The Vampire Doll

Fascinating attempt by Toho to capitalize on recent Western vampire movies like the Hammer flicks. This movie has all the gothic trappings one would expect from its Western counterparts, but folds in a dose of the kind of wacky storytelling the characterizes other Japanese horror movies. The Vampire Doll seems pretty conventional (not in a bad way), until out of nowhere we get a bunch of exposition that tells the strangest, out of left field backstory, which,we learn, led up to the events of the movie.

Stylistically, the biggest mistake here is the overuse of day for night shooting, which also happens to be a failing of a lot of the Hammer movies. Nonetheless, between the fog and the excellent soundtrack with very creepy wailings and wind, this one is well worth seeing for fans of Gothic supernatural horror. Lots of fun.

NO SPOILERS

If you like Hammer style Vampire films.Give it a shot.TOHO has three Dracula films.This one, Lake Of Dracula and Evil of Dracula.All three are excellent in their original language versions.Now, don't expect "Victorian Era" vampire horror here, like in the Hammer films.This is Japanese after all.All three films have great atmosphere and some very creepy scenes.I write this review for this particular one because it has no other reviews.And it deserves one. TOHO is better known for its giant monster flicks(Godzilla etc.) I would assume most would shy away from a TOHO "Vampire" flick.Don't!! Its well worth your time.Very much out of character for TOHO and a darn good effort on their part.Its a shame many horror fans don't know of this or the other two titles.Its just one guys opinion that these films belong in any "Vampire" film lover's collection.

Arriving at a desolate mansion, a young man searching for his dead girlfriend finds that she has been turned into a vampire before he disappears, forcing his sister and her friend to come looking for him who discover the horrible truth about them and how to get away from the house alive.

Frankly, this was a really enjoyable and interesting effort. One of the more appealing aspects of this one is the fact that it manages to really feel like a fantastic mixture of the different country's styles throughout here. The fact that it goes for a more traditional Western flavor in it's setup, from the large layout of the mansion and the the way it's decorated, the overall traditional feel of the house while the two are staying there looking for her missing brother and the straightforward setup here all make this one a rather familiar tone than what would be expected from a vampire film from this era. There's quite an eerie feel from the large wooden layout and the multiple floors of the house, the long winding basement path and secret passages that are all part of the experience when it comes to these types of Gothic efforts, enabling for some rather eerie scenes where the couple is investigating the source of chilling wails coming from deep inside the house or witnessing ghostly figures emerging out of the shadows before being scared away by the light shining in their face. These here are in place to hold the film up for it's more action-packed moments, such as a great brawl in the woods where after digging up the corpse they end up fighting off the henchmen as well as the big confrontation in the house where they finally come face-to-face with the vampires inside the house and leads into the rather shocking manner of disposal here that gives this a rather fun finale. Given that this uses some rather chilling and creepy looks to the main leads gives this a rather nice edge here while giving this another big plus alongside the nicely effective bloodletting when it occurs, these here give this one enough to like to be able to hold itself up over it's few minor flaws. One of the main issues here is the pacing issues on display, as this one is rather dull in spots during its middle section. Since the middle of the film is about the investigation into what happened, it's mostly about the two of them going around the house being scared of everything or in the village nearby looking for answers to the mystery it does slow down a touch here which does counteract some of the vampire action. As well, there's also the rather strange manner in which this one deals with the vampirism as the focus on more western mythology doesn't translate as well into Eastern folklore so it not only has rather strange means of being inducted into the concept of a vampire but how it's actually dealt with is slightly strange and doesn't make much sense. Nonetheless, there's still a lot to enjoy here.

Rated Unrated/R: Violence.

After a strong success on European market from Hammer horror pictures, Toho decides to make their own Vampires movies, conceived as trilogy this very first enterprise "Yûrei yashiki no kyôfu: Chi wo sû ningyô" wasn't properly a Hammer production alike, it was adapted on Japanese folklore, the Vampire doesn't bite their victims, actually they living from black birds's blood, a girl from a cursed family, falling in love for a man, however she dies afterwards for an unknown reason, she becomes a vampire, his boyfriend looking for her and disappears without a trace, the his sister worried for his sudden disappearance asking helping for his boyfriend, at this point they find the place where an old and cold woman as a mother of the dead girl, they suspicious that woman didn't say the whole truth and starting making a investigation, too much valuable tale, surprisingly good!!

Resume:

First watch: 2019 / How many: 1 / Source: DVD / Rating: 7.

Despite its vampire titling, I would place this film more in the ghost-story genre (featuring that famous figure of Japanese horror cinema: the creepy, and ever-silent, female, child-like waif).

My short summary is that, in the end, the film does not quite capitalize on the wonderfully eerie mood it builds, but that it is well worth a watch and has some great (and occasionally scary) cinematic moments. (My main complaint is that the film ends up using what I will call the "Scooby Doo" reveal at several points, in that it employs both peripheral and central characters to tell us, in narrative format, the backstory: the who, what, where, when and why. It's a strange choice for a movie that relies so heavily on images and subtle expressions for the first 75% of the running time.)

While some have compared the film to the Hammer offerings, the moral universe here is not quite as "modern" in its themes, as its chief concerns are with familial loss, personal revenge and the ripples of social violence. (Even Hammer's historically oriented offerings-- say, the Witchfinder General or the Karnstein Trilogy-- tend to be preoccupied with much more contemporary themes.)

In terms of aesthetics, my own comparison would be to something like "Carnival of Souls" and, as a result of the really fine cinematography of Kazutami Hara, to something a Hitchcock understudy might have made. (My understanding is that the producers did want something like a Hammer-style vampire movie, but that the director was definitely looking for something in the Hitchcock vein. That might explain the somewhat disjointed style at points.)

Anyway, worth a watch, particularly as there are some really memorably unsettling episodes involving Yuko dispersed throughout the firlm. (The likes of Wei-Hao Cheng and Takashi Shimizu must have studied this film for inspiration.)

A side note: It's never developed enough to warrant extended consideration, but I could not help but notice the role that "the foreign" plays in this film (it's even more pronounced in "Lake of Dracula," the second installment in the trilogy). There are many instances where we learn that various male characters in movie have traveled beyond their homes / overseas as diplomats, to the US on business, in service for the war, etc., and that this contact or travel has unsettled the world in which they live. In at least two instances, this impact of foreign culture / foreign contact becomes very important to the narrative. It's easy to miss, but does some plot-work nonetheless.