Which Way to the Front?

I clearly remember being bereft at the age of about 10 when I read that Dean Martin and Jerry Lewis were splitting up. I think it was my first lesson in the world being cruel, I was truly shocked at that age as these were my comedy heroes. They'd had a string of hits finishing with Pardners and Hollywood or Bust and I just couldn't conceive of a world without Martin & Lewis. Jerry went on to make many comedies which got great acceptance as I remember in Europe, but not so much in the USA. He was regarded as a kind of modern day Chaplin and an acquired taste, mainly due to his obstinance in doing his own thing. This fortunately came to a head with the original Nutty Professor, a truly great comedy. I wish he'd left it there as Which Way To The Front, which I've just viewed is dreadful. An awful script, let down by amateur acting from the so called comedic actors supporting him, a ghastly performance by Jerry himself, screaming for most of it, and in this day and age, politically incorrect to the extreme. I smiled in two or three places and that was it. Best to avoid unless like me, you're a Jerry Lewis completist and just had to watch to the end. It seemed about as long as the second world war in which it was set.

Warner Brothers botched the distribution of this movie.Lewis made a movie that was more adult and topical in light of the times.The movie was more plot driven then many of his other directorial efforts.Lewis makes great use of the art of verbal humor,the scene of Byers trying to learn German from a phonograph record.He fractures and mocks the instructor and the sound of the German language.The scene of Byers/Kesselring's meeting with Hitler is one of Lewis's great masterworks of verbal comedy.Byers in disguise at a German checkpoint double talks the guard,then Byers/Kesselring gets the guard to hand him the password and then gives him the password back.Byers great line at the beginning of the movie that "every man has a right to be killed fighting for his country" is pure gold in the light of Vietnam.The comedy gems in the second half of this movie are fast and furious.I think it is the most verbal driven and more adult in it's comic pacing than most lewis vehicles.I think Lewis was going in new directions.WB killed any such future which we can only guess at seeing it all but derailed his career.

So, maybe it's because of my age (28), but I can't laugh at this type of humor. For my it's old fashioned, with lame jokes and an excessive physical humor. I respect Jerry Lewis and his contribution to cinema, he was in many ways a visionary. I also don't like modern days comedies, so, maybe I'm the problem.

Written by brilliant Monkees' TV writers Gerald Gardner and Dee Caruso,WHICH WAY TO THE FRONT was the last of the "Jerry Lewis" movies until "Hardly Working" almost a decade later. Jerry's comedy is evidently an acquired taste, and admittedly he can occasionally be his own worst enemy when he helms as producer/director--but even in the dreariest of his films, there are always moments of brilliance.

WHICH WAY manages to be amusing,entertaining and yes,quite funny. It is somewhat unlike any of the typical Lewis films.The pace is very upbeat and ther are lots of excellent supporting players--a kind of JERRY DOES HOGANS HEROES.The whole thing looks kind of like an unsold TV pilot and you will either love it or hate it---but hopefully YOU VILL LAUGH

I had watched this as a kid but, not being much of a Jerry Lewis fan, I had completely forgotten it (not that it's in any way memorable). The film revolves around impersonation (which seems to be in the curriculum of every comic star!) - in this case a German officer - and, while not as bad as Leonard Maltin claims (awarding it a BOMB rating), it's not exactly classic stuff either - certainly leagues behind Chaplin's THE GREAT DICTATOR (1940), even if comparably narcissistic! Ironically, the scenes prior to the appearance of the would-be wacky General offer more felicities than the rather forced humor at Nazi expense!

The film was really Lewis' last gasp during his heyday; in fact, this proved to be his last vehicle to be released for 10 years (it's painfully apparent here that his particular brand of foolishness wouldn't pass muster in the age of Mel Brooks and Woody Allen)!