Carnal Knowledge

The plot begins with Jonathan (Jack Nicholson) and Sandy (Art Garfunkel) roommates in the university. Each one of them has a different behavior and experience with women: Jonathan is cynical, malicious, and selfish. He does not respect anybody (even his best friend is not respected) and just want to have sex. Women are objects for him. Sandy is almost the opposite of Jonathan and has a different approach with women: he is shy and respectful, he does not have much experience with women. These characteristics are presented in the film having Susan (the gorgeous Candice Bergen, the most beautiful actress of the 70's) as pivot. Then the story advances a few years and shows both of them successful in their professions and boring with their mates. The character of Susan (who married Sandy) is just occasionally mentioned and does not appear on the screen any more. Now, we see basically the relationship of Jonathan with Bobbie (the sexy Ann-Margret). Then, there is another jump in time and other relationship of Jonathan and Sandy are presented in this movie, since its essence is about relationship of men and woman having the focus mainly in Jonathan.

In 1971, I was too young to watch this movie and certainly I would not understand most of the story. Only a couple of days ago I had the chance of seeing it. It is amazing how this movie for adults has not aged. Further, it does not look like an American movie. The camera, the screenplay, it does look like European movie (maybe a little of 'Jules and Jim'). All the actors and actresses have outstanding performance, but certainly Jack Nicholson and Ann-Margret are superb. My vote is seven.

Title (Brazil): "Ânsia de Amar" ("Eagerness for Love")

Note: On 18 January 2014, I saw this movie again.

Its a wry, often funny, often sombre drama about the sex lives of two college roommates, Jack Nicholson and Art Garfunkel (who's actually fine in this - much better than in Catch-22) - at college, and in middle age.

There are really very few movies where the dialogue seems so true and searching, yet funny, that you hang on every word. I can only think of a few - and this is one of them.

It is episodic, and may be broken into two halves - intentionally, importantly. The heart of the story is in the comparison of the first half and the second: how the two men have or have not changed. If you consider this is the purpose of the film, the two halves are not perfect - but nevertheless a fascinating film.

Bitterness, nostalgia and melancholy run through this character comedy from the 70's. Its a frank, confronting (depending on the viewer) laying bare of sex. Though there is very little actual sex in the film, this one is definitely only for adults. A penetrating character study, and a richly worded film filled with wit, irony and character penetration by cartoonist Jules Feiffer.

9/10. Not perfect, but absolutely must-see.

Carnal Knowledge (1971)

**** (out of 4)

Excellent drama from Mike Nichols takes a look at the three decade friendship between two men (Jack Nicholson, Art Garfunkle) and their sex lives. The 1970s brought sex, language and nudity to the big screen and this here was one of the most controversial films of its time but it's also one of the greatest films that has ever dealt with sex and relationships. The movie is brutally raw in its anger, passion and conversations but this is what really makes it stand apart. The dialogue is perfect, the story structure is flawless and we're given some of the best performances that you're ever going to see. I really love the way Nichols structured the picture and especially in the beginning as we see the Garfunkle character fall for a girl (Candice Bergen) but never realizing that Nicholson has gone behind his back and started a relationship with her. The way this love triangle is shown is just flawless in its execution. The middle portion of the film deals with Nicholson's relationship with Bobbie (Ann-Margret) and this too is flawless but incredibly depressing. There's a masterful sequence with the two of them crying and fighting, which is as powerful as anything you're going to see from this era. The entire cast does a fabulous job fitting into their roles. There's no question about Nicholson's brilliance during this era and that includes this film where he plays such a jerk that you can't stand him. The real surprise here is Garfunkel and Ann-Margret, both of them giving the performances of their careers. Nichols' direction is among the best of his career and especially the way he milks the story so well to get every sort of emotion out of it. CARNAL KNOWLEDGE isn't a pretty film to watch due to how ugly the Nicholson character is but it's still one of the best acted films out there and the rawness is something missing from most movies today.

Telling the sordid, often depressing story of two men and their sexual hangups over several decades, director Mike Nichols and writer Jules Fieffer concoct a thinking man's dirty movie. At times it's not easy to watch, but it's mostly entertaining and beautifully made. Jack Nicholson and Art Garfunkel are the men ---Nicholson is the callous, emotionally detached one, Garfunkel is the romantic. He marries college sweetheart Candice Bergen, while Nicholson shacks up with sexy Ann-Margret. The scenes with Nicholson and Ann-Margret are cringe-inducing. Nicholson, Garfunkel and Bergen are terrific and Nichol's clever casting of Ann-Margret, putting her sex kitten image through the blender, pays off in spades...she's the best thing in the movie. The supporting cast includes Carol Kane and Rita Moreno.

"Carnal Knowledge" (1971) directed by Mike Nichols with Jack Nicholson, Art Garfunkel, Candice Bergen, Ann-Margret in an Oscar nominated performance as a sex kitten who wants to marry Nicholson's Jonathan, and Carol Kane and Rita Moreno in the small roles is one of the movies that made 70s so memorable. It is also the movie that keeps reminding me why I love Jack Nicholson of his early years and how grand he was without his "Jackness" which he has developed during all these years. Sandy (Garfunkel) and Jonathan are two college friends and like every straight young (and not too young) man in the world they are obsessed by girls and move from one relationship to another in the course of almost thirty years. Nichols and Jules Feiffer who wrote the play and later adapted it for the screen let us look inside the minds and souls of two educated upper-middle class white males and to learn their very intimate thoughts and secrets concerning their plentiful dysfunctional and joyless affairs and it is not a pretty picture - "Boys begin life not liking girls, later they don't change, they just get horny." The film is honest, uncomfortable, "very slick, very clever".