When a young woman enters an extramarital affair, her older husband - the father of her university friend - exacts revenge by trapping the lovers in his mansion with no means of escape.When a young woman enters an extramarital affair, her older husband - the father of her university friend - exacts revenge by trapping the lovers in his mansion with no means of escape.When a young woman enters an extramarital affair, her older husband - the father of her university friend - exacts revenge by trapping the lovers in his mansion with no means of escape.
- Director
- Writers
- Stars
Mario Della Vigna
- Marcel
- (as Mario de la Vigna)
Christine Laurent
- Blonde in Flashback
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
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Worth a look (maybe)
This movie is about a young woman who marries the wealthy father of a university friend, but quickly falls in love with a younger man. The jilted husband hatches an unusual plan for revenge by framing the adulterous couple with his own murder and sealing them in a room in his isolated villa with his dead body. Since most of this movie takes place in a single location,the movie quickly becomes paranoid and claustrophobic as the young couple fall apart debating about what has happened and what to do about it.
This Italian-Spanish co-production to some extent resembles the then popular Italian gialli, but it lacks a lot of the more garish and delirious elements of that genre. It stars Rosalba Neri as the unfaithful wife (who was perhaps a little long in the tooth to be playing a university student). Unfortunately, the dubbed Spanish-language copy I saw edited out all of her no doubt copious nude scenes as Spanish censors at that time was wont to do (Damn Generalisismo Franco! First, he kills hundreds of thousands of people, then he sets up a 40 year fascist dictatorship, and now this!).
This was obviously a very low-budget movie and it's very limited in its sets, but at least it doesn't last long enough for anyone to get too bored. The version I saw (on Mexican television) looked pretty decent at least, but I would have preferred an unedited version (and with some English subtitles). Worth a look though I guess.
Addendum: I recently saw the French version, which does have some brief nudity from Neri (but still might be cut). Unfortunately, this probably doesn't justify the crappy looking, full-screen presentation, but if you find the English-subtitled version the previous reviewer mentioned, well, maybe. . .
This Italian-Spanish co-production to some extent resembles the then popular Italian gialli, but it lacks a lot of the more garish and delirious elements of that genre. It stars Rosalba Neri as the unfaithful wife (who was perhaps a little long in the tooth to be playing a university student). Unfortunately, the dubbed Spanish-language copy I saw edited out all of her no doubt copious nude scenes as Spanish censors at that time was wont to do (Damn Generalisismo Franco! First, he kills hundreds of thousands of people, then he sets up a 40 year fascist dictatorship, and now this!).
This was obviously a very low-budget movie and it's very limited in its sets, but at least it doesn't last long enough for anyone to get too bored. The version I saw (on Mexican television) looked pretty decent at least, but I would have preferred an unedited version (and with some English subtitles). Worth a look though I guess.
Addendum: I recently saw the French version, which does have some brief nudity from Neri (but still might be cut). Unfortunately, this probably doesn't justify the crappy looking, full-screen presentation, but if you find the English-subtitled version the previous reviewer mentioned, well, maybe. . .
Two Mules for no wait that aint right
Old school giallo with a much different premise, told mainly in flashback, so although there's a lack of gore, things still feel pretty refreshing.
What you have here is the story of Alexa, a young Rosalba Neri who has married an old Curt Jurgens, much to the annoyance of her fellow student Emma Cohen, mainly because Curt is her dad. We find out right away that Rosalba is having an affair with hunky Pietro, and both of them aren't so discreet about what they are up to (check them out on the beach at the start of the film. Rosalba's standing there in the buff when there's clearly passers-by getting on about their business. Intentionally left in? Who knows.)
At the same time we see this, we were also shown that Rosalba's husband is up to something at their little love nest, checking doors, windows and such like, so we get the drop that he knows about the affair and is planning on doing something too. What it is though I'm not revealing, as it puts a nice twist on the tired genre and sets up the story for flashback city, and of course further twist.
