Monte Walsh

When "Monte Walsh" appeared in 1970, I avoided it like the plague. "Who wants to see a movie about the end of an era?" I asked myself, conveniently forgetting how much I loved "The Man Who Shot Liberty Valance." So, nearly 30 years later, Turner Classic Movies gave me the opportunity to correct what might have been a mistake. Had I erred in 1970? Well, yes and no. Yes, because "Monte Walsh" now joins my list of one of the five best westerns ever made; and, no, because at the tender age of 21, I would not have appreciated this masterpiece; which, in these especially troubled times, seems more relevant than ever.

According to TCM host, Robert Osborne, William Fraker directed only 4 films during his distinguished career, preferring his role as director of photography. If "Monte Walsh" is any example, then director Fraker missed his calling; as, "Monte Walsh" boasts outstanding ensemble acting, unusual unless the director is especially gifted. Many in this cast give the best performances of his or her career, particularly Jim Davis and Mitchell Ryan. "Monte Walsh" should be the role for which Marvin is remembered, as "Chet" should be the role to remember Jack Palance. It's a joy and a privilege to watch Marvin and Palance interact, even more enjoyable than Marvin and John Wayne in their frequent pairings. The first two thirds of "Monte Walsh" is largely upbeat, even in the hard times portrayed, while the final third left me both numb and aching.

"I won't p**s on 30 years of my life," is one of the many profound quotations in "Monte Walsh." It defines Monte's code of honor; a decent, loving and honorable man unwilling to compromise who he is. I give "Monte Walsh" a "10".

This is one of my favorite Westerns.

Yet, it cannot boast of a gunfight or excessive action that is a trademark of westerns.

There are several reasons why I love this film. It is a reflective sensitive film, with the main character trying to come to terms with change.

It deals with people and nature--fodder for good poetry. That gets a fillip when the director William Fraker, is an accomplished cinematographer.

Lee Marvin is great when he is brooding and therefore a superb choice. Jeanne Moreau is a delight to watch in any film but her performance in this film is one I will never forget. Yet when I asked Ms Moreau some 15 years after the film was made about this film, she didn't even appear to recall the name of William Fraker--but merely referred to him as another cinematographer-turned-director. I have always wondered at that reaction....Jack Palance is another wonderful actor who makes this movie great.. In retrospect the casting was superb.

A good western needs good music. This one has one of the finest songs I have heard "the good times are a'coming" by Mama Cass Elliot.

I recommend this film and "Will Penny" as great unusual westerns that touch you if you appreciate good filmmaking--and do not evaluate a western by the action sequences.

This is a nice film to watch on a rainy evening. Lee Marvin and Jack

Palance did as good a job of acting that I have ever seen them do.

The supporting cast is full of wonderful career action character

actors who you would recognize if you watched a lot of films and

TV in the '70's.

I borrowed the tape from a relative after seeing the remake by TNT

and though I think the remake was better, this was for it's time

pretty good. The way movie progresses noticed a lot of scenes

seemed choppy and there must have been a lot left on the cutting

room floor.

Lee Marvin looked like he was playing his typical Marvin character,

but Jack Palance was likeable and I believe did a better job and

even portrayed his character better than Carradine did in the

remake and Carradine did a great job.

Though it's a "tear-jerker" it's one that tells a story that's not unique

to just the "Cowboys" of the 19th and early 20th century. There are

periods in history when due to evolution of civilization, lifestyles are

phased out or altered due to change of professions needed to

exist.

My appreciation of Mama Cass' singing increased when I heard

her sing the title song. She really had a fine voice, it was a plus

that she sung the lead-in rather someone like Joplin. In fact

before I saw her credits in the lead-in I thought the singer was one

of the great singers who had sung a James Bond movie title song.

Here's a case of Palance putting in a great supporting role like he has done so often, a truly selfless actor with a great humility.

Seldom does an actor allow himself to look as pathetic as Palance does in his performances. This is a great film, primarily due to the metaphor near the end where Marvin tries to tame a horse, frustratingly attempting to control the nature of all things around him. The austere writing and stilted acting lend to the overall tone, creating an elegiac western greatly under-appreciated in its time. One of those small, offbeat movies awash in a decade of so many sparkling little films, each challenging the strictures of Hollywood. I loved it.

Monte Walsh is the debut feature of cameraman-turned-director William A.Fraker. It stars Lee Marvin (Monte Walsh) & Jack Palance (Chet Rollins) as two ageing cowboys who find that the era of the cowpoke is coming to an end; and that work for them is now very hard to come by. Adapted by David Zelag Goodman & Lukas Heller from Jack Schaefer's novel, Monte Walsh is a gentle but astute telling of men who have outlived their time (think Will Penny/Ride The High Country). Though very sedate in pacing, and almost elegiac in tone, the film constantly remains interesting because the characters are so well written. That they are given quality portrayals by Marvin & Palance, the latter of which is nicely cast against type, is possibly of no surprise to most genre fans. But both actors push themselves to really make the film work, even exuding believability in the process. Thus when the story takes its potent laced turns we are with them all the way, for better or worse.

John Barry provides the music and the film opens with a delightful and ironic tune called "The Good Times Are Comin" sung by Mama Cass. The cinematography is by David M. Walsh, where he nicely manages to make the Tuscon part of the shoot blend with the emotional state of our protagonists. And decent support comes from Mitch Ryan too. There's also much humour in the piece, such as a cooks revenge that is laugh out loud funny. While there's action moments like a taming a bronco sequence to ensure the story is not solely interested in playing out as a sad atmospheric tale. But it's really all about Marvin and the character he plays, with Fraker guiding him to emotional depth, Marvin makes Monte Walsh an essential viewing for fans and interested newcomers alike. 7/10