Beast of the Yellow Night

First off, the summary is inaccurate. Satan doesn't save the man's life, the man becomes a spirit of evil that inhabits people and awake the latent evil in those around him.

Second, having seen this movie and all of the episodes of SCTV with Mary Charlotte Wilcox, it is obvious these are two different actresses. Shape of the face, eyes, their voices, everything is different. Also, no one else but Mary Charlotte Wilcox could be Idela Voudrey and that includes this Mary Wilcox.

I like this movie for some reason. It tends to get a little slow but it actually has a nice sort of message at the end when Langdon finally meets his fate, something he longed to experience for decades as a spirit of evil.

John Ashley stars and he seems like he is doing a kind of Elvis impersonation at least with the hair when he isn't the beast. Satan transforms him into a murderous creature put of punishment because of his desire to be an individual again. A temptation that strikes him when the devil allows him to inhabit this man with his own face. The change causes him to lose focus on ruining the people around him to trying to spare them that pain. It could have been more than just a monster movie but it tries....

Well, you do not have to worry about a yellow night in this film. I was thinking that perhaps there would be a full moon or something giving the night a yellowish tint which unleashes the beast, but no, the only yellow is the smoke that sometimes accompanies Satan when he shows up. This is just one of those films that tries really hard to do something good, but ends up making a film that is a bit confusing as you begin to figure out it is supposed to be kind of like an evil Quantum Leap thing, but you never really know what Langdon the main character of the story is supposed to be doing when he assumes others identities.

The film starts out in a bit of confusing fashion as a man is apparently on the run and a woman is gunned down on the way of bringing him food. He is starving and makes the mistake of eating nearby grapes, which are not actually grapes as they are poisonous. Satan comes along and taunts the man and the man agrees to do Satan's bidding and Satan rewards the man with rotten meat. The man is apparently put into other people's bodies to do stuff and he randomly becomes a monster, but who knows why. The man he is through most of the film has a wife that totally loves him, apparently more than her actual husband and a blind man offers him aid, but can he get out of Satan's clutches!?!

Not all that great, thinking this film was made in the Philippines. The cast is mainly Asian; however, the man guy, his wife and brother are all English actors. The gore in the film is light and revolves around him turning into the monster which is sort of like a werewolf, but not really and there is never a real reason he turns into this beast. Though he is a beast in daytime too, so one of those titles that just does not fit with what is going on.

So, not totally horrible, but too much of the film is a bit lacking in the plot department. Why does the guy even turn into a monster? Has he turned into a monster in any of his other stops in his service to Satan and what exactly is he supposed to be doing in these other bodies? You get some kills and some cool scenes, but not enough to become a good film, just one worth watching to try and figure out what is going on.

BEAST OF THE YELLOW NIGHT is yet another classic from Director Eddie Romero. War criminal, Joseph Langdon (John Ashley) makes a deal with Satan (Vic Diaz), inheriting another life. He becomes businessman, Philip Rogers. With his beautiful wife, Julia (Mary Wilcox), he seems to have hit the jackpot!

Of course, as the old saying goes, "When you dance with the devil, the devil calls the tune", and Philip's existence soon becomes a nightmare of grisly murder and madness. He's transformed into a monster, resembling a scorched pot roast with fangs!

Meanwhile, goody-two-shoes Julia tries to save their marriage. Can her love overcome Philip's bloodlust and break his bargain with Beelzebub?

Compared with other horror films, BOTYN is a royal mess. However, compared with other Romero epics, it's a minor masterpiece! Are the actors like human furniture? Yes. Is the dialogue inane, and delivered in emotionless fashion? Yes. Still, the plot holds together in a strange, dull way. Watch and believe...

This movie begins in Southeast Asia immediately after World War 2 with soldiers searching in the jungle for someone (or something) who has killed a couple of innocent villagers. As it turns out, an American deserter named "Joseph Langdon" (John Ashley) is also in the vicinity and due to his desperate situation makes a deal with the devil (played by Vic Diaz) to escape from the situation he has found himself in. It's at this point that the movie fast-forwards to the present with the body of Langdon being buried but his soul transported into a man named "Philip Rogers" (also played by John Ashley) who has just been declared dead by a surgeon in a hospital. Needless to say, his wife "Julia" (Mary Wilcox ) is overjoyed when Philip comes back to life. However, the new version of Philip isn't the same and immediately makes decisions that hurt all those around him by sowing evil among them--and that especially applies to Julia and his brother "Earl" (Ken Metcalfe). But then one night something very unexpected happens and Philip is transformed into a kind of werewolf--which creates even more problems for everyone involved. Now rather than reveal any more I will just say that this was a standard low-budget film characteristic of movies produced in the Philippines during this particular time. Yet, even though the acting was adequate it was the makeup and special effects which really doomed this film-especially on the part of the supposed werewolf. It was really bad. That said, I have rated the film accordingly. Below average.

Vic Diaz as the almost comedic Satan lends this Filippino horror film an eccentric flavour that saves it from total oblivion. Ashley isn't bad either as a damned murderer, inhabiting the body of an American businessman, forced by Satan to endure of life of evil, but when guilt gets the better of him, Satan resorts to dirty tricks in order to compel him to serve. The transformation he undergoes to that of a hairy beast with super-human strength causes the local police to suspect they have something out of the ordinary with which to contend.

Ashley plays the tortured soul well enough for the film's limited scope, and he's ably assisted by the statuesque beauty Mary Wilcox as his neglected, but loyal wife. Wilcox has a few risqué scenes in modest attire (although sometimes also clad in a zebra outfit), but it's debatable as to whether that's indeed her in the bizarrely photographed love-making scene. Fans will also recognise the prolific Eddie Garcia as a detective (he also directed), and American Ken Metcalfe ("Up From the Depths") in a minor supporting role playing Ashley's concerned brother.

There's not much horror, and what there is can often be too dark to discern, but the film does improve after a slow start at least achieving mediocre status, including the witty banter of Diaz's omnipotence, and equally, moronic dialogue from the sultry Wilcox. There's a couple of twists (e.g. the banished blind man with whom Ashley forms an alliance) that generate some interest and the climax in the tall grass lends some sympathy to Ashley's condemned character, but don't expect too much for your time.