Puzzle of a Downfall Child

Faye Dunaway has always been my favorite actress and this movie provides a great showcase for her talents. She plays a very neurotic model who cannot even trust her own memories. The movie is done in a non-narrative style that was fairly common in the 1970s, with events shown out of order, and that device is used very effectively to portray the protagonist's instability. This is one of the overlooked movies from a period that produced many great and challenging films; I don't believe it's ever even been on video.

Fashion model Lou Andreas Sand (Faye Dunaway) struggles with work and life. She struggles with relationships, with men, and with sex. She struggles with loneliness and with mental breakdown.

It's all about Faye Dunaway. It's a character study. It's well-made. Faye is bringing the same damage as she will in Chinatown. She's magnetic.

For the life of me, I can't figure out why someone doesn't put this film out on DVD or video. Puzzle of a Downfall Child is a hauntingly spare film about the breakdown of beauty. Although less well known than The Panic in Needle Park, it is Jerry Schatzberg's masterpiece. His use of non-linear storytelling coupled with some incredibly dreamy flashback sequences made me feel as if, like heroine Lou Sands, I too was coming slightly undone. For Faye Dunaway fans (and really who isn't a fan of Faye's?), this film showcases not only her incredible beauty--the eyelashes are to die for--but also her talents as an actress. She is more believable as an actress portraying a model than any model portraying an actress could ever hope to be. If it should ever make its way to an art-house near you, you will do yourself a disservice if you miss it. After I left the theater, I kept thinking of that trite adage about how they don't make them like they used to.

PUZZLE OF A DOWNFALL CHILD is about a famous fashion model who's burnt out on the business and moved to a cottage by the sea to reflect on her splintered life. Years of being treated as an object by photographers, stylists, agents, etc., has left her with a serious identity complex and an addiction to pills...although flashbacks show that she was somewhat unhinged to begin with. The film isn't really that good; as critic Pauline Kael noted when the film came out, "I have a constitutional aversion to movies about women whose souls have been lost, stolen or destroyed, especially when it isn't made clear -- and it never is -- whether the heroine had a soul in the first place." But what IS very special about the movie is simply the way that Dunaway LOOKS. Rigged out in precise red lipstick, false eyelashes and liquid eyeliner, she's meticulously photographed by director Jerry Schatzberg, a former lover and onetime fashion photographer. The story is inspired by the true life life of Anne Saint Marie, a fashion model who later came unglued. Schatzberg taped conversations with Anne Saint Marie and used her comments as a framing device for the story. Not a great film, but an interesting one nevertheless.

it saddens me to know that not many people will be able to witness the talent and beauty Faye brings to this tortured character!!! When was this released? 1970, when she was at her height, I am not from this time period, so I was wondering if anyone remembered what the critical reception of the film was? Why wasn't it a success? I was moved incredibly. and there must be some way to buy the movie without just watching it on you tube!!! Stunning Faye. i made so many screen shots!!!

This movie is for anyone that is interested in photography. The still shots themselves are amazing; the cinematography is incredible too. It is simple but raw etc. Faye is just so beautiful in this film and her story of madness is brilliant.