The Tribe

I saw this when I was 14 in 1970 and it had a big impact on me. Everything about it was excellent. Special kudos to Vincent for insisting they shave his actual hair for realism. (I read about that in one of the teen magazines of the time, lol)

Anyone interested in the late 60s early 70s "hippie" movement should watch this, and anyone who wonders about the military's methods of transforming ordinary citizens into military personnel. As other reviewers have noted, this film doesn't take sides, but presents a sympathetic view to both the DI and the drafted hippie, and protrays them both as willing and able to see other points of view. A good film for parents to watch with teens; it will lead to interesting discussions.

Just to get it accurate I found out back in the day that the US Marines actually did take draftees during part of Vietnam at least. Apparently they would send recruiters to army induction centers like Whitehall Street in New York City and at big places like that would select four or five and say you lucky ones are part of the Marines as opposed to the army. Around the time I was doing my basic training at Fort Polk, Louisiana, Tribes was popular, so popular this made for TV film actually got a theatrical release.

I was not the most military of trainees, but I was Sergeant York next to Jan-Michael Vincent. I have to ask myself what was that Marine Corps spotter thinking when he picked him? There he was with that adorable long blond hair and that unforgivable fashion faux pas socks and sandals, looking every inch like he belonged at Woodstock.

I'd have had the same reaction that gunnery sergeant Darren McGavin did, someone is playing a joke on me. But it's for real and Vincent with his meditation, his yoga starts undermining the whole platoon except for a few gung ho recruits. He drives McGavin batty, but he intrigues him nevertheless. Neither can understand what makes the other tick.

The one Jan-Michael really drives nuts is the sergeant just above him in rank Earl Holliman. He's got special plans for this hippie freak that McGavin thinks are not appropriate.

The draft is gone now and the Marines probably for their own good as an elite fighting force dropped it on their own years earlier. It was a Vietnam experiment that could really go wrong if a Jan-Michael Vincent got in the mix in a few places.

Vincent, McGavin, and Holliman and the rest do some of their best work in Tribes. One of the best made for TV movies ever done.

I am usually not a fan of war films or war-themed films, but this one was reely (I meant the spelling) good. It was a fine character study of opposites, with Darren McGavin and Jan-Michael Vincent in stand-out performances. One day I have to try the meditation tricks that Vincent's character uses to mentally take himself away from the unpleasantries he had to deal with at the boot camp.

On the note of the cast, can someone tell me where is Bud Cort in this film? He's listed as a 'draftee nerd,' but I don't see him. I am wondering if he has been mistaken for Danny Goldman, who was in a lot of Bud's early films ("M*A*S*H" and "The Strawberry Statement" come to mind), and if you didn't look well enough, could have been mistaken for him. (I made that mistake regarding one dramatic scene that takes place in the men's room at the barracks. I had to watch it twice to correct myself that it wasn't Bud Cort).

I gave it a 10, not because it's perfect, but I'm pretty prejudiced about it. "Tribes" is really part of a long tradition in the movies (the misfit becomes a model soldier because of the tough but decent sergeant), but of course it plays around with all the rules - in the first place, you're practically certain that the misfit WON'T be influenced all that much (or that he SHOULD BE), and in the second place, HE begins to influence the SERGEANT! Against his will, of course ("It's not my drawing!"). In spite of being made in 1970, it's far from being strictly a Vietnam-oriented movie. And it's even more than a "hippie vs. the Establishment" movie (though those are fine with me), but a lot more general (I've heard that it was endorsed by the Marine Corps, I guess because it they considered it pretty "balanced".) I don't know much about meditation, but one of the best scenes in this film has Private Adrian describing it to the other recruits, while they listen with "rapt attention", including Scrunch Gordon, the "jock" who hated him at first. Which is another thing - it does without genuine stereotypes, except for Earl Holliman's DePayster, who's nice enough in other scenes, but becomes an over-the-top redneck at the sight of Adrian. (And Holliman is completely entertaining doing those scenes.) Of course, it does have "stock characters", ones that work - like John Gruber as the tragic character, Danny Goldman as the completely comical one. (According to this listing, Bud Cort was in it, though I've never recognized him.) As far as the completely funny scenes, Darrin McGavin is really great in them, giving almost an Oliver Hardy kind of look sometimes (a little like his wonderful character in "A Christmas Story"). And he's never less than great in the other scenes (he and Vincent seemed to work perfectly together). And Jan-Michael Vincent is completely believable as Adrian (because of that, I've always "typecast" him as that kind of character, even though I've hardly ever SEEN him play a similar one).

I am an Air Force officer. I appreciated this movie's adherence to depicting basic training in a fairly accurate light. Placed in the context of early 1970's America, "Tribes" strikes a realistic balance between "hippie culture" and military regimentation. I partly expected the movie to take a sappy turn, whereby the entire platoon converted to flower-power and refused to fight. Thankfully, the ending is far more original, although saddening.

Jan-Michael Vincent acted superbly. Besides the classic 1980s Airwolf TV series, I was never really impressed by his acting ability, until now. Darren McGavin of "The Christmas Story" fame was excellent also, and the two interacted well on screen.

This movie is a fun Saturday afternoon commentary on the tension between the desensitization of military training and the desire to preserve individual values. I voted a 9 out of 10.

Richard Bejtlich