Usually these films have people scheming against each other and everything comes to a head, but by playing these cards early you do get caught up in the story and wonder what's going to become of the main characters. As usual, Rosalba Neri, although frequently shedding clothes, is also a good actress, so you get to feel her pain. On the other hand, Emma Cohen gets underused as Curt Jurgen's daughter.
A good film about bad decisions and regrets. And greed.
What you have here is the story of Alexa, a young Rosalba Neri who has married an old Curt Jurgens, much to the annoyance of her fellow student Emma Cohen, mainly because Curt is her dad. We find out right away that Rosalba is having an affair with hunky Pietro, and both of them aren't so discreet about what they are up to (check them out on the beach at the start of the film. Rosalba's standing there in the buff when there's clearly passers-by getting on about their business. Intentionally left in? Who knows.)
At the same time we see this, we were also shown that Rosalba's husband is up to something at their little love nest, checking doors, windows and such like, so we get the drop that he knows about the affair and is planning on doing something too. What it is though I'm not revealing, as it puts a nice twist on the tired genre and sets up the story for flashback city, and of course further twist.
Usually these films have people scheming against each other and everything comes to a head, but by playing these cards early you do get caught up in the story and wonder what's going to become of the main characters. As usual, Rosalba Neri, although frequently shedding clothes, is also a good actress, so you get to feel her pain. On the other hand, Emma Cohen gets underused as Curt Jurgen's daughter.
A good film about bad decisions and regrets. And greed.
Good, Solid, Dramatic, Gialloesque Thriller.
Entertaining Mystery/Giallo, from Spainish director Juan Logar - of Autopsy infamy - which features a very decent cast of Curd Jurgens, Rosalba Neri, Emma Cohen and Juan Luis Galiardo - lead in Logar's Autopsy. Story line is a little different from the standard Giallo, though in truth it isn't really a 'true' Giallo in any case. No mysterious or gloved killer, no dramatic twists as such and no red herrings, but plenty of drama, mostly seen in flashback. The direction is certainly different, odd at times, but never dull, and there is little about this film that is mainstream. Music is nice enough, Piero Piccioni scoring a solid soundtrack, that's no classic, but is far from lifeless or tedious. Acting is generally OK throughout, though Jurgens never streches himself too much. The stunningly beautiful Neri is her usual reliable, strong and incredibly sexy self. All in all a film that is definitely recommended, though not an easy one to get hold of, particularly in English. There are a couple of nice blu-ray release from Germany, with English subs - both of which also feature the 'clothed' Spanish variant - but currently no UK or US versions available on any format. Hopefully that will change !
There is no cure for love
What is the price they have to pay, those who cheat in love, the adulterers? They deserve death? One thing is certain, for those who are cheated, life is not life anymore, it becomes unbearable, it becomes a slow death. I saw Curd Jürgens in many movies and I do not consider myself a fan of. But here I liked it how he lived Ronald Marvelling's character. Rosalba Neri, which usually shows her charms (neither here no exception), shows that she can also play well, she's not brilliant, but convincing. Juan Luis Galiardo is OK in the role of Pietro too. Emma Cohen is also credible in the role of Catherine. Piero Piccioni's music is not amazing, just functional. In conclusion, a good movie, except the end, which is disappointing.
Passable drama thriller with a surprising premise and paced by means of various flashbacks
This Spanish/Italian co-production deals with a young girl : Rosalba Neri-mother of actress Francesca Neri- marries the rich father of one of her best friends : Emma Cohen . However, soon finds herself in love with a playboy: Juan Luis Galiardo . The elderly husband : Curd Jurgens to be aware of the treason , and he then will seek for retribution.
