The Brotherhood of Satan

When I first saw this movie, I hated it as it made little sense. Watching it a second time was good because I discovered that it did have some intelligence to it. However, it's probably too intelligent for the audience it intended to attract. The plot conecrens the inhabitants of a small town who are into witchcraft, attempting to kidnap children for evil purposes and the efforts of a family passing through the town to unravel the mystery. Though not particularly scary, it does have some moments which really stand out and are not easily forgotten. It's also nice to see Strother Martin (an underrated actor) getting to play a lead role.

A deceptively bland-looking piece of hokum obviously derived 'Rosemary's Baby' combined with the sinister blonde moppets from 'The Midwich Cuckoos' and the pagans in 'The Wicker Man' transposed to the Bible Belt is a prime example example of the bizarre seventies & eighties genre of quickies about satanic rednecks (the most famous examples of which probably are probably "Two Thousand Maniacs' and 'Deliverance') .

Strother Martin intitially looks deceptively normal in his first leading role aided by fellow member of 'The Wild Bunch' L. Q. Jones; likewise the bland little town also looks far too nondescript to harbour such a bizarre secret. Also of interest is a rare film appearance by the gorgeous Ahna Capri.

This starts very well and I hoped that it would get better because the dialogue seems a bit odd and some of the acting just the same. Unfortunately it gets bogged down although there are very strange and interesting things at the same time but there is something that seems rather silly. I imagine the ending would be really good but not so and it is a shame because every now and again it would become startling before it falls away.

One of my sci-fi/horror/fantasy reviews written 50 years ago: Directed by Bernard McEveety; Produced by L. Q. Jones and Alvy Moore, distributed by Columbia Pictures. Screenplay by William Welch, based on a story by Sean McGregor; Photography by John Arthur Morrill; Edited by Marvin Walowitz; Music by Jaime Mendoza-Nava. Starring Strother Martin, L. Q. Jones, Charles Bateman, Alvy Moore, Charles Robinson, Ahna Capri and Geri Reischl.

Modern supernatural horror film stressing amateurish acting and realistic settings to contrast with ageless devil-worship. Story is suspenseful, with a slow, deliberate pace and the novel idea of starting in the middle -without flashbacks. The initial expository material is simply omitted! Three unwary travelers stop in a California town are beset by the villagers. The town is sealed off supernaturally and nightly massacres have been occurring for three days! Fine contrast of daytime versus night milieu, plus scary effects makes for a good, well-climaxed thriller.

Diabolic forces wreak havoc in a small New Mexico town. A young widower and his pretty new bride and eight year old daughter travel through and unwittingly get drawn into this convoluted world of fear. They cannot escape it's lair and all the towns people are equally weird and possessed by some dark spirit. This is definitely budget horror from the early 1970's. Characters are from a rural background and are played with backward and vapid mentalities. Weird things happen in these small towns and Hollywood understood that long before it became common knowledge. I grew up near the Mojave Desert where there have been numerous accounts of Satanic worshippers practicing their rituals in the Lucerne valley. Oh yes, these things are not always fiction, they exist.

This is a good, creepy little gem that will scare you into submission.

Watch and enjoy.