A pregnant white Southern girl and a black New York lawyer, both on the run in rural Texas, meet up in a boarded-up, abandoned house and realize they both need each other in order to survive... Read allA pregnant white Southern girl and a black New York lawyer, both on the run in rural Texas, meet up in a boarded-up, abandoned house and realize they both need each other in order to survive.A pregnant white Southern girl and a black New York lawyer, both on the run in rural Texas, meet up in a boarded-up, abandoned house and realize they both need each other in order to survive.
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- Won 3 Primetime Emmys
- 5 wins & 5 nominations total
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Featured reviews
Though Patty Duke is probably best known for her Oscar-winning work as Helen Keller in "The Miracle Worker", this extraordinary made-for-TV movie contains what is easily her finest screen performance. She is never less than believable as the frightened, immature, uneducated Southern girl who, pregnant with her lover's child and abandoned by both him and her family, takes refuge in a deserted seaside house. There, her solitary wait for the birth of her child is broken by the unexpected arrival of Al Freeman Jr., a black militant on the run for killing a white man. Their relationship, at first defined by mutual contempt and hostility, slowly evolves into a touching love story. The ending is unforgettable. Duke and Freeman share a wonderful chemistry and both were deservedly Emmy-nominated (Duke won; Freeman, regrettably, did not). Patty Duke was as talented as any leading actess of her generation and her work here confirms that.
Granted, I am biased in that I have been a long-time fan of Ms. Duke's, dating back to 1962. But I am objective enough in my observations as a student of film, and a video producer myself, to realize - and highly recommend - the excellence of this splendid television production, adapted from the novel by David Westheimer.
The writing, acting, direction and production values are quite above-norm. Filmed entirely on location in Texas, the film captures the realistic flavor of the novel, which focused on the conflict naturally evolving between an uneducated, white, pregnant teenager and a black Northern attorney, drawn fatefully together by circumstances and differing forms of social prejuidice.
The characters, as portrayed by Ms. Duke and Mr. Freeman, emerge as possibly one of the finest two-character studies ever produced for television.
Ms. Duke won her first Emmy award (1970) for her exceptional work in this production. Producers Levinson & Link (who were then novices), also received an Emmy for their script, as did Ed Abroms for editing. Director Lamont Johnson was awarded the coveted DGA for Best TV Director. In total, the film received 8 Emmy nominations.
This was not only a critically acclaimed production; CHARLIE received a 31.7 rating and 48 Nielsen share. It represents a "breakthrough" effort in the TV industry arena. Due to its unprecedented success, writers and producers were encouraged to develop other serious-subject, controversial projects for the networks, vs. Hollywood. CHARLIE laid the groundwork for other TV productions, like ROOTS, THE EXECUTION OF PRIVATE SLOVIK, and many more above-par TV productions, to occur.
Although now 30+ years old, the film stands as an important work that honestly reflected our society's (still-existent) racial tensions and misunderstandings. It remains a brilliant hallmark in the evolution of better television fare.
The writing, acting, direction and production values are quite above-norm. Filmed entirely on location in Texas, the film captures the realistic flavor of the novel, which focused on the conflict naturally evolving between an uneducated, white, pregnant teenager and a black Northern attorney, drawn fatefully together by circumstances and differing forms of social prejuidice.
The characters, as portrayed by Ms. Duke and Mr. Freeman, emerge as possibly one of the finest two-character studies ever produced for television.
Ms. Duke won her first Emmy award (1970) for her exceptional work in this production. Producers Levinson & Link (who were then novices), also received an Emmy for their script, as did Ed Abroms for editing. Director Lamont Johnson was awarded the coveted DGA for Best TV Director. In total, the film received 8 Emmy nominations.
This was not only a critically acclaimed production; CHARLIE received a 31.7 rating and 48 Nielsen share. It represents a "breakthrough" effort in the TV industry arena. Due to its unprecedented success, writers and producers were encouraged to develop other serious-subject, controversial projects for the networks, vs. Hollywood. CHARLIE laid the groundwork for other TV productions, like ROOTS, THE EXECUTION OF PRIVATE SLOVIK, and many more above-par TV productions, to occur.
Although now 30+ years old, the film stands as an important work that honestly reflected our society's (still-existent) racial tensions and misunderstandings. It remains a brilliant hallmark in the evolution of better television fare.
I was roughly 11 when this movie hit the TV, it was a clean direct to the point first time view of what life was really like in regards to race from that time period. It was a classic eye opener, and yes what a heart warming story, I would love to see it again. I was not even sure who starred in it until I finally started punching in movie names with Charlie in it and found it on this site. Sadly I think only my generation could appreciate such a movie back then, this generation would turn it off. Seeing these comments on this movie reminds me that I grew up at the very best time anyone could, the 60's and 70's. Thank you
10carl170
I remember this from my Childhood here in England. Its a film that makes you cry at the end. I don't mind admitting it. I have searching for this film for 30 years (* The title of it) And it was only yesterday that a a person who uses this website helped me find the film's title.
That person is - ladyboss1717 - (*That's her code name!!!). I wish to thank that person in helping me find a classic, classic movie that could easily be made into a blockbuster - (She helped me on the 1st Nov, 2005 - to find this film). Its got that "Green Mile, Captain Courageous and Shawshank Redemption" vibe about it. Its that good. Trust me!
Basicially its about - A pregnant white Southern girl and a black New York lawyer, both on the run in rural Texas, meet up in a boarded-up, abandoned house and realize they both need each other in order to survive. THey eventually would you believe it fall in Love.
You need to see the story to see what I mean about "Eventually fall in Love"...
Its another tear jerkier!! If anyone who works in Hollywood. Please, please serioulsy consider re-making this film. But do it properly!! Treat with care!! This is a classic....
Carl Brown - Ipswich, England
That person is - ladyboss1717 - (*That's her code name!!!). I wish to thank that person in helping me find a classic, classic movie that could easily be made into a blockbuster - (She helped me on the 1st Nov, 2005 - to find this film). Its got that "Green Mile, Captain Courageous and Shawshank Redemption" vibe about it. Its that good. Trust me!
Basicially its about - A pregnant white Southern girl and a black New York lawyer, both on the run in rural Texas, meet up in a boarded-up, abandoned house and realize they both need each other in order to survive. THey eventually would you believe it fall in Love.
You need to see the story to see what I mean about "Eventually fall in Love"...
Its another tear jerkier!! If anyone who works in Hollywood. Please, please serioulsy consider re-making this film. But do it properly!! Treat with care!! This is a classic....
Carl Brown - Ipswich, England
The chemistry between Patty Duke and Al Freeman Jr. is merely fascinating. Freeman was primarily a stage actor who got all too few chances on film. He was given his best role here, and makes quite an unforgettable impact. Duke is totally believable in her naivete and her ability, to learn, albeit slowly, even in the face of bleak desperation. Ford Rainey is unforgettable in a small role.
Did you know
- TriviaWhile onstage accepting her emmy for this film, Patty Duke announced she also wanted to address the hard of hearing with sign language. However, the camera didn't show her hands, just her face, leading TV audiences to think she was just standing there doing nothing.
- ConnectionsFeatured in The Universal Story (1996)
Details
- Runtime
- 1h 37m(97 min)
- Sound mix
- Aspect ratio
- 1.33 : 1
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