IMDb RATING
4.7/10
295
YOUR RATING
The outlaw Douglas brothers form an uneasy alliance with Lee Galloway to retrieve hidden gold from an earlier robbery.The outlaw Douglas brothers form an uneasy alliance with Lee Galloway to retrieve hidden gold from an earlier robbery.The outlaw Douglas brothers form an uneasy alliance with Lee Galloway to retrieve hidden gold from an earlier robbery.
Jolanda Modio
- Juanita
- (as Iolanda Modio)
Gaetano Imbró
- Deputy
- (as Gaetano Imbro')
Josiane Tanzilli
- Carmencita
- (as Josiane Marie Tanzilli)
- …
Luciano Pigozzi
- Paco
- (as Alan Collins)
- …
Bruno Ariè
- Chuckles - Craig Henchman
- (uncredited)
Tony Casale
- Saloon Patron
- (uncredited)
Severino D'Ottavi
- Man coming for Funeral
- (uncredited)
Alfonso Giganti
- Bartender
- (uncredited)
Ettore Martini
- Townsman & Army Officer (2 roles)
- (uncredited)
Mario Pascucci
- Sheriff
- (uncredited)
Featured reviews
Lee Galloway/Sartana (William Berger) is a wanted man. The film begins with an ill-fated bounty hunter on his tail (who, upon arriving in town finds the Sheriff is "tied up with a funeral"). Needless to say the hunter doesn't last long - Galloway then breaks the dangerous Craig brothers out of jail - in exchange for half of the gold the gang stole from the army. The brothers unsurprisingly doublecross Galloway and from then on the film degenerates into a formulaic game of cat-and-mouse; that said, I'm sure you can guess the outcome of this tired, uninspired western.
Although the whole affair's rather dull, there are a few nice touches: the scene involving the musical-doll maker (the fake Father Brown from "Sabata"); the catchy music and title song; the attractive landscapes (more lush-green than desert-yellow here); and a scene I find hilarious but shouldn't when, out of Galloway's shooting range, one of the Craig brothers gasps and pretends to have been hit - then sits up and blows Galloway a big raspberry! Alright, I know it's not exactly the Tuco/Gunsmith scene from "The Good, the Bad and the Ugly", but what it lacks in subtlety, it makes up for in it's short and sweetness. Trust me. Oh, please yourselves... Another plus is the presence of Berger and Wayde Preston. Both pretty much sleepwalk through their roles but they play them both straight and convincingly and stop this from being a complete and utter waste of time. I guess this isn't bad enough to be in the "so awful it's good" category, but for one or two viewings it's passable. Just make sure you go down the pub/bar before watching it...
*Dumb dialogue* The doll maker's daughter (Clementine in my version) commenting on how economically sound it is to waste food: "I do get pleasure from fixing dinner as if there were a lot of people around - to help us forget we're poor."
Although the whole affair's rather dull, there are a few nice touches: the scene involving the musical-doll maker (the fake Father Brown from "Sabata"); the catchy music and title song; the attractive landscapes (more lush-green than desert-yellow here); and a scene I find hilarious but shouldn't when, out of Galloway's shooting range, one of the Craig brothers gasps and pretends to have been hit - then sits up and blows Galloway a big raspberry! Alright, I know it's not exactly the Tuco/Gunsmith scene from "The Good, the Bad and the Ugly", but what it lacks in subtlety, it makes up for in it's short and sweetness. Trust me. Oh, please yourselves... Another plus is the presence of Berger and Wayde Preston. Both pretty much sleepwalk through their roles but they play them both straight and convincingly and stop this from being a complete and utter waste of time. I guess this isn't bad enough to be in the "so awful it's good" category, but for one or two viewings it's passable. Just make sure you go down the pub/bar before watching it...
*Dumb dialogue* The doll maker's daughter (Clementine in my version) commenting on how economically sound it is to waste food: "I do get pleasure from fixing dinner as if there were a lot of people around - to help us forget we're poor."
Sartana in the Valley of Death (1970) I found was much better then most have reviewed. It was nice to see William Berger in his only SW lead role as Calloway. This is not a Sartana film as they tried to market it as to draw a larger crowd. I watched the 78 minute cut version which was not bad and most have viewed this version I am getting the original 98 minute version soon and will follow-up. The 78 minute people have to take in consideration that with 20 minutes gone we have problems like Calloway shooting in the ground and it blowing up also when Calloway meets with the one Craig brothers it was grossly edited and it rushes into Calloway going into the Sheriff's office.
