10 Rillington Place

This is a convincing account of the infamous serial killings of Christie, and the dreadful miscarriage of justice which led to the hanging of Timothy Evans, who would now be described as having a learning disability, for the murder of his wife. Richard Attenborough portrays the apparently respectable, colourless killer with insidious menace, through to his eventual disintegration and discovery. The house of horrors has now been demolished- who would want to live there? At this time serial killers were unusual in the UK, and there was little expectation of finding multiple corpses in a dreary lower middle class dwelling - Jack the Ripper had been regarded as the epitome of the worst humanity could be. The execution of Evans was and is an overwhelming condemnation of the existence of the death penalty in any society or state which has moral values or any claim to respect for justice or civilised mores.

Slow, deliberate, creepy, grimy, grim, repressed.

The recreation of one of Britains most famous serial killers crimes and the impact on one family in particular is nothing if not sober in tone.

Director Richard Fleischer had recent "true crime" form with his version of The Boston Strangler 1968, Fleischer shoots with hand-held cameras under realistically dim lighting, creating an intimate close up portrait of the house and its occupants.

As such the performances have to match, and do. Richard Attenboroughs in particular. His portrayal of Christie will come as a shock to those who only know him from the Jurassic Park series or Miracle on 34th Street. John Hurt and Judy Geeson as the young, ill-educated Evans couple do well though Hurts accent is a little wayward early on.

I saw this in a theatre here in the United States in 1971, when I was eleven years old. I'd seen Richard Attenborough as the circus master in DOCTOR DOLITTLE and I wonder if I'd sold my mother on taking me to this one because I knew the name Richard Attenborough. In any case, this movie burned itself into my brain immediately and, for the next three decades I told many of my fellow American film-buffs that there was this British movie no American had ever heard about that was more blood-curdling than PSYCHO. I suspect the obviously limited release of this movie in the United States had something to do with the fact that one of its chief selling-points was that it was based on a murder not well-known to Americans. The Christie murders were famous in Britain, and, in fact, historic because of their effect on the elimination of the UK's death penalty. But the distributors in America had to market this on its qualities as a thriller. Attenborough had yet to make his name a household word here, GHANDI being about ten years in the future and the probable difficulty with accents couldn't have made people who did see it very eager to recommend it. On top of this, the movie is not a thriller but a truly disturbing exploration of evil. It makes the roughly contemporary FRENZY look like a sitcom. Movies became more realistic in the late sixties and early seventies than they have been before or since. 10 RILLINGTON PLACE may be the most realistic movie about a serial killer ever made. It may not be the scariest, but it's the most memorable. I haven't forgotten it, and I haven't seen it in more than a generation. It is a mournful movie for serious viewing.

10 Rillington Place is more than a classic film. It is frequently referred to whenever the call for the death penalty is made in Britain. The notorious miscarriage of justice i.e the hanging of Timothy Evans, an immature half-wit, for the murder of his wife and child when it is almost universally accepted that they perished at the hands of John "Reg" Christie, is one which will always haunt the British legal system. When Christie was found guilty and hanged as a serial killer of women, the body of Evans was exhumed and reburied in consecrated ground but this did nothing to hide the embarrassment of those who supported the death penalty.

The film itself is a dark and brooding masterpiece which depicts life in post-war London perfectly. The grim, dirty, rain-washed Rillington Place in Notting Hill was a seedy side-street which housed the poor but largely respectable families which had survived the blitz. John Christie had moved down from the North to find work in the capital but ill-health and a penchant for petty crime prevented him from being successful.

Richard Attenborough plays the downtrodden but curiously arrogant Christie to perfection. His voice almost a whisper as he lauds it over London's underclasses. In fact Christie was not a landlord, as many believe, he was merely a tenant who fancied himself to be a landlord and acted accordingly. He also dreamed of being a doctor, with devastating consequences. His treatment of the poor, subnormal Evans (John Hurt) and his beautiful but foolish young wife, Beryl, (Judy Geeson) was centred around their desire for an abortion - illegal in the UK until the late 1960s.

John Hurt is very good as the hapless Evans although his Welsh accent needed refining. His look of wide eyed horror and disbelief is a sight to behold. Geeson pouts and whinges and looks gorgeous: the kind of wife any man would desire and yet the kind destined to irritate intensely.

The key to appreciating 10 Rillington Place is to have some idea of its setting in British history. To wander in clueless will result in disappointment. There is no gore or x-rated content of any kind and its slow pace will infuriate many. Yet, as a snapshot of an England now gone and a reminder of the folly of capital punishment it is a timeless classic worthy of many viewings.

Three years after "the Boston strangler" ,Richard Fleischer brilliantly succeeds in transferring to the screen a horrible true story.The two movies do not look like each other though."Boston strangler" was spectacular,making the best use of the split screen I've ever seen."10 RP" is an austere bleak work ,all the more disturbing than its style is bald.Richard Attenborough(an extraordinary performance,on a par with Peter Lorre's"M") portrays one of those serial killers in the first half of last century.Two good examples :Landru ,whose character Charlie Chaplin used in "Monsieur Verdoux " and Claude Chabrol in his eponymous movie,or "Doctor Petiot" who was doing on a small scale (killing Jews to despoil them) what the Nazis were doing on a large one. Christie ,Landru and Petiot are close relatives.They seem harmless,mediocre little men .Not the serial killer we meet in today's thrillers.And Christie is given the adequate treatment by his director:the poor house,the crummy flats ,the pubs ,the no-future of an uneducated generation (Fleischer lays stress on the fact that Tim cannot read and write ).This illiteracy is partly responsible for Tim's unfair revolting fate.

Fleischer's style is plain;the trial scenes,when any director would have his actors overact is a lesson a lot of the current artists should pay attention to.The hanging could not be spookier.One cannot help but think that the last lines about Tim on the screen are a bit ironical.

Matching Attenborough's awesome portrayal,is John Hurt's remarkable Tim:definitely not Gregory Peck as his wife thinks,macho but pitiful,a not very handsome whining lad who cannot hold a candle to his maleficent owner.

You should see "the Boston strangler" and "10 Rillington place" one after the other