The Vampire Doll

Very well shot and creepy tale that seems to be somewhat unoriginal at first, albeit, still able to induce a few jumps by me, which is a bit unusual. Gradually, though, this becomes less familiar and whilst occasionally verging on the silly, still enough solid horror element to hold one pretty spellbound in its grip. The most unusual and intermittent soundtrack helped keep up the unease and indeed, ramp up the scares. The final denouement almost degenerates into farce but once again the direction is so sharp that we are still persuaded. Good performances all round and a particularly energetic one by the guy playing the mute servant. Lovely old western style house too, which, I assume is why we had none of the usual shoe removing. Effects were simple yet effective and the dead girl always very good indeed. Well worth catching and I must watch out for the other two in the series.

Keiko (Kayo Matsuo) and her friend try to find her missing brother after he disappeared on a trip to visit his girlfriend Yuko (Yukiko Kobayashi). They don't get very far as Yuko's mother claims the brother ran away after finding out Yuko had been killed in a car wreck the week before his visit. But Keiko finds signs that she might be being lied to - namely, a doll that her brother had purchased and, oh yeah, she sees Yuko's corpse walking around at night. This Toho production is a unique Japanese take on vampires. Fans of suave vampire types will be disappointed as this film's count is very different. The film does benefit from some great scary and atmospheric bits though. I also wonder if Tobe Hooper ever saw this as several things remind me of his later SALEM'S LOT (1979), most notably the design of the vampire (pale blue face with gold glowing eyes) and the rotting depiction of the vampire's lair. Toho produced two more vampire films after this in LAKE OF Dracula (1971) and EVIL OF Dracula (1974).

After a strong success on European market from Hammer horror pictures, Toho decides to make their own Vampires movies, conceived as trilogy this very first enterprise "Yûrei yashiki no kyôfu: Chi wo sû ningyô" wasn't properly a Hammer production alike, it was adapted on Japanese folklore, the Vampire doesn't bite their victims, actually they living from black birds's blood, a girl from a cursed family, falling in love for a man, however she dies afterwards for an unknown reason, she becomes a vampire, his boyfriend looking for her and disappears without a trace, the his sister worried for his sudden disappearance asking helping for his boyfriend, at this point they find the place where an old and cold woman as a mother of the dead girl, they suspicious that woman didn't say the whole truth and starting making a investigation, too much valuable tale, surprisingly good!!

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First watch: 2019 / How many: 1 / Source: DVD / Rating: 7.

Fascinating attempt by Toho to capitalize on recent Western vampire movies like the Hammer flicks. This movie has all the gothic trappings one would expect from its Western counterparts, but folds in a dose of the kind of wacky storytelling the characterizes other Japanese horror movies. The Vampire Doll seems pretty conventional (not in a bad way), until out of nowhere we get a bunch of exposition that tells the strangest, out of left field backstory, which,we learn, led up to the events of the movie.

Stylistically, the biggest mistake here is the overuse of day for night shooting, which also happens to be a failing of a lot of the Hammer movies. Nonetheless, between the fog and the excellent soundtrack with very creepy wailings and wind, this one is well worth seeing for fans of Gothic supernatural horror. Lots of fun.

Arriving at a desolate mansion, a young man searching for his dead girlfriend finds that she has been turned into a vampire before he disappears, forcing his sister and her friend to come looking for him who discover the horrible truth about them and how to get away from the house alive.

Frankly, this was a really enjoyable and interesting effort. One of the more appealing aspects of this one is the fact that it manages to really feel like a fantastic mixture of the different country's styles throughout here. The fact that it goes for a more traditional Western flavor in it's setup, from the large layout of the mansion and the the way it's decorated, the overall traditional feel of the house while the two are staying there looking for her missing brother and the straightforward setup here all make this one a rather familiar tone than what would be expected from a vampire film from this era. There's quite an eerie feel from the large wooden layout and the multiple floors of the house, the long winding basement path and secret passages that are all part of the experience when it comes to these types of Gothic efforts, enabling for some rather eerie scenes where the couple is investigating the source of chilling wails coming from deep inside the house or witnessing ghostly figures emerging out of the shadows before being scared away by the light shining in their face. These here are in place to hold the film up for it's more action-packed moments, such as a great brawl in the woods where after digging up the corpse they end up fighting off the henchmen as well as the big confrontation in the house where they finally come face-to-face with the vampires inside the house and leads into the rather shocking manner of disposal here that gives this a rather fun finale. Given that this uses some rather chilling and creepy looks to the main leads gives this a rather nice edge here while giving this another big plus alongside the nicely effective bloodletting when it occurs, these here give this one enough to like to be able to hold itself up over it's few minor flaws. One of the main issues here is the pacing issues on display, as this one is rather dull in spots during its middle section. Since the middle of the film is about the investigation into what happened, it's mostly about the two of them going around the house being scared of everything or in the village nearby looking for answers to the mystery it does slow down a touch here which does counteract some of the vampire action. As well, there's also the rather strange manner in which this one deals with the vampirism as the focus on more western mythology doesn't translate as well into Eastern folklore so it not only has rather strange means of being inducted into the concept of a vampire but how it's actually dealt with is slightly strange and doesn't make much sense. Nonetheless, there's still a lot to enjoy here.

Rated Unrated/R: Violence.