Roy Colt & Winchester Jack

This is the only western that I know of that was directed by the great Italian horror director Mario Bava. He directed quite a few non-horror movies, but his true talent is mainly exhibited within the categories of horror and giallo. His other films usually aren't meant to be taken very seriously, and this one is no exception. That having been said, this film is still lots of fun to watch, especially if you are a spaghetti western fan.

The music score is great. The trumpet, guitar and organ music set the proper tone for a spaghetti western.

The acting seems about average for a Eurowestern. Marilu Tolo is beautiful as Manila, and she steals the show by doing the best acting out of the entire cast, as well as being so nice to look at. The character called "the reverend" is very annoying, and suffers from some very corny translation in the subtitles. I probably would have given this movie a higher rating if it had been dubbed in English, since I prefer watching westerns that way. They could have at least done a better job with the subtitles! This movie is a bawdy, humorous spaghetti western, not the dark and vengeful kind one might expect from a director of horror movies. The humor misses in a couple of parts, but works pretty well in general if you recognize this as a light-hearted film. The story is one of those in which everyone double crosses one another in the search for gold. It is typical, but engaging and fun. There is a twist at the end, but I saw it coming about 10 minutes into the film.

This one's not bad, and all connoisseurs of the spaghetti western should see it at least once.

Now that this is available in a beautiful letterboxed, subtitled DVD, ROY COLT AND WINCHESTER JACK can be enjoyed by anyone who wants to see it. Is it worth seeing? Well...what you have is basically a lowbrow Eurowestern comedy that belongs on the same shelf with STING OF THE WEST and IT CAN BE DONE AMIGO. The various supporting players are colorful, and there are two strong American leads in the charismatic Brett Halsey and the engaging Charles Southwood. Though hidden under a lot of makeup, Marilu Tolo is as sexy as ever. I've never found Italian western comedies to be that worthwhile (or western comedies in general, BLAZING SADDLES excepted)--for me, most of the best qualities of westerns are lost when they are played for laughs. There are a number of laughs in this film--Halsey and Southwood both play comedy well--but the viewer should be warned that the laughs are on a Bowery Boys/Police Academy-level. I like that kind of comedy, but you may not. The reason this film was reissued is that it was directed by Mario Bava; however, had I seen the film without knowing that, I would never have guessed. Bava scholars can no doubt find similarities, but I would not consider his direction a major element here (see my review of RINGO DEL NEBRASKA, one of Bava's two other westerns). Overall, this is an enjoyable Eurowestern comedy, with excellent and creative production design (now THERE is a Bava quality!) and good performances, but I don't really consider it essential, only for the serious Eurowestern fan or the Brett Halsey fan (of which I'm one).

The great Mario Bava will always be best known for his Gothic horror and Giallo films, but he was a very versatile director (like most Italian directors around the time) that made many films in genres outside of horror, and Roy Colt and Winchester Jack is his attempt at making a film within Italy's popular Spaghetti Western genre. This film is not widely liked amongst Mario Bava's fans and it's not hard to see why - the film really doesn't feel like a Bava film at all as it features none of his trademarks and the plot also has a lot of problems and elements that don't work. The film takes obvious influence from the greatest of all the Spaghetti Westerns; The Good, The Bad and The Ugly and focuses on the race to claim some buried gold. The main characters are a pair of outlaws named Roy Colt and Winchester Jack. They were once in a gang together, but Roy left to find honest work and ends up becoming sheriff of a small town. A bank owner there has some gold buried and after Jack and his gang steal the map, Roy heads out on their tail. A corrupt reverend and a devious Indian girl also join the party...

The film is obviously not meant to be taken seriously and Bava packs it with comedy. It has to be said that a lot of it completely misses the mark and isn't funny - but there are some laughs, and scenes such as the one that takes place inside a Brothel in "Wimpy City" work simply because it's so surreal. As the title suggests, this is a character driven western and the leads are both well designed and well acted by American actors Brett Halsey and Charles Southwood. Their relationship is one of the key elements of the film and the way they interact with each other is generally entertaining. The biggest highlight of the film for me was undoubtedly the beautiful and seductive Marilù Tolo who plays the Indian girl and steals every scene she's in - I would even go as far as to say that this film would not have worked without her in it. The only character that doesn't work too well is The Reverend, who is more irritating than amusing. There's some good fighting in the film - plenty of gunfights and fistfights and at eighty five minutes, there isn't really time for the plot to get boring. Overall, on the grand scheme of things; this is not a particularly good western or a particularly good Bava film - but it's entertaining enough and I did enjoy it.

