The Breach

When the aspirant writer Charles Régnier (Jean-Claude Drouot), who is drug addicted and mentally ill, throws his four-year-old son Michel against the kitchen wall in a rage attack, his wife Hélène (Stéphane Audran) defends her son and herself, hitting Charles several times with a frying pan. Her neighbor takes Hélène and Michel to the hospital and the boy must be interned with a broken leg and concussion. Hélène works as bartender and has supported her family alone since her wealthy father-in-law Ludovic Régnier (Michel Bouquet) hates that Charles has married with someone uneducated from the lower classes. Hélène finds a low-budget boarding house nearby the hospital and rents a simple room to be close to her beloved son. Further, she hires a lawyer to get the divorce and the custody of Michel. Ludovic is advised by his lawyer that Hélène would win the custody and he hires the lowlife Paul Thomas (Jean- Pierre Cassel), who is totally broken and desperately needs money, to find dirt evidences against the Hélène. The vile Paul lures Hélène saying that he is very ill and moves to the boarding house. After a while, he does not find anything against Hélène, and he decides to fabricate evidences to destroy her reputation. But things do not work as planned.

I have seen many excellent films of the master of suspense Claude Chabrol, but "La Rupture" is probably the best film I have seen of this French director and a masterpiece of human cruelty and sordidness. Chabrol usually criticizes the bourgeois class in his movies, and the fight between classes is shown in "La Rupture", with a sharp demonstration of how destructive the prejudice and the power of money may be. The plot presents wealthy characters; some of them are just glanced like the actor in the boarding house but everyone has an important role in the dark story. Paul Thomas is among the most despicable villains I have ever seen, with his corrupted soul. I could write pages about this masterpiece but instead, I prefer to recommend to viewers of good taste to see it. My vote is ten.

Title (Brazil): "Trágica Seoaração" ("Tragic Separation")

Note: On 07 December 2024, I saw this film again.

Like Graham Greene's so-called entertainments, this film veers into melodrama, but it never seemed unreal to me and was certainly a pleasure to watch. The highlight for me was the machinations of the lowlife hired to bring the heroine down. I also got drawn into the setting of the rooming house and the warmth of the more innocent people that give strength to the heroine. Acting, as always in a Chabrol film, is superb.

If one was to choose a 'French' equivalent of Hitchcock, I would say Claude Chabrol is the closest you can get. 'La Rupture' is a must for those who don't know the director's talent and thus art. As always, I would truly advise people to see this in French with subtitles for dubbed films aren't as accurate.

Though I've always found it difficult to stomach the parallels between Hitchcock and Chabrol (another user on this site highlighted the similarities Chabrol shares with Clouzot, a comparison that I concur with, Chabrol sharing Clouzot's moral ambiguity/overall weltschmerz), it would be foolhardy to deny the broad Hitchcockian flourishes here. Dipped and dredged in LSD, the hallucinatory sequences in here nod reverently to "Vertigo" and "Marnie". Yet, unlike some hitchcock staples (no gripes with Hitch here, he is after all my all time favorite director), there is nary a hint of escapism here. Instead, Chabrol plunges us head-first into the depths of modern complacency, a project that we are all complicit in.

The story itself is another virulently acerbic "thriller of manners" for Chabrol, capturing with Flaubertian honesty the farce upon which class distinctions are built. Other than Clouzot, I've always felt that Chabrol's work comes closest to Bunuel's (no surprise that Cassel and Audran would also feature in Discreet Charm Of The Bourgeoisie)- he brings a blowtorch to insipid, self-satisfied, hypocritical civilization, and dares to gaze into the vacuous abyss beneath. Like Bunuel and Fassbinder, he does this with consummate style and infuses his films with cruelly ironic wit.

Chabrol's films are always unnerving to watch because they come too close for comfort, and never allow us to be self-satisfied. He asks some terribly important questions: at what price are bourgeois myths of propriety, morality and civilization bought? In "The Unfaithful Wife", murder is necessary to sustain the idyll, while this movie offers a profound dissection of bourgeois identity- in order for bourgeois "decorousness" and privilege to survive, it must posit an Other, the sordid, vulgar, ill-educated boor, even if it doesn't exist. Throughout "La Rupture" the viewer witnesses the creation of these supposed "absolutes", the unfurling of the absurd narrative that legitimizes bourgeois entitlement- sully, tar and feather the peasant, the Other. Like homophobia, class prejudice is only an expression of the precariousness of identity, without an opposite to define oneself against, the suppositions invariably crumble.

Chabrol is an acutely intelligent, courageous and singularly brilliant film maker. Don't miss this deconstructive masterpiece...as an examination of class, I think only "La Ceremonie" would surpass this one.

ps i can't help but wonder if the eccentric, insular boarding-house here is an homage to balzac's maison vauqeur in his incomparable "Old Goriot"- both the altruistic doctor (Bianchot) and the moustachioed, absurdly eloquent tempter (Vautrin) are parodied/mirrored here

Intent on winning custody of their grandson who their son injured while stoned, an upper class couple set out to discredit and defame their daughter-in-law in this odd thriller from Claude Chabrol. Stéphane Audran plays the daughter-in-law, however, the majority of the film is curiously not told from her point-of-view but rather the perspective of a man hired to discredit her, played by Jean-Pierre Cassel. As such, the film does derive any juice from Audran wondering whether or not she is going insane (a la 'Gaslight'), which would not necessarily be a problem, except that Cassel's schemes are so strange and convoluted that it is obvious that they will fail before he even puts them into action. His attempts to spread gossip around the boarding house where Audran is staying are fairly credible. At his most incompetent though, Cassel tries to force Audran to eat a drugged candy (!) while his most bizarre plan involves his girlfriend wearing a wig and fondling Audran's landlady's mentally challenged daughter, expecting that the girl will mistake the wigged woman for Audran! With a perfectly terse music score and lots of fluid camera movements, 'La Rupture' still remains very watchable despite the messy plot, and the LSD-induced scenes towards the end need to be seen to be believed. There is also a lot of memorable weirdness throughout, such as Cassel's girlfriend always being nude (or partially naked) and her fondling scene, complete with an X-rated Satanic film projected in a darkened room might well rate as the very strangest sequence that Chabrol ever committed to celluloid.