Three Sisters

Having a Russian background, I saw many productions of one of the most famous Chekhov's plays. I'd say the Olivier's "Three sisters" is the best of all I've ever seen. Even if there are some inaccuracies in details related to the Russian 19th century realities, the Olivier's n-depth understanding of the complicated Chekhov's work is amazing.

A fine, sensitive filming of a fine stage production of Chekhov's masterpiece THE THREE SISTERS. A few of the actors are a bit too broad and stagey (especially the oldest sister, the schoolteacher), reflecting inexperience acting for the camera, but that's a minor flaw.

What's up with the sound? I rented the DVD and the sound track is terrible for a film from this period. It's hard to make out some of the dialogue, especially when a character turns away from the camera. I hate having to strain to hear dialogue, especially dialogue by Chekhov! It seems to be a recording problem. The film was shot on what seem to be massive stage sets. This family's provincial home looks roughly the size of the Winter Palace. I'm guessing the cavernous sets swallowed up and muffled the dialogue, resulting in the poor sound quality.

Aside from the deficiencies of the sound (and there's no excuse for such a problem in a production from 1970 -- fire that sound engineer!) it's a great production of a gently funny and bittersweet classic play.

the DVD is from a different source from the American Film Theater. Its my belief THREE SISTERS was strung out for a release and so utilized American Film Theater to get it shown. maybe i'm wrong - but that might account for the funky sound. its a good movie. i have both versions. the DVD is cropped. its a desecration of Olivier to crop his movie. can't we get past doing this to sell new TVs?

This fourth and final feature film directed by Laurence Olivier is his only one not based on Shakespeare or with himself in the title role. Itself now fifty years old, hence the startlingly youthful appearances of National Theatre alumni like Derek Jacobi and Sheila Reid as Andrei and his wife Natasha.

Described by Olivier as "a celebration of the acting rather than a thoroughly conceived filmic version of the play", the settings and groupings often resemble those of a German silent film while the costumes anticipate Bergman's 'Cries and Whispers'. Olivier's camera however glides about the set and cuts in lively pursuit of the Prosorov sisters as they dream their dreams of Moscow's bright lights.

It is remarkable how deeply interesting and moving is Chekhov's play about a small-town Russian family, longing to move to Moscow. Yet the playwright crafts with such affection and love for his characters that the viewer is hypnotized by the unfoldment.

With a production obviously based on a beautiful stage production, Laurence Olivier co-directs with John Sickel a most engrossing presentation.

Among the outstanding cast, Joan Plowright's Masha, Alan Bates' Col. Vershinin, and Olivier's Dr. Chebutikin are outstanding. The beautiful cinematography by Geoffrey Unsworth apparently utilize much of the stage sets, yet they merely add to the overall effectiveness.

Few cuts are made, as the production offers a comprehensive view of this work. Part of the American Film Theatre's series of 1970, "The Three Sisters" is a memorable experience. One longs for a re-release of this fine achievement.