Waterloo

***Possible Spoliers***

Waterloo is a fantastic film, and is worthy of more praise than it receives. I am a big fan of this era of warfare, and Waterloo is one of the few films that actually does it justice. The action scenes are like nothing else I have seen before. The portrayal of all the characters, not just Wellington and Bonaparte, was excellent, considering the epic size of the movie.

Both Christopher Plummer as the Duke of Wellington and Rod Steiger as Napoleon Bonaparte did fantastic jobs portraying their characters. Their performances were particularly excellent in the way that Steiger and Plummer acted their characters, in such differing ways, with Napoleon crying and saying ‘Goodbye My Sons' just before his abdication, whilst Wellington remarks to the Dutches of Richmond that his men are ‘scum of the earth'.

Both characters quirky humour is shown well with Wellington promoting the Irish private from the 27th regiment, better known as the Inniskilling, to corporal for being able to ‘defend a helpless situation' after Wellington caught him with a pig. Other characters such as General Sir Thomas Picton, Sir William Ponsonby and Lord Uxbridge were fantastic, but for mine the best co-starring role was that of Dan O'Herlihy as Marshall Michel Ney, the red-headed General who lost the Emperor his cavalry, just as Uxbridge lost Wellington his. O'Herlihy had great lines and portrayed Ney as a brave and courageous man.

As I eluded to earlier the battle scenes were fantastic, particularly the two cavalry charges, the best one being the French charge, led by the afore mentioned Marshall Ney. The shots of the French cavalry riding over the ridge to be faced with the British infantry in square are some of the best of the film. The charge of Britain's ‘heavies', the Life Guards, Inniskilling Horse and Scots Greys is the second best action sequence in the whole film.

The infantry sequences are reasonable also, but not as good as the cavalry sequences, and I am sure that the last volley, fired by the British Guards would have hit their own men, but anyway. The only quibble I have with the volley sequences are that the final scenes involving the Imperial Guard are different to what is portrayed in the books. History says that there were only a thin two deep line of redcoats, at the centre of the line, where Maitland's men were positioned, not three or four rows, but apart from that the battle scenes were excellent.

The only sad thing in the film, was the dubbed voice of Sir Thomas Picton, played by Jack Hawkins who had throat cancer at the time, and also the non-violent depiction of the battle scenes which did not accurately show the carnage and blood of the Battle of Waterloo.

Overall the film was fantastic, I would dearly love to track down the 5-hour directors cut which is rumoured to be around somewhere, and I must add that I was amazed that this film flopped at the box office. I thought cinema-goers would have lapped up this sort of epic action again and again, but obviously not.

I only discovered Waterloo a couple of years ago and that was after buying the DVD for £4 in Asda! What a bargain buy it turned out to be, a true classic in every sense of the word.

The two main protagonists Napoleon and Wellington are portrayed superbly by Rod Steiger and Christopher Plummer respectively, as we get a really detailed insight into both men's characters. These 2 generals had a special rivalry in 19th century military history and the way real quotes are dropped in at certain points during the movie is top class. Napoleon was the man to beat in 1815 and Wellington had his eyes very much set on that prize, this is well exemplified just before the battle commences when a soldier asks Wellington to fire a cannon shot when Napoleon rides into range, to which Wellington replies somewhat aghast "Certainly not, commanders of armies have something better to do than to fire at one another". Wellington knew this would be the battle that would make or break him, and he wanted Napoleon there operating at his best.

Another quote from the movie which embodies the respect and honour associated with this period of military history; Wellington is observing the French preparations for the commencement of battle, watching over the pomp and ritual somewhat contemptuously but also in admiration, "Dramatic fellows, these French, music and banners, quite beautiful."

