Demons of the Mind

A mad baron (Robert Hardy), haunted by memories of driving his wife insane, is obsessed with the "heritage of disorder" that he thinks might afflict his two grown children (Gillian Hills and Shane Briant), whom he keeps locked up in his beautiful castle home, searching for a "cure." With the help of bald manservant Klaas (Kenneth J. Warren) and stern aunt Hilda (Yvonne Mitchell), he drains their blood to keep them weak, forbids them to see each other (there's incest involved) and ignores the expert opinions of a doctor (Patrick Magee). Meanwhile, there's a rapist/murderer on the loose terrorizing a quaint neighboring village.

This psychological horror story is a fine deviation from Hammer's cycle of monster movies, highlighted by excellent period costumes and sets (especially the castle) and Christopher Wicking's provocative, complex screenplay (which resembles V.C. Andrews' FLOWERS IN THE ATTIC, written later). Only the finale, with a mob of torch-carrying villagers hunting Hardy down a la FRANKENSTEIN, really detracts from this well above par Hammer production.

Well I went into this with high expectations, but unfortunately Demons of the Mind failed to deliver. I'm a big fan of Hammer Horror, and since I've seen most of the big ones; this one has been at the top of my 'must see' for quite some time. It has to be said that Demons of the Mind represents one of Hammer's most ambitious projects, but that can't be seen as a compliment to the film as it just doesn't work. Demons of the mind does benefit from some good production values, and actually reminded me a lot of Ken Russell's The Devil's because of the way that it fuses good acting and cinematography with a purely B-movie plot. The plot is overly complicated, and focuses on a pair of children who are kept locked up by their father, a man who fears that the children may have been 'infected' by their insane mother. The boy keeps escaping, and coincidentally a lot of dead girls are turning up in the woods. The father keeps them separate as the boy is attracted to the girl, and the plot thickens when a doctor who stands to make a fortune if he can 'cure' the children turns up...

Demons of the Mind was directed by Peter Sykes, who also directed one of the studio's worst efforts in the form of To the Devil a Daughter two years later. Clearly, he is not Hammer's most adept director. The film features a handful of British horror stars - most notably Patrick Magee and Shane Briant, both for different reasons. Magee is one of the most underrated and unique British horror actors, and he always manages to increase the credibility of anything he stars in - even if it is something like this. Briant, on the other hand, starred in a handful of Hammer Horror flicks during the early seventies and failed to make much of an impression after the first one. Briant was noticeable in Straight on till Morning for his ridiculous haircut, but since then failed to make an impression. The film really lacks what Hammer's big guns bring to the table - Cushing and Lee are sorely missed. The plot mumbles along for most of the duration, and by the end I wasn't too bothered what happened. I can give this film plaudits for the production values and for some notable sequences - but overall, Demons of the Mind isn't one of Hammer's finest hours.

The widower Baron Zord (Robert Hardy) keeps his teenage children Elizabeth (Gillian Hills) and Emil (Shane Briant) drugged and locked in separate rooms in his manor. Zord believes that they have inherited the insanity of his wife, who committed suicide, and uses his servants Hilda (Yvonne Mitchell) and Klaus (Kenneth J. Warren) to help him to keep the siblings under control and to bleed their "evil blood". Zord invites the infamous Dr. Falkenberg (Patrick Magee) to heal Elizabeth and Emil. Meanwhile there is a rapist serial-killer murdering young women and the young man Carl Richter (Paul Jones) is in love with Elizabeth and is trying to rescue her from her insane father.

"Demons of the Mind" is a movie by Hammer with a messy screenplay and ham performances. Despite the good production, the story is confused and hard to understand the subplots of the serial-killer and who is Carl. My vote is four.

Title (Brazil): Not available on DVD or Blu-Ray

I watched "Demons of the Mind" after not having seen it since it originally appeared. My memory of the film was very positive, and there are some interesting ideas in the script. However, there are an overabundance of plot elements that are presented in a haphazard and overly hysterical form by director Peter Sykes. One other reviewer here calls this a free-form narrative, but for me it was a confused jumble.

Robert Hardy plays (or overplays, as others here have noted) Count Zorn who is convinced that there is madness and other evil in his family's bloodline.

His wife had committed suicide, so he decided that he needed to lock up his children in case they started manifesting any insanity. Years later he has a controversial doctor (played by Patrick Magee in his usual mannered way) treating both grown kids (Shane Briant, Gillian Hills).

At the same time there are young women being brutally murdered in the woods and local superstitions are being whipped up, while a wandering evangelical (Michael Hordern) mutters religious dogma and joins with the locals.

A good director could have woven all these piece together nicely and provided a solid, disturbing thriller. But Sykes is more interested in whipping up a lot of intensity in each scene, which is why there's more overacting than needed and why the film winds up becoming exhausting to watch after a while. Too bad. It had the makings of a fine film. Perhaps the usual rushed schedule that Hammer Films had didn't allow for sufficient care, though screenwriter Christopher Wicking had history of penning horror films that were more interesting in concept than in execution.

The folks at Hammer Studios take one of their usual Gothic environments and use it for a more cerebral and subtle film than what their fans are used to. The title really does make it quite clear: the "demons" here are those that dwell in the human mind, affecting mental stability and having a profound effect on the next generation. It does take the time to include some more exploitable elements - namely, gore and nudity - but these moments feel gratuitous given the nature of the balance of the film.

It takes place in Bavaria where a Baron named Zorn (Robert Hardy) is afraid of his children, afraid that they have inherited the madness of their predecessors. They do seem to be showing the signs. More than anything, the Baron is convinced that they are possessed. A self styled psychiatrist named Falkenberg (Patrick Magee) and his young associate Carl (Paul Jones, formerly of the band Manfred Mann) arrive on the scene, using radical methods to probe the psyche of father and children (Gillian Hills, Shane Briant). Meanwhile, the local villagers are convinced of the existence of demons, and spurred on by a wandering priest (Michael Hordern), they determine to take care of the problem.

"Demons of the Mind" does appear to divide the audience, but this viewer would consider himself in the camp that considers this one of the more interesting and hence more effective of the latter day Hammer productions. Australian director Peter Sykes creates a suitably eerie atmosphere, which is enhanced by wonderfully spooky music composed by Harry Robertson. The script by Christopher Wicking is heavy on symbolism, and it offers meaty roles to a sterling bunch of actors, with the under-rated Hardy delivering the goods in a particularly great role. Magee is fun as always as the hard-driving psychiatrist, and good looking pair Hills and Briant are affecting as the troubled kids.

The film does end on a very Hammer-esque note with angry torch bearing villagers set for a final confrontation, but getting there is every bit as enjoyable. Those horror fans looking for different offerings from Hammer are advised to give this one a look.

Eight out of 10.