Dying aliens kidnap the pop group, Toomorrow, whose social musical instrument's "vibrations" are needed for their race to survive.Dying aliens kidnap the pop group, Toomorrow, whose social musical instrument's "vibrations" are needed for their race to survive.Dying aliens kidnap the pop group, Toomorrow, whose social musical instrument's "vibrations" are needed for their race to survive.
Roy Beck
- Concert audience - The Round House
- (uncredited)
Celestine Burden
- Art Student
- (uncredited)
Louis Cabot
- Shaving Student
- (uncredited)
Shakira Caine
- Karl's friend
- (uncredited)
Lindsay Campbell
- 2nd Policeman
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
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Featured reviews
"I'd like to buy some of your records." ... "You may, if we live long enough."
"Grease" fans in 1978 probably had little-to-no idea that co-star and pop songstress Olivia Newton-John had acted in a film eight years prior--and, at the time, she herself was probably relieved that nobody knew about it. "Toomorrow", produced in the UK (and shown theatrically there for just one week), boasts an impressive pedigree and some decent synth-based bubblegum rock, but the movie vanished almost without a trace (it was released in Japan but not until 1980, to coincide with Newton-John's "Xanadu"; there was never any interest from US distributors). Unlikely production partners Don Kirshner, the man responsible for The Monkees' early musical output, and Harry Saltzman, a co-producer of the 007 franchise, apparently had a falling out during the course of filming "Toomorrow", causing Kirshner to wash his hands of the whole debacle. Newton-John is pretty much cast as herself, a college student and vocalist named Olivia who performs in a struggling rock group based in London; her three bandmates, all randy yet clean-cut males, allow Livvy to be their mother-hen while keeping their hands to themselves (she's a good girl of the Annette Funicello school: flirt but don't touch). The band has attracted the attention of other-worldly aliens, who abduct the quartet (and their instruments!) in order to save their dying population. Comic-book nonsense looks a bit like the Disney films of the early 1960s (with the exception of a few 'naughty' bits). It's harmless and brainless and puerile, but it isn't the embarrassment Kirshner painted it as. A curiosity item and footnote in Newton-John's career; she was never much of an actress, although for her part she looks attractive here, pressed and crisp like a budding pop star, and sings in her clear, pearly voice. *1/2 from ****
Strange SF/Musical Mix
The American Cinemateque recently screened this rarity with co-star Olivia Newton-John in attendence. As Ms.Newton-John explained it, TOOMORROW was Don Kirshner's attempt to bring a pre-fab rock group to the big screen a la THE MONKEES. Unfortunately (or, fortunately, considering Newton-John's future success), TOOMORROW was not a hit and any further adventures of the "Band" called TOOMORROW remained unfilmed. TOOMORROW "The Movie" tells of an alien race who discover the music of Newton-John and her pop band, TOOMORROW. Seems the aliens need a break from their own computer generated music and the earthling band is just the cure. So, a convuluted plan is hatched to kidnap the band and bring them to their planet so they can record some tunes. Believe it or not, the movie isn't THAT bad -- and certainly doesn't deserve the relative oblivion it has been consigned to. All of the actors are fairly engaging, the special effects are OK, the songs are cute in a prefab "Archies" sort of way, Val Guest's (THE QUATERMASS EXPERIMENT, WHEN DINOSAURS RULED THE EARTH) direction is brisk and Olivia shows off her long long legs with some revealing costumes. The print was supplied by the British Film Academy and it was MINT! I hope a DVD video release is in the offing. Ms. Newton-John seemed amused by the film and gratified by the audience's response.
First of Olivia's "Divine as in supernatural" films
Toomorrow is definitely not as bad as has been reported. It is actually an enjoyable movie. It is no "Grease" but definitely better than "Two of a Kind." It is equal to "Xanadu" and probably better.
To me Olivia was being natural with her perky personality. Her acting did not seem like acting as it did in Xanadu when she tells Sunny that she is a muse. Instead everyone in the Toomorrow group seem to be enjoying themselves as they go through the film.
Granted the movie is not Oscar material but considering how bad so much is today, I would love to see Toomorrow on the big screen or at least come out on DVD.
