The Price of Power

In post civil war America the President, (Van Johnson), travels to Dallas and is assassinated by corrupt officials and businessman interested in installing the vice President whom they can blackmail due to incriminating documents. A gunman (Guiliano Gemma) convinced that his black friend is wrongly accused of the assassination aims to uncover the truth. Tonino Valeri directed this fascinating, if flawed film which obviously is an allegory for the Kennedy assassination. The film may wrongly present blacks as slaves working on plantations in Texas but the film is nonetheless enjoyable and presents an interesting interpretation - that Kennedy's death was the result of a coup de tat- which many Americans could not accept at the time. Oswald's murder is replayed here as the black accused of the assassination is murdered by the men responsible, on route to Fort Worth prison. This moment in the film is more melodramatic than Oswald's death with his various escorts shot down before his over the top death scene. Nonetheless this is definitely one of the more interesting and worthwhile spaghetti westerns. Worth a look!

Out of the 600 or so Spaghetti Westerns made this has got to be in the top twenty somewhere. Can not believe this hasn't received any reviews! Gemma is excellent in this. Van Johnson is good too though his dubbed voice is a little off killter but that's the charm of the Italian style. Beautiful photography and some excellently staged action. All the supporting characters are well played. The severity of the racist streak in the bad guys is pretty tough even by todays standards which creates an emotional depth to Gemmas character in some of the situations that take place. Absolutely FANTASTIC score by Luis Bacalov. See this is in the wonderful Wide screen DVD from Japan. A spaghetti must have.

I like the popular review titled, "A better film that I think it is". Spot on. It is truly unique, and if you collect and like the "Zapata Spaghetti Westerns", and the political undercurrent, then this is a must see. I'll leave it at that. Austin Fisher has done a great job analyzing it in his book on the subject. Good review of it here. He does better than I can, but, suffice to say, still waters run deep.

"http://tinyurl.com/oaqmdr7"

One problem may be the release. I didn't like watching it in Italian with English subs, since one imagines the action being in English, and the English dubs are really bad. The most important line, the last one in the movie is completely left out! So, perhaps I liked it because I did my own edit with the English track, the Italian subtitles, English subtitles and the HD Italian vid track, so you can mix and match to your heart's content. Yeah, I don't know I'd give it over a 6 if I had to watch the dubbed English version.

This movie uses the assassination of President Garfield as a plot device. The makers never intended to tell a historical story. It's an allegory to explore the JFK assassination and the Viet Nam war. Garfield's assassin was an erstwhile ally turned insane. He died because of incredible medical incompetence, 12 weeks later, and it happened in D.C. So, it's a plot device, not an historical movie.

And it works as a Spaghetti Western. It's among the best of the genre. I'm the kind of anorak that sits there and thinks about every detail, every shot, and I put this in the top 10 most important of the genre. The Italian version is much better than the English one, imho. I've never seen an Italian version of it with English subtitles, so good luck with that one. Bottom line, if you like to sit there and be a know-it-all and pick historical holes in what isn't a historical movie, or like something mindless, you probably won't like it. If you understand the complex cultural statements coming out of 1960's Italy about politics and violence, you will love it.

The Italians loved it. It's total revenue puts it at the 28th biggest grossing Spaghetti Western in history, 1.273 billion lire (no clue what year's lire that might be). That's about 1/3 of each of the Man With No Name trilogies receipts, which is pretty darn good for one that is virtually unknown here.

The reviewer that said it was a brain dead version of Stone's JFK has missed the point so many ways...well, the person must be a contortionist to get one's head so far up their own backside. I'm imaging some gen Y twerp that yells "Nu-uh!" to everything. And the length...those type usually love the sound of their own voice.

After the civil war, Willer (Giuliano Gemma) who was 4 years in prison for treason, lives in Texas when president Garfield (Van Johnson) comes to visit the unruly state. Although the president was his judge in the trial years ago, Willer rescues his life from assassins. But there is quite a big conspiracy going on involving sheriff Jefferson (Benito Stefanelli) and the owner of the bank of Texas (Fernando Rey) who blackmails the vice president, so plans for a new attempt to murder the president are made immediately.

Good quality western by Tonino Valerii who shot "Day of Anger" (also with Gemma) the year before and went on to make "My Name Is Nobody" with Henry Fonda and Terence Hill. "The Price of Power" may not be historically accurate (and by the way, the sweet little nothing the saloon dancer is almost wearing comes straight from a 1969 nightclub), and it plays too obviously with the similarities to the JFK assassination case, yet unlike many Italian westerns it rarely drifts away into a bizarre anti-hero fantasy world, the exception being the duel rituals between Willer and Jefferson.