Upstairs, Downstairs

My wife and I are just starting the fifth and last season. Last fall we started going through all the episodes on DVD in order. We do around 3 per week.

I never saw the series in the 1970s, though I heard of it. Some time in the mid 80s the local PBS station in New York showed most of them in order, a couple per week. I was absolutely enthralled. It's been about 20 years so we decided to have another look.

They absolutely stand up well. Better than well. I will emphatically repeat the judgment I made twenty years ago: this series is the finest thing that has ever been on television.

Yes, I know, you can't compare "apples and oranges" like that. I suppose the single ONE best thing that's ever been on television (in the sense of a one day or briefer event) in my experience was the moon landing in July 1969.

Still, in spite of that, all in all, if I had to pick, Upstairs-Downstairs is the best PROGRAM that has ever been on television. Far and away. If you are new to it, I envy you. I am already mourning the last episode, which I will see again in a few weeks at most. My only consolation is that in twenty years, I can watch it all again.

I love a good period drama, and Upstairs, Downstairs is that and more. Everything about it is wonderful, and it is also very classy and a delight to watch. The series looks sumptuous; the photography is marvellous while the locations, scenery and costumes are a delight to the eyes. The music is beautifully composed, the pace is warm and lively without being too rushed or draggy and the direction is always controlled. There is also the fabulous writing, the engrossing stories and the rich characters and their development. And the acting is great across the board, I personally do not think there is a weak link in the cast. All in all, this is a wonderful series and worth looking out for. 10/10 Bethany Cox

I would just like to say that Upstairs Downstairs has got to be one of my most favorite British Soaps of all time. It's such a shame that it had to end. The era is fascinating to me, and I really enjoyed the way the servants interacted with each other and the occupants of the household.

The story lines were believable, as were the characters. And when the Titanic was mentioned as the cause of death to the first Mrs. Bellamy, it brought a sense of reality to the show.

The whole premise of the show was brilliant, because I'm sure that was the ways it really was in those days. What with the class distinctions and all.

Over all I truly enjoyed the entire production.

It wasn't a huge budget that made this series great, immensely popular, much honored, and the biggest hit in PBS history. It was the fabulous writing and the rich characterizations presented to us every week. All these people we cared about, even negatively in the case of James. And that's why even now there is a U/D web site. Interwoven were the historical events of Edwardian England stretching through World War One into the Twenties. The series reached it's peak halfway through the war with "Women Shall Not Weep" - a magnificent episode available on video. By the Twenties the upper class was cracking more than the lower - a theme of the series. U/D was such a hit America tried its own hand at the wealthy/servants scenario with "Beacon Hill" - highly touted but dismally written flop. Special credits to Jean Marsh as Rose (who never found happiness, but wouldn't have been happy anyplace but the world she was brought up in!); Marsh also was a creator of the series. It was an absolute joy.

P.S. In case the credits don't reflect this, Daisy's last name was 'Peel".

Today's dramas are a bit too flashy and cinematic for my taste, but what really gets my goat is the way they try to impose 21st century morals and mannerisms onto past generations. Happily none of that nonsense applied to the very classy Upstairs Downstairs which follows the fortunes of the Bellamy family and their servants from about 1903-1930. U,D cleverly juxtaposed the two 'families'; Richard Bellamy and Hudson were both traditionalists, Lady Marjorie and Mrs Bridges powerful matriarchs, and Elizabeth and Sarah were their rebellious offspring. Other strong characters included the caddish James Bellamy, the sensible Rose and poor, downtrodden Ruby. Cast members and events frequently came and went, but the real strength of Upstairs Downstairs was its historical accuracy and consistently excellent writing, and the show barely suffered at all when Lady Marjorie left at the start of series 3; in fact series 5 is probably my favourite, with the penultimate episode being arguably the best of the entire run. In 2010 the BBC revived Upstairs Downstairs but made all the mistakes i alluded to earlier, and it isn't a patch on the original - but then again very few tv shows are.