Definitely worth a look.
To me Olivia was being natural with her perky personality. Her acting did not seem like acting as it did in Xanadu when she tells Sunny that she is a muse. Instead everyone in the Toomorrow group seem to be enjoying themselves as they go through the film.
Granted the movie is not Oscar material but considering how bad so much is today, I would love to see Toomorrow on the big screen or at least come out on DVD.
Definitely worth a look.
For die hard fans only
I absolutely love ONJ. She has always brought a smile to me and can't whisk me into a good mood. I was so excited to find a bootleg of this on Ebay (soundtrack disk included!) and rushed to watch it.
Ummm, It felt longer than Gandhi, the music was uber cheesy but catchy..i vaguely recall rolling in bed later that night, having nightmares to the tune of "Taking Our Own Sweet Time", one of the films stickier jams. The drummer has swing, Olivia feels underused and the music is competent, if uninspired.
Toomorrow's special effects were good though. Xanadu is my favorite of ONJ's films and this definitely pre-dates some of that neon blue post disco vibe with its trail effects.
My Disk came with some extra gifts, one being the CD soundtrack to the film. This thing is gonna collect some serious dust. If Aliens need the music of Tomorrow to survive, there surely isn't intelligent life out there.
My disk came with an Extra of her performing "Have You Never Been Mellow" on the Tonight Show with Johnny Carson. That was the point when I really felt I got my money's worth.
If you liked Grease and are curious about an older film of hers, don't bother. If you are a completest, feel free...but you have been warned.
Ummm, It felt longer than Gandhi, the music was uber cheesy but catchy..i vaguely recall rolling in bed later that night, having nightmares to the tune of "Taking Our Own Sweet Time", one of the films stickier jams. The drummer has swing, Olivia feels underused and the music is competent, if uninspired.
Toomorrow's special effects were good though. Xanadu is my favorite of ONJ's films and this definitely pre-dates some of that neon blue post disco vibe with its trail effects.
My Disk came with some extra gifts, one being the CD soundtrack to the film. This thing is gonna collect some serious dust. If Aliens need the music of Tomorrow to survive, there surely isn't intelligent life out there.
My disk came with an Extra of her performing "Have You Never Been Mellow" on the Tonight Show with Johnny Carson. That was the point when I really felt I got my money's worth.
If you liked Grease and are curious about an older film of hers, don't bother. If you are a completest, feel free...but you have been warned.
Groovy, Man, Dig?
This thing is a mess but a fun mess. A strange hybrid of sci-fi aliens, lame rock music and counter culture message film. Yes, a very young and darling Olivia Newton-John stars as the lone girl in a band called Toomorrow and they play the softest, non-threatening "rock" you've ever heard and yet the hippies and the stoners go crazy for them like they are hearing Hendrix at Monterey. The "special" effects are ridiculous and the movie really is entertaining for all the wrong reasons - jaw dropping dialogue (like when the band is zapped aboard an alien UFO "Hey man, I don't dig space!") and lame attempts to inject Beatles/Monkees type comedy with a few of them sharing bathwater and changing clothes in the car on their way to a big gig. So of it's time, so dated and yet real fun. Hard to find - the DVD we got had Japan subtitles and as someone else mentioned - when the movie ended - it also had Olivia appearing on Johnny Carson as a big new singing sensation in America (no mention of Toomorrow though - hmmmm). The whole script has that feeling of fifty year old writers typing away what they think "the long hairs" are saying and doing. Laff riot.
Did you know
- TriviaOlivia Newton-John was told to strip to her underwear for a scene in the film, but she found the notion so humiliating that she burst into tears and refused to undress.
- GoofsAt the (live) lunchtime jam session, when the Professor cuts the power to the group's instruments, the music slows to a stop, as if on a record, instead of stopping immediately.
- SoundtracksYou're My Baby Now
Written by Ritchie Adams and Mark Barkan
- How long is Toomorrow?Powered by Alexa
Details
- Runtime
- 1h 35m(95 min)
- Aspect ratio
- 2.35 : 1
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