IMDb RATING
6.4/10
3.1K
YOUR RATING
Harold Pelham discovers a doppelganger is meddling with his personal and professional life in the aftermath of a car crash.Harold Pelham discovers a doppelganger is meddling with his personal and professional life in the aftermath of a car crash.Harold Pelham discovers a doppelganger is meddling with his personal and professional life in the aftermath of a car crash.
Featured reviews
Despite the extremely improbable premise, this 1970 film boasts one of Roger Moore's most accomplished performances.
The plot, which centres around a staid businessman who "dies" for a few seconds on the operating table following a car crash, recovers and eventually finds out that a doppelganger is intruding in his life, is bizarre, but it is executed with such conviction and believability that the audience is entertained from start to finish.
The suspense builds feverishly, as the doppelganger's intrusive actions increase to an alarming level, whilst Moore's performance is one of eye-popping, progressive hysteria. He steals all the scenes he is in, with the supporting cast being merely bystanders (with the possible exception of the ever-dependable Freddie Jones an an eccentric psychiatrist).
The feeling of helplessness is excellently conveyed and well-maintained right up until the end. The film's resolution is stark and hard-hitting and because it is one we might not have anticipated, the film's credibility is maintained despite the obvious far-fetched nature of the story. However, two car accidents at pivotal moments in the film is a little bit hard-to-stomach and accept!!
Obviously under-rated as a film spectacle by critics, this little gem of a thriller plays with your emotions and keeps you guessing all the way through. I doubt whether Roger Moore has performed a role better than this since.
The plot, which centres around a staid businessman who "dies" for a few seconds on the operating table following a car crash, recovers and eventually finds out that a doppelganger is intruding in his life, is bizarre, but it is executed with such conviction and believability that the audience is entertained from start to finish.
The suspense builds feverishly, as the doppelganger's intrusive actions increase to an alarming level, whilst Moore's performance is one of eye-popping, progressive hysteria. He steals all the scenes he is in, with the supporting cast being merely bystanders (with the possible exception of the ever-dependable Freddie Jones an an eccentric psychiatrist).
The feeling of helplessness is excellently conveyed and well-maintained right up until the end. The film's resolution is stark and hard-hitting and because it is one we might not have anticipated, the film's credibility is maintained despite the obvious far-fetched nature of the story. However, two car accidents at pivotal moments in the film is a little bit hard-to-stomach and accept!!
Obviously under-rated as a film spectacle by critics, this little gem of a thriller plays with your emotions and keeps you guessing all the way through. I doubt whether Roger Moore has performed a role better than this since.
A fascinating story - a man haunted by his doppelganger - and Roger Moore's excellent performance(s) make this film worth seeing, even though it overelaborates its point somewhat (the situation becomes clear to us long before Moore figures it out). Still, what we have here is an example of how a good movie can be produced on a relatively low budget, as long as it has a strong script and dependable actors. (***)
I'm a big Roger Moore fan (the REAL 007) but I only heard about this film recently. I finally got a copy and I think it's a dynamite film. Not because I'm a big Moore fan - if a film sucks, I turn it off. But this movie is far better than all the reviews Ive ever read on it.
I don't believe it drags at all - the pacing is great, especially where Moore keeps on discovering more and more people have seen "him" when it really was his double. Seeing hoe much deeper and deeper Moores double intergrates himself into Moore's life - his work, his liesure, his wife and home - is done extremely well. The inevitable confrontation between the two Pelhams is also done very well, and the ending is a kicker.
Moore is great as usual and plays both roles with style and class.
I don't believe it drags at all - the pacing is great, especially where Moore keeps on discovering more and more people have seen "him" when it really was his double. Seeing hoe much deeper and deeper Moores double intergrates himself into Moore's life - his work, his liesure, his wife and home - is done extremely well. The inevitable confrontation between the two Pelhams is also done very well, and the ending is a kicker.
Moore is great as usual and plays both roles with style and class.
A collector's item this one - you very rarely see a film as absurd yet enthralling as this. The plot is fabulously illogical, but it provides an opportunity to see Roger Moore in a role far more interesting than James Bond, as pin-striped executive Harold Pelham. Except that he plays TWO Harold Pelham's - one nice, dull, and sexually inadequate; the other a cavalier and sinister Romeo. This means a lot of Moore chasing round London insisting "I'm Harold Pelham!", and a climactic and weirdly psychedelic car-chase involving nice Pelham and nasty Pelham. If this hasn't yet acquired a cult following, it ought to.
Harold Pelham gets in a freaky car accident, but survives.After that he believes there's a duplicate of himself messing up his life.The Man Who Haunted Himself (1970) is directed by Basil Dearden.This was actually his last movie and he died in a car accident near the spot Pelham is supposed to have crashed his car in the beginning of the film.Roger Moore proves here he really is a great actor.All those James Bond films may not give the biggest challenge as an actor, but here he really has to act.His wife Eve is played brilliantly by Hildegard Neil.Olga Georges-Picot is fantastic as the doppelgänger's lover Julie Anderson.Freddie Jones is terrific as Dr. Harris- Psychiatrist.Also great job by people like Gerald Sim (Morrison) and John Carson (Ashton).This is a really fascinating film.It has been called underrated, and that is very true.There's that psychedelic feeling going there.Like when Pelham is escaping his duplicate and he breaks the mirror and we see many Pelhams laughing there.The music is one element that helps create the atmosphere.And it is really a joy to see two Roger Moores in the same room.
Did you know
- TriviaSir Roger Moore said that this role was his favorite, and the best ever of his screen performances.
- GoofsAs Pelham drives at high speed along the M4 motorway, he passes the same light blue Sunbeam Alpine and a red car at least four times.
- Quotes
Harold Pelham: Espionage isn't all James Bond on Her Majesty's Secret Service. Industry goes in for it too, you know.
- Crazy credits"(By permission of The Royal Shakespeare Co.)" underneath Hildegard Neil's name in the end credits.
- ConnectionsFeatured in Friday Night Thriller: The Man Who Haunted Himself (1978)
- How long is The Man Who Haunted Himself?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Ein Mann jagt sich selbst
- Filming locations
- Fairholt, Hadley Green Road, Barnet, Hertfordshire, England, UK(Pelham's house)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- £400,000 (estimated)
- Runtime
- 1h 34m(94 min)
- Color
- Aspect ratio
- 1.85 : 1
Contribute to this page
Suggest an edit or add missing content