As far as I am aware the historical attention to detail is second to none with all the main areas included such as the lead-up to the battle at Ligny and Quatre Bras. Furthermore the battle appears to go exactly how historians would have wanted with plenty of emphasis put on every area of the battlefield. Sometimes in Britain and among Anglo-Saxons the battle is simply described as the Brits beating the French, however the movie sticks to historical facts and shows it was very much an Allied army that won at Waterloo with only something like 20%-30% of it comprising of British soldiers. The rest of the Allied force was made up of Prussians, Hessians, Hanoverians, Dutch, Belgians, Danes. This was very much a broad European coalition.

Another great thing about this film is that even though Bonaparte was essentially the 'tyrant' we get such an insight into his character and into Bonaparte 'the man' that you feel sorry that he loses the battle in the end up.

The battle scenes are truly lavish, a real epic of a film.

Top top drawer.

For me its a 10 out of 10 !

This film is simply a master-stroke. It depicts one of the greatest military victories in British history and, from the point of view of the French, one of the most disastrous. This battle put an end to the monstrous (but impressive) career of the 'Great Thief of Europe', Napoleon Bonaparte.

Firstly, as an Briton, I must count the Duke of Wellington as one of my heroes but I should also say that I am a great admirer of the Emperor. Although I stand in awe of his achievements, however, as a patriot, I can't say I regret that he was eventually defeated. Nevertheless, this doesn't stop me from admiring him.

This film is probably the best film ever made that so vividly depicts the unique relationship between these two exceptional characters: Field Marshal Arthur Wellesley, 1st Duke of Wellington and Napoleon Bonaparte, Emperor of the French, who, between them, were the greatest military minds of that era (along with the great naval genius Rear-Admiral Horatio, Viscount Nelson, who beat the French at Trafalgar, but was tragically killed in the Battle).

The film has an amazing international cast, which includes Rod Steiger, Christopher Plummer, Virginia McKenna, Jack Hawkins, Dan O'Herlihy and the legendary Orson Welles as King Louis XVIII.

Steiger plays the Emperor and the film starts with one of his most loyal generals, Marshal Michel Ney, Duc d'Elchingen (O'Herlihy), forcing him to abdicate the French throne. Steiger's portrayal of Bonaparte is electric and he plays the Emperor almost like a tragi-hero. A military genius who lays waste to most of Europe but cannot overcome his own inner-demons. Steiger's portrayal, unlike most depictions of Napoleon, shows both the Emperor's military and political fervour as well as his anxiety, insecurity and mental anguish. The director is mindful of the fact that, although Napoleon was embarking on the definitave military campaign of his life, he was mentally exhausted and destroyed by the absence of his beloved son, who was 'captive' in Austria with his mother. Although occasionally a little too zelous, on the whole, Steiger's performance lights up the screen, giving the viewer a vivid sense of Napoleon's imperfections, his tantrums and eccentricities.

Christopher Plummer takes on the role of one of Britain's great heroes. Once again, Sergei Bondarchuk has made no effort to romanticise or excessively glorify the 'Iron Duke'. Plummer's performance is beautifully underacted and Plummer chooses to show both Wellington's massive ego and his sharp and witty sense of humour. Like Napoleon, and most English aritocrats, Wellington was also an eccentric (this is most excellently demonstrated by the Duke's response to the discovery that a man from the Enniskillen, whom he "flogged more than the rest of the army put together", had stolen a pig - promoting him to corporal). Plummer makes no attempt to sugar-coat Wellington or hide some of the Field Marhsal's less attractive character traits and prejudices, one of his first utterances in the film being "scum! Beggars and scoundrels the lot of them. Gin is the spirit of their patriotism" (to the Duchess of Richmond, in reference to his own men).

Bondarchuk takes the risky but highly effective gamble of packing the script full of actual quotes attributed to the great men themselves. This could easily have been a disaster but pays off beautifully. Even though they never meet, the Emperor and the Iron Duke almost seem to have a bizarre rapour, Napoleon saying of Wellington "this man has two qualities I admire: courage and, above all, caution" and Wellington saying of Napoleon "by God, this man does war honour". It also reveals a curious phenomenon that existed between Napoleon and Wellington in that Napoleon publicly derided Wellington's skill as a commander but in private admired him a great deal, whereas Wellington always publicly expressed admiration for Napoleon but in private confided that he thought the Emperor a bad strategist and a clumsy military leader.