Silly and funny Western about two drifters carry out several adventures , saloon brawls and resolve conflicts among nasty robbers that want to take a treasure . This is a serviceable comic spaghetti western which doesn't take itself too seriously . This good natured comic spaghetti packs diverting elements , tongue-in-cheek , thrills , shootouts , fighting , explosions , and results to be quite entertaining but middling . It is set California, the 1870s . Roy Colt (Brett Halsey) and Winchester Jack (Charles Southwood) are outlaws and although they are good friends , they cannot get along peacefully . Meantime , a beautiful Indian (Marilú Tolo) helps both drifters and plays both sides against each other . They take on a sadistic priest-turned-crime boss , nicknamed The Reverend (Teodoro Corrà) , and his hoodlums , who attempt to rob a valuable treasure . Roy then decides that he has enough of being an outlaw and leaves the bunch in search of a good , honest job as a sheriff in nearby Carson City . Roy , Winchester and his cohorts foil the planned robbery to keep the treasure for themselves . Our two not so upright heroes rob the robbers but, needless to say, get distracted by the gorgeous Indian girl .

Comical Spaghetti Western about a simple and plain plot , as two outlaws compete with each other over a treasure map , being realized in Terence Hill/Bud Spencer style and considered to be rip-off of the Trinidad and Bambino westerns . The film is plenty of fistfight between Brett Halsey and Charles Southwood over who will take the treasure and who will become sole leader of their band . This is a slightly funny film with entertaining as well as bewildering events , giggles , craziness , twists and lots and fun . In ¨Roy Colt and Winchester Jack¨ there are pursuits , stagecoach attacks , crossfire , saloon brawls , cutthroats gunslingers and many others things . This bemusing movie is packed with tongue-in-cheek , slapstick , a steady stream of gags , lively situations abound , sheer belly laughs , crazy humor , too much fun and to be perfect for youngsters . It's a middle-budget film with ordinary actors , technicians , decent production values and poor results . There is plenty of action in the movie , guaranteeing some fights , shoot'em up or stunts every few minutes . Mediocre Western All'Italiana made in laughable style with a screenplay written by Mario Di Nardo , including amusing dialogue , silly situations , plot twists and turns . Filmmaker Mario Bava often uses disconcerting and surrealist situations to give us a passable movie plenty of funny happenings as well as absurd incidents ; and that , at least , kept me entertained for the almost half an hour of duration . The cast and support cast are passable . As sympathetic acting by starring trio : Brett Halsey , Charles Southwood and Marilù Tolo as a young Native American woman . Furthermore , there appears ordinary secondaries of Spaghetti Western , such as : Guido Lollobrigida or Lee Burton , Bruno Corazzari , Federico Boido or Rick Boyd and Franco Pesce , among others .

Roy Colt and Winchester Jack was regularly directed by Mario Bava . This was one of the films on which Mario Bava's son, Lamberto Bava , began his career as his father's assistant ; Lamberto would latter become a director himself , winning a successful career . Mario was the main creator of Italian ¨Giallo¨ genre , Bava ("Blood and Black Lace", ¨House of exorcism¨ , Black Sabbath¨) along with Riccardo Freda (¨Secret of Dr. Hitchcock¨ , ¨Il Vampiri¨) are the fundamental representatives . In fact , both of whom collaborated deeply among them , as Bava finished two Fedra's films ¨Il Vampiri¨ and ¨Caltiki¨ . These Giallo movies are characterized by overblown use of color in shining red blood , usual zooms and utilization of images-shock . Bava directed all kinds of genres such as , Sci-Fi : ¨Planet of Vampires¨ , Peplum : "Hercules in the Center of the Earth" , ¨Battle of Marathon¨ , Historical : "Erik the Conqueror" , "Viking Massacre" and Western : "The Road to Fort Alamo" , ¨Ringo from Nebraska" and this ¨Roy Colt and Winchester Jack¨.

Typical Italian western, made at the time when producers wanted to cash in on the success of Sergio Leone's IL BUONO, IL BRUTTO, IL CATTIVO. Plot about three gunslingers (Halsey, Southwood and Corrà) is clearly a rip-off and nowhere as funny or clever as the Eastwood western; too often it resorts to low-brow comedy. Some typical directorial touches, nice photo-graphy (by Antonio Rinaldi) makes film worth watching for Bava completists. Nice score by Piero Umiliani.