The Wizard of Gore

This might have been an excellent short. And it works wonderfully as a fetish movie if seeing young women getting tied up and mutilated is your cup of tea. As a feature movie it's just dire.

Unusually for a horror movie, it features a young professional woman in one of the leading roles -- and she doesn't even get raped and mutilated in the first five minutes for being a harlot! She investigates a magician who performs gory tricks in his show, with the same girls he performed his tricks on later dieing accordingly. This repeats itself no less than four times (if I counted correctly), each scene lasting maybe ten minutes and being as linear as train tracks in a desert, until her boyfriend muses: "All those girls who went on stage in the show died in the same manner later in the evening. Maybe there's a connection?". His girlfriend is so impressed by his cleverness that she proceeds to fornicate him out of gratitude -- and rightly so. It was the most intelligent moment of the entire movie.

I'm not asking for too much, am I, here? I just want to be entertained. For that, I'm willing to forfeit good taste, intelligent plot, competent acting at the door. In the Wizard Of Gore, though, Herschell Gordon Lewis reveals himself as a gore fetishist. The premise of blurring reality and imagination may be interesting, but it's never developed into a story. Fail!

Though this is one of my all time favorite movies, I would still have to give it 7 out of ten because it has too many flaws for me to rate it as a perfect film. For one, the plot does meander and great deal. Also, the characters for the most part are pointless and annoying. Still, this does not matter in the world of Herschell Gordon Lewis. This is easily one of the stupidest, most unbelievable, disturbing and hilarious movies that I have ever seen in my entire life. You'll find yourself laughing out loud as you vomit at the sight of people having swords shoved down their throats, being done in with punch presses, being chainsawed in half and every other disgusting thing you can possibly imagine. Only in the world of cinema can things this ridiculous happen. That's what I love about movies, they take you into a different world, and this movie does just that. Aside from the gore, what really makes this movie stand out is it's evil villain 'MONTAG THE MAGNIFICENT'. After watching this movie, my friend Jason and I decided to start worshipping him and revelling in his badassness. Also, what totally rules about this movie is just how terrible the acting is. Ray Sager is actually the worst actor of all time. It made me laugh the entire time I watched it, yet at the same time his presence has an unnatural creepiness to it. The ending has to be seen to be believed.

Truly a unique horror film that should be seen by fans of bad cinema or just anyone who wants to be totally grossed out and given nightmares.

(My personal rating is 10/10)

A dreadfully repetitive script, coupled with an abysmal central performance from Ray Sager as the titular character (who delivers every last syllable of his many boring monologues in a drawn out manner guaranteed to irritate) make Herschell Gordon Lewis's The Wizard of Gore a real chore to sit through at times; however, several delightfully outrageous moments of cheesy Grand Guignol splatter and a jaw-droppingly daft ending thankfully prevent it from being a complete waste of time.

Curvacious Judy Cler plays Sherry Carson, a TV talk show host who becomes intrigued by mysterious, mesmeric magician Montag the Magnificent (Sager), who uses his hypnotic powers to lure female volunteers to take part in incredible illusions in which they appear to be mutilated and killed on stage, but are finally revealed to be very much still alive.

When these same volunteers are found murdered not long after the show is over, with wounds that match those inflicted by Montag during his act, Sherry's boyfriend, a sports reporter, becomes suspicious and alerts the authorities. But the police are unable to tie the grisly murders to the magician, and so Montag is free to continue his act, with his latest and deadliest performance to be broadcast live on Sherry's TV show...

Montag's messy on stage antics—sawing a woman in half with a chainsaw, removing a girls brains after hammering a spike into her head, using a punch press to squish a lady, forcing swords into throats, and gouging out eyeballs—just about compensate for the terrible acting, poor editing, and a script that leaves so many unanswered questions that it even feels compelled to mention them all at the end. Unsurprisingly, Lewis is unable to deliver many satisfactory answers, and so opts instead for a WTF finalé that somehow transforms The Wizard of Gore from a gleeful slice of low-budget splatter into a totally whacked-out piece of existentialist horror cinema.

Now that's what I call a trick!

Some say the Wizard of Gore is one of HG Lewis' weaker flicks, but I must disagree. Blood Feast may have been more ground-breaking and unintentionally hilarious, but W.O.G. stands up fine against that movie and any of his other gore films. There is a certain cheesy charm to Lewis movies, no matter if they are skin flicks, gore flicks, or even kiddie flicks. In this movie, the wonderfully hammy Ray Sager plays the Wizard and his main occupation seems to be delivering quasi-fascistic prattle to audiences with mutton chop sideburns, interspersed with running his fingers through the tomato-sauce covered animal organs that erupt from his victims, all to the audience's delight. There is some weak storyline involving an independent woman reporter and her well-tanned boyfriend, who try to solve the mystery of the Wizard, the fools. However, this is pretty much just window dressing for the 5-6 gory scenes of the Wizard doing his thing. In particular, there is an eyeball poking and manipulating scene that would have done Lucio Fulci proud. And please don't forget the awesome furniture and late 60's bourgeois home furnishings and polyester pantsuits that make all of these late 60's films look like "Barbarella" by todays standards. If anything, you have to love the fact that there was actually a time in this country where you could make a movie like this and it would be distributed. Thinking about the time period when Lewis was doing his thing and the way he was doing it is enough to blow your mind even more than his movies. If you haven't checked them out, you are doing yourself a disservice!

'The Wizard Of Gore' is one of H.G.Lewis' goriest movies but it is also one of his dullest. More explicit than any of the "blood trilogy" which his reputation rests on, but without a tenth of the entertainment value. In fact I'd say it's even worse than his non-gore turkey 'She-Devils On Wheels'. At least that one had one or two laughs. Ray Sager plays Montag The Magnificent and could be Lewis' most wooden leading man (which is saying a lot!). He plays a magician who causes a sensation by dismembering female volunteers on stage then apparently making them whole again and none the worse for it. However afterwards the girls turn up dead, injured as they were in his "illusions". An ambitious TV talk show host (Judy Cler) and her sceptical sportswriting boyfriend (Wayne Ratay) try and solve the mysterious deaths and determine just what, if anything, Montag has to do with it. Some people seem to inexplicably rate this snoozefest very highly, but if it was the first H.G.Lewis movie I'd ever seen it would probably be my last. The acting is terrible as expected, and the gore is ridiculously unconvincing, but this time round the plot drags, and I found the whole thing terribly unamusing. For Lewis beginners I'd recommend you avoid this one and go straight to his hillbilly horror 'Two Thousand Maniacs!'. It may not be as in-your-face as 'The Wizard Of Gore' but it is a lot more fun.