The Tribe

As an ex-Marine, I was keenly interested in seeing this movie of the week rerun when it aired, I think at 2 am, but what the heck I was on night shift anyway.

First off, I liked it, I really liked it and not because it "took sides" because frankly I don't think it did. A VERY young Jan-Michael Vincent played the part of a spacy draftee quite well and Darren McGavin was his usual excellent self. Parts of the film were filmed at MCRD (Marine Corps Recruit Depot) in San Diego, with real recruits going through drill training on the grinder. Even though it was filmed at the height of the Vietnam war, politics was left out of the film, but they did manage to show the conflict between the hippie and the more conventional recruits.

The best performance though was from Earl Holliman in my opinion. He played the hard-ass DI to the hilt and provided the strongest contrast to the hippie's live-and-let-live anarchy, even stronger than McGavin's character.

The movie didn't offer answers, nor did it preach about who was right and who wasn't (maybe that was the point anyway, nobody is really 100% "right" in any conflict).

I haven't seen this since my first viewing in 1970 but I remember the reactions of my peers ( I was 16) very well. We thought it was great! It was wonderful to see "one of our own" succeed against the military that threatened all of us at that time. It may be hard to understand today, but in those times of the draft, the Kent State shootings, and the war in Viet Nam, those of us with long hair or alternative views took pleasure in seeing those reflected in the popular media of the day which was anything but "alternative".

I gave it a 10, not because it's perfect, but I'm pretty prejudiced about it. "Tribes" is really part of a long tradition in the movies (the misfit becomes a model soldier because of the tough but decent sergeant), but of course it plays around with all the rules - in the first place, you're practically certain that the misfit WON'T be influenced all that much (or that he SHOULD BE), and in the second place, HE begins to influence the SERGEANT! Against his will, of course ("It's not my drawing!"). In spite of being made in 1970, it's far from being strictly a Vietnam-oriented movie. And it's even more than a "hippie vs. the Establishment" movie (though those are fine with me), but a lot more general (I've heard that it was endorsed by the Marine Corps, I guess because it they considered it pretty "balanced".) I don't know much about meditation, but one of the best scenes in this film has Private Adrian describing it to the other recruits, while they listen with "rapt attention", including Scrunch Gordon, the "jock" who hated him at first. Which is another thing - it does without genuine stereotypes, except for Earl Holliman's DePayster, who's nice enough in other scenes, but becomes an over-the-top redneck at the sight of Adrian. (And Holliman is completely entertaining doing those scenes.) Of course, it does have "stock characters", ones that work - like John Gruber as the tragic character, Danny Goldman as the completely comical one. (According to this listing, Bud Cort was in it, though I've never recognized him.) As far as the completely funny scenes, Darrin McGavin is really great in them, giving almost an Oliver Hardy kind of look sometimes (a little like his wonderful character in "A Christmas Story"). And he's never less than great in the other scenes (he and Vincent seemed to work perfectly together). And Jan-Michael Vincent is completely believable as Adrian (because of that, I've always "typecast" him as that kind of character, even though I've hardly ever SEEN him play a similar one).

Just to get it accurate I found out back in the day that the US Marines actually did take draftees during part of Vietnam at least. Apparently they would send recruiters to army induction centers like Whitehall Street in New York City and at big places like that would select four or five and say you lucky ones are part of the Marines as opposed to the army. Around the time I was doing my basic training at Fort Polk, Louisiana, Tribes was popular, so popular this made for TV film actually got a theatrical release.

I was not the most military of trainees, but I was Sergeant York next to Jan-Michael Vincent. I have to ask myself what was that Marine Corps spotter thinking when he picked him? There he was with that adorable long blond hair and that unforgivable fashion faux pas socks and sandals, looking every inch like he belonged at Woodstock.

I'd have had the same reaction that gunnery sergeant Darren McGavin did, someone is playing a joke on me. But it's for real and Vincent with his meditation, his yoga starts undermining the whole platoon except for a few gung ho recruits. He drives McGavin batty, but he intrigues him nevertheless. Neither can understand what makes the other tick.

The one Jan-Michael really drives nuts is the sergeant just above him in rank Earl Holliman. He's got special plans for this hippie freak that McGavin thinks are not appropriate.

The draft is gone now and the Marines probably for their own good as an elite fighting force dropped it on their own years earlier. It was a Vietnam experiment that could really go wrong if a Jan-Michael Vincent got in the mix in a few places.

Vincent, McGavin, and Holliman and the rest do some of their best work in Tribes. One of the best made for TV movies ever done.

I am usually not a fan of war films or war-themed films, but this one was reely (I meant the spelling) good. It was a fine character study of opposites, with Darren McGavin and Jan-Michael Vincent in stand-out performances. One day I have to try the meditation tricks that Vincent's character uses to mentally take himself away from the unpleasantries he had to deal with at the boot camp.

On the note of the cast, can someone tell me where is Bud Cort in this film? He's listed as a 'draftee nerd,' but I don't see him. I am wondering if he has been mistaken for Danny Goldman, who was in a lot of Bud's early films ("M*A*S*H" and "The Strawberry Statement" come to mind), and if you didn't look well enough, could have been mistaken for him. (I made that mistake regarding one dramatic scene that takes place in the men's room at the barracks. I had to watch it twice to correct myself that it wasn't Bud Cort).