is WRONG, mostly about things theological. This cartoon questions that unshakeable belief people have about (fill in the blank) and does so beautifully. I cannot recommend this more highly. If you ever get to see this, by all means, do so!
I used this film with high schoolers in the middle 70s. I believe it's a good time to remind students again of the tremendous gap we sometimes experience when so many of us feel we have the only right answers. This film depicts various groups and the great divide among them so vividly, that I still recall the images and Wells' booming narrative, even though it's been almost 30 years since I've seen a copy. It's a great open-ended examination of truth, and how different points of view affect us all. The issues may have changed since the 70s, but attitudes have not, and those issues still divide our nation. The Hawks and Doves, the Old and Young, etc. battle it out, believing Right is Might. The message of tolerance is clearly conveyed. I would love to find a copy to share with today's teenagers.
In 1972 I started teaching Race Relations in the Air Force. Many say that the Armed Services are conservative or bigoted, but this is an example of the forward thinking of the Air Force as this was one of the first films purchased for our program. It is probably one of the most powerful short films about bigotry and closed mindedness I have ever seen. Men and women of all ranks thought that the message was clear and meaningful. I wish it were available today, I am still in Social Work and while I primarily do therapy, the message is applicable to marriage counseling, domestic violence, anger control and even substance abuse group therapy. If any one has a copy I would appreciate contacting me at facts1@swbell.net
With Orson Welles' stentorian voice, he lays out what mankind needs. There is little to argue with unless your ox is being gored. All the bromides we have heard for decades are laid out, and they sound good. The problem lies in the the larger humanity, who want to be one of the factions. Simplistic and trite.
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