An acceptable thriller drama with intrigue , suspense, plot twists , brief nudism and made in Gialloesque style. A twisted and entertaining film about an interesting premise , the vengeance carried out buy an old man against his young wife who has an affaire with a virile boy by having the pair looked at a room in an isolated , far mansion .Trio starring are pretty well, Juan Luis Galiardo as the seducer macho man, gorgeous Rosalba Neri as the young girl who romances a hustler lover and veteran Curd Jurgens as the wealthy old hubby betrayed by a very young woman . They are well accompanied by a good support providing brief but attractive interpretations, such as : Emma Cohen, Manolo Otero , Ricardo Tundidor , Pilar Velazquez , and Eduardo Calvo .
It contains an atmospheric musical score by synthesizer composed by the Italian Piero Piccioni .As well as faded and worn-out cinematography by Florentini , being really necessary a perfect remastering . The picture was decently directed by Juan Logar. He was a multifaceted man , as he was a writer , dubbing actor, composer , producer and filmmaker , directing a few movies such as : "Aun hay tiempo , Quiero soñar, Autopsia , Trasplante de un cerebro , El perfil de Satanás, and this Fieras sin Jaula" at his best . Rating : 6/10 . Acceptable and passable . The picture will appeal to Rosalba Neri fans .
An acceptable thriller drama with intrigue , suspense, plot twists , brief nudism and made in Gialloesque style. A twisted and entertaining film about an interesting premise , the vengeance carried out buy an old man against his young wife who has an affaire with a virile boy by having the pair looked at a room in an isolated , far mansion .Trio starring are pretty well, Juan Luis Galiardo as the seducer macho man, gorgeous Rosalba Neri as the young girl who romances a hustler lover and veteran Curd Jurgens as the wealthy old hubby betrayed by a very young woman . They are well accompanied by a good support providing brief but attractive interpretations, such as : Emma Cohen, Manolo Otero , Ricardo Tundidor , Pilar Velazquez , and Eduardo Calvo .
It contains an atmospheric musical score by synthesizer composed by the Italian Piero Piccioni .As well as faded and worn-out cinematography by Florentini , being really necessary a perfect remastering . The picture was decently directed by Juan Logar. He was a multifaceted man , as he was a writer , dubbing actor, composer , producer and filmmaker , directing a few movies such as : "Aun hay tiempo , Quiero soñar, Autopsia , Trasplante de un cerebro , El perfil de Satanás, and this Fieras sin Jaula" at his best . Rating : 6/10 . Acceptable and passable . The picture will appeal to Rosalba Neri fans .
Did you know
- TriviaApart from its different opening titles obliterating shots of Paris streets, prudish Spanish version provided alternate clothed scenes whenever actress Rosalba Neri appeared naked in the Italian version. Also, The dialogue of the final telepathic conversation between Alexa and Pietro also varies substantially between the Spanish and the Italian. The Spanish is rather far-flung and poetic, expressing a new clarity of understanding due to the extremity of their circumstances, while the Italian is more direct and conventional in its resolution of the plot, especially in regard to the action of the scene.
- GoofsOn Montmartre, Pietro appears to adjust the position of his subject's chin in order to better draw her face, but all he has actually been doing the entire scene is scribbling around the edges of an already completed portrait.
- Alternate versionsRunning time stated here is 1:27 minutes. There is an abbreviated 1:18 minute version that cuts most of the intimate physical interaction between Alexa and Pietro, except the featured dance scene. There are both Italian and Spanish versions that begin with street scenes of Paris under the titles. There is also a Spanish version which begins with extended shots of Alexa and Pietro on the water under the credits. The dialogue of the final telepathic conversation between Alexa and Pietro also varies substantially between the Spanish and the Italian. The Spanish is rather far-flung and poetic, expressing a new clarity of understanding due to the extremity of their circumstances, while the Italian is more direct and conventional in its resolution of the plot, especially in regard to the action of the scene.
Details
- Release date
- Countries of origin
- Language
- Also known as
- 2 Masks for Alexa
- Filming locations
- Normandy, France(estate, coast)
- Production companies
- See more company credits at IMDbPro
- Runtime
- 1h 27m(87 min)
- Sound mix
- Aspect ratio
- 1.85 : 1
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