Black Killer

A dark, gritty and to the bone nihilistic western, that is really fun to watch. By all means one of the cheaper spaghetti's. But it's blessed with many cool scenes of violence, strange dialog and good old sleazzzzz. There's more than one moment of unnecessary nudity here. Don't take it to seriously though cause it's just a fun ride, and nothing more. The white horse Burt Collins rides is said to be the same horse that gets loaded in Cat Ballou. The actor Fred Robsahm is actually from Norway and he's currently residing in a small town called Lillesand. He does a lot of the stunt work in this movie (not just he's own). Kinski is cool as the weird lawyer that has a strange habit of transforming he's law books into deadly weapons. Great soundtrack and some nice cinematography gives the film good atmosphere and it's well worth the watch. Available on DVD from xploitedcinema

This film features good performances by the Italian actresses Marina Malfatti and Tiziani Dini. Bizarrely, although Malfatti is correctly credited in several of the earlier reviews on IMDb, and is also correctly credited on Wkikpedia, the cast list for this title on IMDb has been changed (vandalised) within the last year or so to credit Malfatti's part to a little-known actress named Marina Rabissi. I attempted to correct this some months ago, but the change has not been made. Malfatti looks convincing as a Native American, but the weakest feature of this film is the 'brownface' make-up of some of the Italian actors playing the O'Hara brothers who are the villains of this movie.

I'm getting bored with this plot now. A bunch of Mexican bandidos are terrorizing a Western frontier town with the aid of a local banker. A mysterious wonky-faced stranger (Klaus Kinski) turns up. He's got loads of books with guns in them and seems to be some sort of lawyer. Another more normal faced stranger turns up and after killing some bandidos, finds himself the new sheriff. This in turn causes the bandidos to go and murder his brother and gang-rape his sister in law. You know the drill.

This one tries to bring the old tired plot in line with the increasing excesses of the seventies by including nudity (hilariously random when it happens and nothing to do with anything!) and more violence and bloodshed. The rather bloody killing of the first sheriff aside, most of the first half of the film kind of wanders round in circles while they try and establish a reason for the gunslinger to get revenge on the bandits.

That said, they do also have the sister-in-law go on the rampage too – which also makes this some kind of half-arsed rape revenge flick too, but this plot has been driven into the ground and in being more extreme Black Killer ignores the tongue-in-cheek elements that make Guiliano Carnimeo's films of the same year more enjoyable.

I'm guessing though that Klaus Kinski fans would like it though. He's quite substantial here instead of the usual cameo, and is dubbed with a rather strange voice.

*Pulls up chair* You know, years ago, I said to the missus I said "I like Italian horror films, and the Mad Max rip offs, so I'm just gonna collect them" I said, saying in a speaking voice "I'll never collect Spaghetti Westerns…that way lies madness." I intoned in a sexy, breathy voice to the empty room I was addressing as the missus has already left by that point.

And I never did. In fact, I just made up the plots to all these reviews.

Many spaghetti westerns had absurd gimmicks that made them memorable while at the same time subverting the iconography of their traditional American counterparts. Perhaps most famously there was Django and his coffin, in Black Killer we have Klaus Kinski's lawyer with his guns disguised as books! Like a lot of the spaghetti western gimmicks it's simultaneously completely silly and very cool. On the whole though, its business as usual spaghetti western style in this movie. We have a lawless town called, perhaps unsurprisingly, Tombstone which is terrorised by a gang of Mexican bandits called somewhat improbably the O'Hara gang. A mysterious drifter called Burt who is adept with a fire-arm comes into town and is made new sheriff by the fearful locals. The bandits subsequently kill his brother and rape his sister-in-law, an Indian called Sarah. Burt and Sarah band together, with the help of Kinski's lawyer to get revenge.

To be honest, the story-telling is a little confused and messy in this one. And it can appear a lot more convoluted than it really should do. But it ultimately is a pretty straightforward violent western. The sexual violence is fairly unpleasant, while one of the unfortunate early sheriffs is shot several times and then killed with a knife. It was good to see the character of Sarah get in on the retribution though – a female Indian with deadly skills with a bow and arrow made for a pleasant contrast to the typical taciturn gunfighter anti-hero she teams up with. Kinski is good as always as the lawyer who we can only assume the film is named after. He is in a rare good(ish) guy role in this one. He is dubbed with a silly English accent though it has to be said which is quite distracting. All-in-all though, this is a pretty entertaining spaghetti western.

This spaghetti western has a very good music score and a great performance by Klaus Kinski as a strange lawyer who kills with books that have guns inside of them. He's really a natural for the role. His look and mannerisms fit the character perfectly.

Not only does this western have Kinski, it also has a family of Mexican thugs named O'Hara! There's definitely nothing like a good old Italian western.

This is one of those movies that will have you scratching your head a lot if you try to make perfect sense of everything that happens. It's best not to think about it too hard. Just sit back and enjoy it for what it is. It's got style, action, violence, weirdness, and an interesting though somewhat vague storyline.

All in all, it's pretty good stuff for the spaghetti western fan.