Alias Smith and Jones

I saw every episode of this show until the tragic suicide of Pete Duel. Pete Duel and Ben Murphy had the chemistry that makes a very good "buddy" show. They were Hannibal Heyes (Pete Duel) and Kid Curry (Ben Murphy), outlaws trying to go straight under the aliases Smith and Jones. Heyes had the brains and Curry had the fast draw, but they used brains more than guns. Many of the shows were elaborate scams the boys set up to get friends of theirs out of trouble - while trying to keep out of trouble themselves. It was funny and charming and it was one of the most enjoyable shows I ever saw on television. After the death of Pete Duel, they replaced him with Roger Davis playing Hannibal Heyes. I watched a few, but it was never the same.

In the UK this gentle, unassuming western series stormed straight into viewers' hearts; garnered enormous audiences, and generated many fond memories... how many among us still recall the 'five pat-hand' poker trick? Lots and lots, I'd wager.

What made it so successful, in retrospect, was the thoroughness of the script preparation and the subsequent chemistry between the two leads. Roy Huggins' (aka John Thomas James) thoughtful and professional approach was everywhere. Many of the most memorable moments within the series were based upon fact and/or documented historical incidents e.g. soap selling dodges, poker escapades, safe-cracking attempts, and - although I was unaware of this as a child - it explains why so much of the series' background 'hung true'. Toss in the amiable, laconic tit-tat verbal interplay between Hannibal Heyes (Pete Duel) and Kid Curry (Ben Murphy)... and you ended up with small-screen magic.

Heyes followed the silver-tongued, 'I can talk us out of this calamity' approach, with endless undinted confidence and zest, but varying success; Curry, meanwhile, was content to watch him 'wing-it', then stepped in when catastrophe threatened - as it often did.

It was the 'little things' that made this series soar, the consistency of character, the fallibility, the kicks of fate that tweaked Heyes and Curry into two magnetically likable 'pretty good bad men'. The delicate interplays between two men who would 'do to ride the river'.

It was often the smallest stories that were the most successful, the ones where technically 'not a lot was happening'. For example, in one episode they got snowed-in, for the whole winter, in a remote mountain cabin... all very static? nope, just the opposite... what you got, was a heck of a lot of Heyes and Curry getting on with the business of making the best of a bad deal. Fantastic.

This is the 'less is more' approach; so often lauded - but oh so rarely allowed onto the screen. The actors gelled with their characters; the characters enthralled; the writing created an environment within which the ensemble could thrive.

So okay... some episodes were better than others, a couple were great, and a couple were not-so great; but through it all Smith & Jones bantered and bickered, won, lost, and kept on trying. It was joyous entertainment. Joyous.

What's that, you said? Naw... can't be... d'you mean, you really don't know the 'five pat-hand' poker trick?!

Watch and Enjoy!

The cable channel, WESTERN, is re-broadcasting all the episodes of this series. My husband, a Jones, and myself, formerly a Smith(!), have been enjoying watching these shows again. We saw them when they originally aired when we were kids. We think they have aged well and are still fun. We like seeing Smith & Jones getting into trouble and always finding a way out. And spotting guest actors who have gone on to become famous is a fun game to play. We had guessed that Roger Davis was the narrator for the first two seasons but weren't sure until we saw the credit listed on this site. We also like the fact it's a show we can watch with our 9 year old who has become a fan too!

In the world of "Smith and Jones" nothing and no one can be trusted. Heyes and the Kid are wanted outlaws, but compared to the respectable citizens - lawyer, sheriff, banker, nun - who swindle, lie, betray and try to kill them, they are new-born innocents. No matter how brilliant Heyes' latest scheme, it's bound to end in disaster, and even if they DO make a little money, someone will steal it. Not that WE are any better at knowing what will happen next:

"Everything's under CONTROL!" cries the harassed deputy, and the Bank explodes.

Heyes and the Kid are not great romantic rebels like Butch Cassidy and Sundance; they are just, like the rest of us, trying to earn an honest living in a treacherous world. But they ARE inspiring nonetheless in the depth of their friendship - at a crisis, they never have to confer -and in their empathy with other outcasts:

"We like to think there's a little bad in everyone," says Heyes, enjoying the joke.

While earlier Western series may have tended to sermonize, "Smith and Jones" never takes itself too seriously, but charms us with its modesty into acceptance of the values it recommends.

I'm watching reruns on the Western E&W digital channels. The story lines were very good and interesting, as well as the great color and scenery. It seemed that the popularity began to fade when Pete Duel died (I heard it was suicide around the Christmas Holidays). Roger Davis was not as well accepted as the replacement of Hayes, but I think it was only because he had appeared in the series a few times before as a baddie. I just saw one this evening "The smiling man with a gun". Since they are not shown in any sequence each evening, you never know which will be Hannibal Hayes. Since the show first aired, I have retired and visited different areas of the west each summer for the past six years. I've tried to figure where that beautiful scenery was. My guess would have to be Moab UT and the Arches NP. That is how the rock formations looked out there, and also Sedona, AZ. No tall cactus so it was not in southern Arizona. Thanks.