Bondarchuk performs a master-stroke of directing. The cinematography is amazing and highly effective, combining clever, well-chosen close-ups with audacious panoramic views of the battlefield. Thrown into this the great performances by Steiger and Plummer and an amazing supporting cast, including the great Jack Hawkins (sadly, due to his having throat cancer, rather badly dubbed) as the curmudgeonly General Sir Thomas Picton, Dan O'Herlihy as the charismatic Marshal Ney and Virginia McKenna as the snobbish closet-Bonapartist Duchess of Richmond, and the result is magic!

The battle scenes are exceptional (although perhaps not quite bloody enough to give an accurate depiction of the horror and carnage of warfare at that time). Bondarchuk wastes no time using poetic licence, dumbing down or filling every scene with stupid romantic flummery - the characterisation is limited to the two great commanders and those closest around them at the time. Only Ney and Soult and Uxbridge, Ponsonby and Picton are developed much beyond simply who they were.

The film should also be congratulated on its historical accuracy. One or two minor inaccuracies aside, the film is extremely faithful, especially in terms of the battle itself and the military strategy involved. Sadly, in recent times, especially in America, the Hollywood machine seems all to happy to totally re-write history (e.g., "Saving Private Ryan" and "Braveheart"). Anyone looking for another "Titanic" or "Ryan" will not be interested in this film. If you just like watching films that bypass historical fact and depict the U.S.A. single-handedly saving the world then may I recommend "U-571".

This film does none of these things, it shows the French, English, Scots, Irish, Belgians, Dutch, Prussians (Germans), Russians, and all the rest, fighting in a time when war was honourable and wasn't decided by some lab-technician siting three miles under ground in Washington with his finger on a button and where there where military casualties actually outnumbered civilian ones.

This film is exceptionally impressive, especially given as many of the panoramic views of the army formations were shot using cardboard cut-outs (much more effective than the contemporary practice of simply CGI-ing both armies). The only flaw is the bad dubbing throughout the film and the fact that, like so many de Laurentiis films, the original director's cut was 5 hours long and some soulless corporate hacks slashed it down to just over 2!

Nevertheless, this is movie-history!

10/10 - and that's rare!

The film version of Waterloo is almost totally historically accurate to the actual events of 1815; the events of that year make for a great story to tell, and it is translated extremely well to film. Even with some dramatization and poetic license thrown in we see what these men were really like and we get to understand what motivated Napoleon to take the course of action that he did. The costumes and sets are very well done, and you almost think you stepped out of a time machine when you see them. The film is a little longer than most, and being familiar with the actual events leading up to the battle helps to understand the film, so this movie may not appeal to everyone. Still, Waterloo is a great film, and while hard to find on video you should watch it if you ever get the chance.

There can be no denying that this is a great film to watch.

Pure historians may dispair at some inaccuracies, although in a previous review I notice that a reviewer has made a few mistakes of his own! Air burst shells were quite the norm in fact the RHA were firing over the heads of the British troops at Hugomont the shells exploding over the French, these balls were hollow in nature and fused, in addition to this (although not seen in the film) were the RHA's rockets, which although forbidden by Wellington, were also fired of lierally. A feature I like which is included but wrong are the cannons shown in infantry squares firing at the advancing French cavalry and the troops then closing rank again to fend of the attackers. At the time of making it was still widely believed this happened.

A fair chunk of the story derives from Victor Hugo's descriptions of the battle which in turn were wrong. Bottom line is that I was a much younger man when the movie first came out and it fostered a great interest in finding out more. I feel it is a timeless 'film of its time'. Naturally a re-make would be a wonderful thing in todays modern world but the original does convey some of the depth, noise and smoke of the day.