Three Sisters

Caught this on Talking Pictures and was really impressed. I have seen the play before on stage and think of it as a dreary piece, but this version has changed my opinion. It is the most naturalistic performanceI I have ever seen Laurence Olivier do. There is a lovely performance by Louise Purnell who I recently caught during lockdown when I dug out an old box set of Forsyte Saga. It was also interesting to see a very young Ronald Pickup and Derek Jacobi. I was most impressed. Additionally it was good to see the excellent Alan Bates who had replaced Robert Stephens who was ill. Some reviews mention poor sound but everything was clear and there were no problems,

A fine, sensitive filming of a fine stage production of Chekhov's masterpiece THE THREE SISTERS. A few of the actors are a bit too broad and stagey (especially the oldest sister, the schoolteacher), reflecting inexperience acting for the camera, but that's a minor flaw.

What's up with the sound? I rented the DVD and the sound track is terrible for a film from this period. It's hard to make out some of the dialogue, especially when a character turns away from the camera. I hate having to strain to hear dialogue, especially dialogue by Chekhov! It seems to be a recording problem. The film was shot on what seem to be massive stage sets. This family's provincial home looks roughly the size of the Winter Palace. I'm guessing the cavernous sets swallowed up and muffled the dialogue, resulting in the poor sound quality.

Aside from the deficiencies of the sound (and there's no excuse for such a problem in a production from 1970 -- fire that sound engineer!) it's a great production of a gently funny and bittersweet classic play.

This fourth and final feature film directed by Laurence Olivier is his only one not based on Shakespeare or with himself in the title role. Itself now fifty years old, hence the startlingly youthful appearances of National Theatre alumni like Derek Jacobi and Sheila Reid as Andrei and his wife Natasha.

Described by Olivier as "a celebration of the acting rather than a thoroughly conceived filmic version of the play", the settings and groupings often resemble those of a German silent film while the costumes anticipate Bergman's 'Cries and Whispers'. Olivier's camera however glides about the set and cuts in lively pursuit of the Prosorov sisters as they dream their dreams of Moscow's bright lights.

It is remarkable how deeply interesting and moving is Chekhov's play about a small-town Russian family, longing to move to Moscow. Yet the playwright crafts with such affection and love for his characters that the viewer is hypnotized by the unfoldment.

With a production obviously based on a beautiful stage production, Laurence Olivier co-directs with John Sickel a most engrossing presentation.

Among the outstanding cast, Joan Plowright's Masha, Alan Bates' Col. Vershinin, and Olivier's Dr. Chebutikin are outstanding. The beautiful cinematography by Geoffrey Unsworth apparently utilize much of the stage sets, yet they merely add to the overall effectiveness.

Few cuts are made, as the production offers a comprehensive view of this work. Part of the American Film Theatre's series of 1970, "The Three Sisters" is a memorable experience. One longs for a re-release of this fine achievement.

In turn of the century rural Russia, the aristocratic daughters of a dead colonel each have their own dreams and aspirations.

Laurence Olivier's own stagey adaptation of Anton Chekhov's play has at times some minimal sets and stage decoration. Adapted from one of Chekhov's best known plays makes for an overlong and at times tedious viewing. There is something cliched in this well intentioned film does little to elevate the cliches.