The lead score "A King for a Day" by Augusto Martili at first made me laugh then it grew on me like cancer and got stuck in my head for three days. This song reminded me of a untalented Italian Elvis impersonator singing.
The main annoying problem, I had with the film one was everyone kept calling Berger's character Galloway and on the wanted poster it shows Calloway. All in all for a low budget SW it was a nice flick about Calloway, who is a gun for hire that wants 50% of the loot the Craig brothers stole and hide in order for him to break them out of jail. They decide to play cat and mouse games and double cross him in order to keep whats theirs. The opening scene of the movie shows how Calloway is worth every red cent and if you double cross him you die...
The lead score "A King for a Day" by Augusto Martili at first made me laugh then it grew on me like cancer and got stuck in my head for three days. This song reminded me of a untalented Italian Elvis impersonator singing.
The main annoying problem, I had with the film one was everyone kept calling Berger's character Galloway and on the wanted poster it shows Calloway. All in all for a low budget SW it was a nice flick about Calloway, who is a gun for hire that wants 50% of the loot the Craig brothers stole and hide in order for him to break them out of jail. They decide to play cat and mouse games and double cross him in order to keep whats theirs. The opening scene of the movie shows how Calloway is worth every red cent and if you double cross him you die...
"Sartana nella valle degli avvoltoi" (English translation: "Sartana in the Valley of Death") AKA "The Ballad of Death Valley" (1970), is one of the hordes of unofficial sequels to "If You Meet Sartana Pray for Your Death", directed by Gianfranco Parolini, who made the interesting "God's Gun" (1976). This offering is directed by the competent Roberto Mauri, who stages some nice action scenes, and gets the great William Berger to do some cool business with a gun. The supporting cast is fine, and the photography frequently uses some neat angles, but the real problem with the movie is the exteriors. There are repeated shots of people riding across green and moist hills, covered in grass. This is supposed to be set around the Mexican border! The only "desert" scene is the sequence in Death Valley, which looks like it was filmed in a quarry. This aspect really let the film down for me, and it's a shame, as the rest of the movie is quite good.
While "Django" was the most-ripped off name in spaghetti westerns, I think "Sartana" must be in second place. Though the hero of this spaghetti western dresses in black, he is not the fantastic Sartana character John Garko played in several movies. For one thing, he's played by William Berger - pretty appropriate, since this character is an anti-hero. (And he's not even named Sartana!)
The story is pretty confusing, with some bad editing and a lack of explanation in some key scenes (like: where do those explosions on the city street come from?) But the story takes several interesting twists and turns, like how power switches back and forth from one character to another. And it's interesting to see Berger as a kind of hero, after playing the heavy in so many other roles. Movie also has one of the more memorable theme songs - "King For A Day" - even though it doesn't really apply to Berger's character or anyone else!
The story is pretty confusing, with some bad editing and a lack of explanation in some key scenes (like: where do those explosions on the city street come from?) But the story takes several interesting twists and turns, like how power switches back and forth from one character to another. And it's interesting to see Berger as a kind of hero, after playing the heavy in so many other roles. Movie also has one of the more memorable theme songs - "King For A Day" - even though it doesn't really apply to Berger's character or anyone else!
I found this film quite disappointing. There are some good moments but the pace is pedantic. The storyline involves the usual hunt for hidden gold spaghetti western fare, but was, at times, non-sensical, unless I fell asleep in the middle, which may have happened. The dialogue and acting was quite poor in parts. William Berger's hair colour looked ridiculous and at time he almost looked like a peroxide blonde. The music was quite odd at times and often did not match the mood. The Japanese DVD release version was of surprisingly good quality. Not recommended unless you are a spaghetti western die-hard like me and must see them all.
Did you know
- TriviaItalian censorship visa # 56547 delivered on 11 August 1970.
- ConnectionsReferenced in Arabs and Niggers, Your Neighbours (1974)
Details
- Release date
- Country of origin
- Language
- Also known as
- Sartana in the Valley of the Vultures
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 35m(95 min)
- Sound mix
- Aspect ratio
- 2.35 : 1
Contribute to this page
Suggest an edit or add missing content